Still Open All Hours – the ratings


Don’t watch that, watch this!

The revival of the classic sitcom Open All Hours as a one-off special, replicating the formula with David Jason mimicking the late Ronnie Barker and a new, genuinely young actor mimicking Jason’s old role as Granville has been revealed as the most popular programme on Boxing Day, with an audience, at its peak, of just over 10,000,000 viewers.

This is not to say that everyone who watched it did so in full enjoyment: I’m far from the only one who watched out of curiosity and concluded it was a waste of time. But with figures like that, the odds are that a very high majority did enjoy it, and the chances of this being revived as a series are correspondingly increased.

Popularity has never been any sort of guide to quality – Ladies and Gentlemen, I give you Justin Bieber and One Direction – and I’m as guilty as the next man, in my younger days, of turning up my nose at something that was overly popular. But I have, at least, learned not to dismiss something just because it is popular, and nowadays, if something essentially crap is massively successful, I simply ignore it, rather than get worked up about it.

People are enjoying it, so why not let them get on with it?

And if Still Open All Hours istaken up as a series, I will simply not watch it (unless Barbara Flynn returns as the milkwoman), and it will not spoil the original for me one bit.

Having watched the Xmas Special myself, I do wonder what people found in it that was funny? I suspect it was all the wrong reasons: that is was comfortable and familiar, like a tatty pair of slippers, that they like watching David Jason, that nobody in it said fuck or was rude about the Queen. Perhaps there was also the fact, which we overlook at our peril, that with the exception of the execrable but even more popular Mrs Brown’s Boys, there’s nothing else like it on TV, and that there is a substantial chunk of the audience out there that no longer has anyone making programmes for them.

Even when it was finally cancelled, to choruses of relief and high condecension from people who hadn’t watched the series in decades but still thought it shouldn’t offend their sight, Last of the Summer Wine was pulling in 6,000,000 viewers a week. Which meant 6,000,000 people who had their choice in viewing pleasure ripped out from under them.

Television so desperately wishes to be edgy and would really rather that those for whom edgy is unwelcome and unpleasant might disappear into their bland little holes and, well, die.

Don’t get me wrong, I do not wish to see this uninspired and meaningless revival proceed but if there is an audience for it, sometimes we should remember that they have no less right to have programmes that suit their taste than we do. Programmes should be made to entertain them.They should be far better than Still Open All Hours, that’s all.

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