A continuation of yesterday’s gag, still playing on the theme of the age-based disparity between Debbie and Suzi’s interests, and returning to the occasional hint that, a few years ago, the pre-marriage Suzi was a lot like Debbie. It’s a superb example of Roberts’ non-panel approach, as the images flow into each other, concentrating solely upon the two girls. Again, look at the expressiveness of the faces: even without the blush lines, Suzi knows she’s been caught out, whilst Debbie’s smile combines glee and superiority without any trace of malice.
