Saturday SkandiCrime: Follow the Money parts 7 & 8


Poor Alf

It’s the penultimate week of Follow the Money and I’m only just starting to figure out this show’s credits. Water, water, rising everywhere, until everyone, not just the four stars are drowning in it, symbolising the vast ocean of fraud that only ever grows deeper and deeper until everyone’s heads are under water and there is no return to air again. Apologies if I’ve been a bit slow over that one.

That still leaves a couple of things that we’re probably going to have to wait until the conclusion to interpret. The sequence stats with our amoral compass, Claudia, on whom the first droplet appears. Many people see this as her crying, but in fact it’s a droplet from above, a single raindrop, that strikes first her forehead then falls onto her cheek, just below her eye. Is this merely a symbol of the whole Empire of Fraud and Scams landing upon her from above, without her intrinsic involvement? She is the only person on whom the water comes from above instead of welling up from below.

And what of Maverick Mess? At the other end of the sequence, whilst everyone  else just goes about their business undisturbed, he alone finds his paperwork floating away from him, whilst he flailingly tries to swim upstream to catch it.

That could definitely symbolise the end of episode 8 where, in a manner reminiscent of the last scene of Blake’s 7, all those many years ago, the bad guys win in a completely decisive manner. Energreen, and Sander, have beaten off every threat to their comprehensive fraud.

Jens Kristian, the whistle-blower whose whistle wasn’t loud enough at first, has led himself into deep waters in trying to shore up the case against Sander personally. He’s produced evidence, gained from his temporary role as substitute for Chief Financial Officer Ulrik Skov – who is cracking up good and proper – that will pull down Ulrik and the beauteous Claudia, whom he worships, but in trying to protect her, he enlists her support.

Oh dear, Jens Kristian. Is Claudia worth saving? She knows Sander is behind the hit on poor Mia, and she knows exactly how much bullshit has gone into the Financial Prospectus that makes Energreen the only company in Copenhagen once it goes public. Which she, as Head of Legal, has signed for, a one-way ticket to the pokey. But what of poor, traumatised Bertram? She can’t let him grow up with a mother on a long term jail sentence.

There is, early in episode 7, a telling if somewhat blatant scene where Claudia pays a visit to her lecturer at Law College, Ebbe. He’s a brilliant, principled man, she looks up to him, she was his star pupil. She explains the shit she’s in, and asks his advice about lying, cheating, destroying evidence and generally committing every illegality under the sun to avoid the consequences of being a criminal, and is disappointed when he tells her to come clean, uphold the Law. When she accuses him of being useless in the ‘real world’, a term which only ever gets used when someone wants to justify being a right shit in some way or other, she’s done for.

And I apologise for last week’s  frustrated outburst about how we knew she’d turn goody-goody in the end.

Because Claudia, once she’s brought into the loop about the Fraud Squad, does not waver for a moment. She acquiesces in Jens Kristian’s plan to incriminate Sander, knowing that it will backfire on him and the cops in every level, whilst Sander uses P (who, intriguingly, talks of ‘our plans’, suggesting that he isn’t just a hired assassin at Sander’s beck: I’m guessing it’s some form of Mafia, who serve Sander whilst ultimately having some form of control over him) to plant a fake file in Jens Kristian’s flat that dobs him in as a fraudster himself, tainting everything.

No wonder Sander broke with his practice of insulating himself from responsibility, and actually signed for the new scam.

Poor, sweet, honest, dumb Jens Kristian. Suspended from his job by the lovely Claudia herself, framed, and fucked (though not in the way he’d hoped of her).

To plant the fake file, P enlisted the unwilling aid of Nicky and the Bozo, whose career got more and more stupid as the night wore on. First, Nicky brings the shot and bleeding dodgy accountant Erik back to the garage, calling in his hot young blonde wife Lina – a nurse’s aid – to fix him.  Then, when it becomes clear that a Doctor would be absolutely necessary, instead of taking Erik to a hospital, which would mean the shot being reported to the Police, Nicky brings in a dodgy Doctor, via the Bozo’s old schoolmate, addict Andreas.

The Doc, however, won’t even look at Erik without 25,000 up front, so Nicky compounds his stupidity yet again by nicking it out of father-in-law Jan’s safe. Which only gives addict Andreas the idea that his old schoolfriend Bimse’s mate is a money-tree, and he comes back the next night with a swanoff shotgun, demanding more. Except that Jan has obviously noticed he’s 25,000 light (not that he mentions this to Nicky as possible justification for nicking the boys’ first customer) and changed the combination. The safe won’t open, no matter how much the hyper addict waves his gun. Something’s going to go off any moment, but when it does it’s addict Andreas’s head – shot from behind by P. Who happens to have on him the necessary materials for cleaning everything up and disposing of the body without anyone knowing there’s even been cross words spoken, let alone murder.

This is how P is able to easily ‘request’ Nicky and the Bozo to housebreak Jens  Kristian’s flat and plant the fake file.

Incidentally, before things get to this point, we have two telling scenes. First, Bozo mourns his mate’s death (we played together as kids and I brought him to Copenhagen being clearly more powerful than last night this drug addict desperate for a fix stuck a sawn-off shotgun in my face and was one second from pulling the trigger), so much so that he breaks into Addict Andreas’s scabby and vile flat and ends up rescuing his (also scabby) dog.

Nicky tells him to kill it. P tells them to kill it. But at the end of the day, Nicky just cannot bring himself to put a bullet between the dog’s beautiful, liquid, pleading brown eyes: laudable but no doubt fatal.

Secondly, in a confusingly edited couple of sequences, the lovely Lina throws the lying Nicky out (without our realising she has) then, after an invisibly long period of separation, decides to take him back, providing he first fucks her up against the Mercedes taxi he’s fixing for his only customer. Young love, eh?

But on the way, P has also scored the incriminating iPad, closing down that threat.

So that leaves us Mess. Alf and lawyer Hanna might despair once Energreen floats and hits 5,000 investors, seemingly making itself untouchable (why?) but Maverick Mess’s total ignorance of how a Fraud Squad actually works doesn’t stop him from all sorts of morale-boosting moves, including roughing Jens Kristian up in the elevator, to get harder info (and look where that got everybody).

But we can get Energreen through Claudia, the important thing is, what’s the score with Mess’s personal life? I mean, that’s got to be more important than any crime, hasn’t it?

To summarise: Mess and Kristina are going to separate, even though Kristina has quarreled with her celibate Doctor/boyfriend. In order to raise a mortgage for a flat of his own (which he’s going to need if totally hot blonde out-of-nowhere Cecelie is going to turn up for ‘professional assistance’ and start snogging him), Mess has to sell the family home. This he refuses to do: his wife and children need it.

Then, without a word of explanation, he and Kristina are showing an Estate Agent around and going for a quick sale. Except that the house is worth 700,000 less than their mortgage. Ah, the joys of negative equity: I sympathise, Mess, I really do. So he and Kristina go for Plan C:  the kids will live in the house and he and Kristina will share in, in alternate weeks.

As plans go, it’s dumb from the ground up to the gutter, over the roof and back down the other wall, so dumb that even in the we-have-no-other-options stakes it’s a non-runner, and whilst young Allbert’s main concern is about keeping his bedroom, teenage Esther has no qualms about calling it out as a plan that suits her parents and not the kids.

She also lays a hefty dose of blame on her mother, which can’t be gainsaid.

In between times, when it’s not their turn, Kristina will live with her celibate boyfriend, and Mess will live with Alf, who seems to be prepared to put up with him. And might have to bear with Cecilie too.

Which is going to be difficult. They’ve taken Mia of the artificial coma-inducing drugs, but she’s not woken up yet. Mess is, for once, useful, given his experience with, and continual fears for Kristina (who he still loves, quite clearly), telling Alf to hope and believe.

But it is all in vain. Alf visits Mia late at night, tries talking to her but stops because he feels stupid, because he can’t convince himself she can hear. Only she goes into cardiac arrest, and dies. The final angle on Energreen goes with her.

Evil has won, comprehensively, Sander has got everything he wants (except Claudia’s lilywhite body). He’s even secure enough to reinstate poor, broken Ulrik, whose leave of absence from the company has been long enough to set him on the road to recovery whilst, like Lina and Nicky’s separation, being impossible to incorporate in the timeline for the series.

Is Sander safe? Will Justice be thwarted? Have they really brought in Lotte Anderson to play virtually the same role she played in both The Killing and The Bridge? (yes they have and it’s a glorious in-joke). Will the dog survive? Will Claudia decide that being thoroughly evil and ruthless is just a temporary necessity to get herself out and ‘clean’, or will she decide to overthrow Sander and get it all for herself?  Is Mess going to shag Cecilie or go back to Kristina because she has another sclerosis attack? Did Avon somehow escape being surrounded by Federation troopers with ninety-six million, eight hundred and fourteen thousand guns all pointed at his head from six inches away? Oops, sorry, wrong show.

Let’s wait and see, eh?

 

 

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