The Magic Words: Azzarello, Risso, Buy

In these latter days, given my ever-growing distance from what purports to be modern entertainment, and exacerbated by my current issues with depression, it’s very hard to find new things to be interested in.

This applies especially to my lifelong love of comics, which for some time has left me with only one monthly title, Kurt Busiek’s Astro City, supplemented with the occasional Graphic Novel, and those mostly when they supplant a bunch of the original comics.

But there are certain magic words, the effective of which is to add up to a mathematical formula: Brian Azzarello + Eduardo Risso = Buy.

In the middle of the week, I learned of the forthcoming publication of Moonshine 2, from the much-derided but increasingly influential Image Comics. It’s written by Azarello, and both drawn and coloured by Risso: the 100 Bullets crew back together, and even though I didn’t have a clue what Moonshine is about, and whether it’s an ongoing series or a limited one, and if so, how many issues it’s planned to run, these were matters that didn’t matter. Did we wait to find out who starred in the new Pratchett, what was its theme, how many pages before we bought it? No, we did not. And when Azz and Eduardo get together I ask no such questions, I just buy it and put the series on my pull-list at Forbidden Planet in Manchester.

That was this afternoon, the furthest I’ve been outside in the last couple of weeks: Planet and Pizza Hut and home again.

So what is Moonshine, and is it any good? The two answers are: I’ve no idea yet and of course it fucking is.

Moonshine is set in 1929, and Risso’s art is perfect for the era. The story’s hero appears to be one Lou Pirlo, a tough customer looking to make a name and a position for himself under Joe ‘The Boss’ Masserio, a bootlegger. Masserio has found a supply of illegal hooch being made up in the mountains of West Virginia by a hillbilly named Hiram Holt. It’s good hooch, in fact it’s the best, and Masserio wants it for his organisation.

So Lou is sent out to Spine Ridge to do a deal with Holt. The figures ain’t entirely to Holt’s advantage, but this is Joe Masserio we’re talking about, and this is the bootlegging business. Unfortunately, Holt isn’t interested in playing – Pirlo is shown a still, and three mutilated bodies, three G-Men, hunting down the illicit still in the opening sequence, finding it, and also finding hillbillies with axes: oh yes, this is Azz and Eduardo – and is sent back with a message: Holt doesn’t take to having others mess with his business.

Halfway down the mountain road, Lou’s car pops a tyre. He hears music, follows iit to a negro camp, watches the singing, a girl dancing. When he enters the firelight, they stop to watch him. When one of them asks what he wants, he replies, “A drink.” Looking at the girl, he adds, “For starters.”

And that’s issue 1. Not much going on, mostly passive, mostly a beginning of a set-up. No massive surprises. Yet.

But this is Azzarello and Risso, and they don’t ever lay all their cards on the table, not at once, and sometimes you don’t get to see the hand even after they’ve won it. I just know that the magic words were magic again and I’m in, and I’ll be at the table for as many months as Moonshine lasts.

And if they want to keep this one going as long as 100 Bullets, I’m in. Pass the hooch.

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