Book Making

It’s been some time since I last published through Since The Revenge of the Purple Puffin in 2012, there’s only been two books, both based on existing writings and both which, for differing reasons, I’ve made Private Access, meaning that only I can see them on, and only I can purchase actual copies.

Having been so fallow for so long, it’s mildly amusing to record that I have now published three books in the last ten days. They’re all Private Access again, for various reasons.

The first of these, completed over the Easter weekend, is obviously The Legendary Semi-Autobiographical Novel, the proof copy of which should be arriving any day. It spurred me on to complete a project I have been adding to in a desultory manner for several months. I’ve written several series on this blog where I’ve taken an author and reviewed his career, book by book, and I decided it would be handy to have these all compiled.

Given the number of times I’ve done this, I decided to make this a two volume project, given that I had over 500 pages without having included Christopher Priest, George MacDonald Fraser or the current Lone Pine series.

So I added in the final author for Volume 1, and started down the Book Creation path again.

It wasn’t quite as bad as with the Novel because I’d had a bit of practice by then, and I also worked out a technique that drastically speeded things up by avoiding the worst and most finickety problems, and got it all worked out yesterday, though I was going to hold off with my proof copy until I’d been paid again.

Until came up with a 25% off voucher, valid only today, which had me quickly ordering it, an even more quickly completing the next of such volumes, which is devoted solely to the Terry Pratchett Discworld series of last year. That proved to be even quicker to prepare and steer through the Creation process, and the 25% off came in equally handy.

I’ve three more similar projects in mind, all of them compiling blog-series of greater or lesser length, all of which I’ll get to fairly quickly, before I forget any of the techniques I’ve learned.

It’s a bit mechanical, but the process is simple in itself. First, I need to prepare a print-ready copy, setting things like Font, Font size and removal of Orphan/Widow controls. I prepare documents in Arial 11 point on my laptop, but don’t like the look of that in print, so I use Palatino Linotype, or Garamond Light for the books themselves, still 11 point.

Since I’m assembling these volumes from existing separate pieces, the easiest approach is to set the Lulu Template to the Orphan/Widow controls and them cut and paste each article in order, having temporarily converted the source document as to Font and paragraph indents. I then insert a Manual Break so each new ‘Chapter’ starts on a new page, discard the changes on the previous document, and repeat on the next.

It’s repetitive, but in the end you will end up with a camera-ready master document, ready to upload to

This is where it gets complicated. Because even though you are using the Lulu Template for the size of book you want, when it makes a print-ready copy, it will tell you it’s had to adjust the document you’re uploaded to the size specifications of the template you’ve actually used!

However, a bit of practice making nearly perfect meant that, instead of having to download multiple Print-Ready copies (which are a complete pain in the arse to check) to ensure that there are no unsightly and unprofessional Widow/Orphan blanks at the ends of pages, I managed to get the Discworld Book complete in two passes, because all that had happened was that, in four instances, the revised layout had brought the Manual Breaks right to the start of a page, so there were blank pages between chapters. I quickly worked out how to eliminate that issue in the Upload copy.

And after three recent goes at the Cover Creator, I reckon I’ve sussed how to get through that efficiently.

But none of these volumes are available to such of you, if anyone, who might like to own one. Whyever not, you might think, given that the sub-title of this blog is ‘Author for Sale‘ (emphasis added).

Well, the Legendary is an officially unfinished first draft printed up as an anomaly. I’ve begun working on the revisions that will, I hope before the year is out, making it a publishable book. The Literary Criticism volume includes my Peter Tinniswood series, which included extracts from each book, which are obviously copyright to Tinniswood’s estate.

In the context of the blog, which is free for all to see, I’d argue that these are fair use quotations, appearing in the context of reviews. If I start reprinting them in a book for which I’m asking payment, that’s a usage I’m not so confident of defending. Besides, who’s buy a book that really only contains material freely available on-line for the price only of an Internet search?

The same and more goes for the Discworld Book. An entire book, devoted to Terry Pratchett’s creation? Without the consent/approval of his Estate? Oh no, not trying that one on. It’s not respectful, anyway.

For my own use and purpose, that’s different.

So why tell you all this? Just that it feels good to know that my bookshelf is expanding again, and that I’ve mastered the techniques that will go into producing the book I hope to have out there before this year ends. That’s going to feel even better.


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