For once, I’m not entirely sure what I want to say about a DS9 episode, let alone how I want to say it.
‘Looking for par’Mach in all the wrong places’ (apparently the longest title for a DS9 episode and the second longest for any Star Trek series) was a purely character-driven episode. It was directed by Andrew J. (Garak) Robinson, though he doesn’t appear in the episode, it was, at the suggestion of Michael Dorn, based on the famous French play, Cyrano de Bergerac, and it initiates the relationship of Worf and Dax as a couple.
It also heavily features Quark and, surprisingly, is actually bearable.
This episode also has a B story which, in standard DS9 fashion, is introduced first in the open, with Doctor Bashir eavesdropping on a seeming row between the O’Briens, which turns out to be a row between the Chief and the Major, their live-in guest whilst Kira is carrying Miles’ baby.
This switches to our A-story, with Dax and Worf present to see a tall, bold, long-striding Klingon woman arrive on the station. Worf falls for her instantly, like the proverbial ton of bricks, though his romantic ideals are shattered when he follows her to Quark’s, and sees her enthusiastically embrace the proprietor. For this is Grilka, and Mary Kay Adams for a second and final time, and she is Quark’s ex-wife, as anyone who recalls ‘The house of Quark’, exactly two seasons ago, will remember (I didn’t).
So, Worf is smitten, and Dax displays considerable equanimity in listening to his moon-struck babblings about how glorious Grilka is. Worf even makes a start on traditional Klingon wooing, only to be told, not unkindly, by her aged Counsellor, Tumek, that as a dishonoured traitor to the Empire, it’s no chance whatsoever, and as a Klingon brought up by humans, Worf wouldn’t know how to woo a Klingon woman anyway.
This is like a red rag to a bull, and this is where the Cyrano bit comes in, because when Quark asks for help in wooing the statuesque Grilka, Worf takes over as his mentor, wooing by remote control, and getting a hell of a long way with it.
Unfortunately, the remote control bit has to become a little more direct. Quark’s filthy and demeaning attentions prove to be too much for Grilka’s bodyguard, Thopok, who demands satisfaction, with bat’leths.
Dax quickly cooks up a device that enable Worf to see through Quarks eyes and control his movements and effectively fight his duel for him without even being in the same holo-suite. Apparently, everybody seems to be incredibly fussed about the way nobody explains just how this little transmitter/receiver device work, and the decision not to explain because that would just bog the story down in unnecessary detail, and I don’t get why all the fuss: this is the twenty-fourth century, I don’t need an explanation for how a scientifically advanced device works and yer dern tooting it would have killed the momentum in its tracks.
Anyway, lots a by-play later, the Quark-puppet wins his duel, spares Thopok’s life and has Grilka jump his bones with true Klingon aggression. Worf, who has proved his point without anyone but Dax knowing, who has won his woman only for her to go off shagging Quark, gets an undeniable touch of the melancholies, from which a by-now frustrated Dax, tired of trying to make him see there’s a randy Trill under his nose, starts a bat’leth fight which draws both into a pyre of lust that ends wiith them shagging (tastefully offscreen, of course).
Both couples wind up in the Infirmary with cuts, bruises, dinged ribs, strains (I will reject all advances from Klingon women if this is what it leads to), causing Bashir to mentally wince so much, he probably pulls a mental hamstring himself.
For all this is an overtly sexual storyline, its ironic that the only female flesh we get to see is in the B story. No, not Rosalind Chao, though it was noticable to the unreconstructed among us just how clingy was that top she was wearing at the start, but Nana Visitor, clad in but a light, and short purple slip, having a massage from Chief O’Brien that started at her pregnancy-swollen ankles and got a long way up her unclad thighs.
If the A-story was about a love triangle, the same went for the B-story, as Miles and Nerys found themselves developing an unexpected – and unwanted – attraction for each other based on their close proximity, that was clearly capable of going beyond the purely sexual.
Everybody seemed to see there was something at least potentially going on except, naturally, Keiko. This was an interesting story, and an interesting twist on human relationships, with Miles and Nerys trying to distance themselves from each other to avoid nearing the point of lost control, whilst not letting the oblivious Keiko see that there was anything to back away from.
Matters came to a head when Kira abruptly decided to take several days leave in solitude on Bajor, only for a horrified Keiko to insist the Chief go with her, to look after her. The problem was, this was a gorgeous place in the most romantic of settings…
The drawback with this story was that its treatment was too light, and it was concluded without an ending. Miles and Nerys recognise that they daren’t go off together, and that there is too much of a potential affair that neither wants. So Kira shoots off for some no-doubt pregnant nookie with Shakaar, and O’Brien heads home to (unseen) lie to Keiko about some miscommunication meaning she’d jetted off without him, which wasn’t going to work for a second, or change any of the genuine fears that prompted Keiko to send her husband off with his baby-mother, or actually resolve anything, and I bet we don’t hear of this storyline again.
Basically, this was a lightweight script, with some comic elements that worked mildly successfully, a deliberate contrast that would perhaps have worked better if it were not thrown in so early in the season, when there was so little to contrast it to. But Quark, despite having a major role, was perfectly bearable, because he was playing against his usual, money-grubbing Ferengi self.
At least we’ve now hurdled into the Worf/Dax relationship.