Tales of the Gold Monkey: e09 – The Lady and the Tiger

Just because she was in it this week.

The title suggested that this episode was going to be about Princess Koji, but although Marta DuBois appeared for the first time in half a dozen episodes, this weeks Tales of the Gold Monkey was about a lady of a completely different stripe, oh, and an actual tiger.

You may already be about to point out that tigers are not indigenous to the South Pacific, but if you haven’t already realised that such nit-picking is irrelevant, Jake Cutter does raise the question for you and gets as good an answer as any: the Japanese imported it. Sorted.

‘The Lady and the Tiger’ prefigured Harrison Ford’s film, Witness, by three years in marooning Jake in an Amish colony. This time it’s accidental: both engines blow out on the Goose when Jake buys contaminated petrol and he crash-lands on an island just inside the Japanese mandate, where the military are trying to lever out an Amish colony who have been licenced in perpetuity by the Emperor.

The slightly banged-about Jake is taken in, and provided with Amish clothes by, Martha (Anne Lockhart), mother of ten year old Paul (Jerry Supiran), an attractive young woman aged around thirty. Paul is an angelic little boy with a blond pudding bowl haircut and a penchant for sneaking off into the woods with his father’s shotgun to kill the tiger. After all, it killed his father.

So we know what to expect there, all of which duly follows: Paul adopts Jake as a father-figure, Martha starts falling for him, and actually gets close enough that he admits to her that he never knew his father and that his parents weren’t married, and there is in due course a snog.

But there’s never any intimation that Jake is going to stay even if we didn’t know we were watching a series. Since Paul has managed to shoot the Goose’s radio, Jake has to allow himself to be goaded into first a game of checkers and then a duel with the local Japanese Army blowhard, who’s so fixated on American B-picture westerns he’s even named after Buck Jones, just to get a radio message out for help and a pair of magnetos.

The rest of the cast are back on Bora Gora, doing their thing. Corky’s torturing himself over the fact that he can just about remember every leg of Jake’s flight plan except the crucial last one on which the Goose has been lost. Sarah’s alternating between contempt for the wacky enthusiasm the Monkey Bar patrons have for fights, concern for Jake and a jealous hissy fit at Princess Koji, because she has to get Corky into the Japanese Mandate to rescue Jake, and a hard bargain she drives of it. Still, the cost of her concession will just be added to Jake’s bill by Louie: it’s only a million francs…

So we drive towards the big climax. Jake faces ‘Buck Jones’ as Jake Cutter, Flying Tiger, rather than Martha’s brother Ezekiel, Paul, sent to the Goose to await assistance, faces the Tiger. Both shoot, simultaneously. The episode teases us with the possibility, which we don’t believe for a second, that one or both might have missed, but of course they’ve killed their respective opponents. Corky’s arrived, offstage, with the magnetos, the Goose is fixed and despite both of them aching for Jake to stay, Martha and Paul recognise that Jake’s going home to his real life (though not without a most un-Amish snog first).

Paul does bravely promises his mother that Jake will be back, but a quick glance at imdb confirms that that must have been in the never-commissioned season 2.

And what could they have done with a follow-up? ‘The Lady and the Tiger’ pretty much mined all the cliches about the Amish and the clash of cultures and left no new territory on which to build a return visit. Witness was better and had more depth, but it was also twice as long and didn’t have to turn up next Tuesday night at 8.30pm with another episode.

To be honest, this one felt like a bit of a stretch for once. By sending Jake off on a solo adventure, the show lost the energy of the usual interactions and the imposition of a caricature Japenese cowboy who didn’t even achieve the cliche of a life, it’s main protagonist never began to be plausible. A miss, then.

Still, it came out of it with a neat zinger. In the cockpit in the air, going back out among the English, Corky gets Jake to tell him what was the last leg. It’s a great relief, and Corky immediately starts punishing himself again over why he couldn’t remember. That’s because I didn’t tell you, says Jake…

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