It may not be much cop, but we can at least adjust the banner to correctly define Black Lake, now reaching its halfway mark, to the kind of programme it is.
Not being, by instinct or inclination, a horror buff, I don’t know quite to what extent this programme is observing all the tropes, but from my position of ignorance I can’t see anything of significance being left out, except the frequent violent and bloody deaths. We do have one in part 4, but it takes place off stage and the method remains undisclosed, although it at least observes one given: it is the seemingly promiscuous blonde what gets it first.
We left Jessan collapsing in a heap after screaming something about killing the child, which causes more than one member of the party to be concerned. Whilst she sleeps it off, massively, Frank goes through her bag, discovering a pillbox that the medical expert Mette identifies as being for schizophrenia and psychotics. After she wakes, Jessan confesses to killing a child: an abortion in Berlin five years ago, the root of the psychosis.
It appears this two are about more than the wild sex, they have genuinely fallen in love. That doesn’t stop more uninhibited sex, during which Jessan binds Frank’s hands with his dressing gown belt, hooks them up to the bedpost, straddles him, undoes his belt… and proceeds to tighten it around his neck as our part 3 climax.
The other person much concerned with the wild-haired Jessan is, of course, the already-disturbed Hanne. Sarah-Sophie Bouusnina may well be dead lovely to look at, no matter what arrangement she has her hair in, but she’s already starting to get on my wick with her obsession with the killings 20 years ago, her belief that the strangled children are trying to communicate with the house party, and the insistence on getting translated the mystery words ‘gaadet jaamet’ (sorry, no Scandinavian fonts on this laptop).
This involves using the effeminate Jostein, who interprets her constant appearances as evidence of overwhelming lust for him and who steals a kiss Hanne makes no attempt to refuse in part 3 and then, after being pushed away because she tells him she has a boyfriend and is engaged to be married, comes back for more in part 4 that Hanne offers quite enthusiastically (though she’s already enthusiastically shagged the pallid and superior Johan without taking her zipped-to-the-neck jacket off).
But Jessan comes to with no memory of anything, though that doesn’t stop her and Hanne suggesting a seance, which is eagerly greeted by everyone except the disbelieving Johan and Mette. Maybe they should have listened to this pair because, after the glass lights on the letter M, the candles blow out, Jessan screams, scratches Lippi’s neck and disappears into the secret basement.
Where she is found with a cut on her forehead whose provenance we don’t get to see until late in part 4.
For the moment, we get the strangulation scene, from which poor Frank is rescued when his feeble gasps for help are overheard by Johan and Hanne. Jessan, struggling in a frenzy, is overpowered and the belt used to tie her to the bedpost whilst she’s locked in (the Police are 30km away, on an emergency).
And Jostein’s turned up seriously late, with a translation of the mystery words: ‘Kill or Die’. Or, as a conscious Jessan explains to Hanne in the morning, whilst wriggling out of her bonds, ‘Kill or be Killed’. An external compulsion was driving her, put in her head by Mikkhel. When Johan and co arrives, she locks herself in her bathroom, and is then barricaded in. Her death, leaving aa look of horror on her face, is called suicide.
Now the most sensible things to do under all the circumstances is to hightail it back to Stockholm at a rate of knots. Mette’s had enough and wants out, and funnily enough so does increasingly barmy Hanne. But Johan refuses to believe in Hanne’s ghosts, and is determined to close his deal to buy Black Lake and talks everyone into staying.
We all know this isn’t going to be wise because caretaker Erkki, big bad snowmobile seller Dag and even Jostein want the gang to leave. And in a neat echo of the end of part 2, Mette, having seen Johan snog the pretty but under-used Elin now sees Hanne snog Jostein. And when she tries to talk her sister out of smashing her own future, Hanne starts getting all petty/sulky (until Mette confesses to a miscarriage, which in the circumstances comes over as a pointless detail).
So: a mysterious force keeps chucking a set of architectural plans at Hanne until she spots the discrepancy between the 1950 and 1995 cellar plans that reveals a secret room, Johan completes his deal and sacks Erkki (did he seriously think he’d be kept on after the way he’s behaved?), the cellar door’s conveniently open all of a sudden, Hanne finds the boarded off secret room: quick flashback to Jessan banging her head against the wood which the fragile Hanne strips off like it was paper, revealing… a door. The cellar door shuts above her, the door proves to be unlocked and not even in need of oiling, and Hanne goes inside…
Leaving me hoping, no doubt in vain, that it’s a gateway to a better programme than Black Lake has proved to be so far. The lovely Sarah-Sofie can only stave off snarkiness for so long, you know.