The first in the latest attempt to revive Dan Dare for the present day is now with us in it’s entirety and it’s time to assess its success. As with the generally successful 2007 Virgin Comics effort, it’s in standard American comic book format, this time from Titan Comics, and the first four-issue mini-series leads only to a sort of cliffhanger and a little ‘End of Book One’ box. More is therefore intended, subject to the commercial success of the four issues to date, and the inevitable collection already billed for April.
It’s hard to assess what is no more than an introduction: it’s a bit like trying to come to an opinion on Lord of the Rings after the end of Chapter Two of ‘The Fellowship of the Rings’. And I am one of those who are fiercely protective of Dan Dare, who will not at heart accept anything that is not directly based in Frank Hampson’s work, his world and its exceptional parameters.
I was surprised at myself for being willing to accept the Virgin Comics version, as a kind of left-handed, Earth-2 version of the character. That was the work of Garth Ennis and Gary Erskine, the latter enough of a photo-realist as an artist to make a worthy attempt. The Titan version echoes the last in selecting a writer, in Peter Milligan, who is also an iconoclast that you wouldn’t expect to see writing the Pilot of the Future, and drawn by Italian artist Alberto Foche, in a sketchy, cartoony style that pays no homage to Hampson’s world.
Nor does Milligan pay too much attention to the past. We have Dan, of course, and Digby, Professor Peabody and Sir Hubert and, of course, the Mekon, but this time we do not have a Prime Minister mocked up to represent Theresa May selling Earth out to the Treens. Instead, we start with the Mekon actually being elected President of Earth (via mind control, but not entirely mind control). Dan starts the series in flashback form as a terrorist, exposing electoral fraud and getting the Mekon sent to rehab on the Moon.
And, would you believe it, it takes!
Dan’s the only one who really believes it, despite the ever-mounting evidence that it’s real. Everyone else, including his two constant companions, Digby (reinvented as an engineering expert) and the Professor, and especially Sir Hubert believe that it’s nothing but a long con. But Dan is determined to believe, and events mount up that support his faith. He even makes a best friend and ever-helpful consultant out of the erstwhile green monster.
There’s just one drawback so far as Dan is concerned: the removal of the Mekon has turned Earth into a peaceful paradise for the first time ever, and Dan’s bored. Bored enough to pray for some kind of threat to Sol System, just so he can be ‘Dan Dare’ again.
Which of course he gets. In the form of an ancient, massive Treen ship, an Empress class, entering the System, en route for Earth, and pausing on the way to completely obliterate Triton, a moon of Neptune. Dan goes out to meet it with Digs (yeuch) and Peabody in a re-designed ‘Anastasia’ and ends up teeming up with Au Taween, a sexy blue-skinned alien with a mad-on for Treens and no respect for Earthmen, who gets right up Peabody’s nose.
With long-distance assistance from, yes, the Mekon, the Empress ship is brought back to Earth for examination. By the mind best equipped to understand it, namely, you got it, the Mekon. This triggers Au Taween’s see-a-Treen, kill-a-Treen reflex and when Dan tries to prevent her, she nonchalantly decides to shoot through him. Except that the Mekon buts him out of the way, takes the shot himself, and dies.
Straight up: laserbeam through the chest, cooked Greenie.
Dan’s the only one to seriously mourn, though being Dan he tries to save Au Taween from execution for her cold-blooded murder. At least it’s proved his point: the Mekon had reformed. The greatest force of evil in the Galaxy found good within himself and embraced it. The only thing that eventually saves Au Taween is that, despite everything, the Mekon isn’t actually dead, just in some form of self-induced cryogenic suspended animation whilst he repaired himself.
So, all’s well that ends well. Au Taween departs, leaving Dan wedded to his duty to Earth, but longing to go with her.
And then, after multiple occasions on which he could have escaped, multiple actions aiding Earth, even saving his most hated enemy’s life (more than once), the Mekon hops it. He’d been fooling Dan all along. For explanations, see book two, whenever.
On the proviso that I’m going to treat this as something like the Earth-4 Dan Dare (Earth-3 was an Earth where everything was similar but opposite, meaning it’s Dan would have to be a villain), I shall continue into Book Two, assuming it ever appears. This isn’t Dan Dare, not as I know him, but it isn’t like those 2000AD and New Eagle versions that may possibly have been halfway decent SF adventure series if they hadn’t had the Dare name hung on them, but which had no relation or relevance to Dan Dare himself. This isn’t a story, not yet. It’s an Introduction, a Prelude. It’s too bloody short, nothing really happens and it hasn’t got anything remotely resembling an ending: it’s all set-up and no shoot-out (I actually had a different metaphor in mind then, but I’d rather not use that one).
As for Foche’s art, it’s inoffensive and that’s about all you can say about it. Dan’s got his eyebrows, Dig’s plump, Peabody’s a woman, Sir Hubert’s older than everyone else and the Mekon’s got a big head, but in no other respect does he try to draw anyone who looks like the original (Peabody’s blonde, for pete’s sake!)
So, a cautious C+ is all I’m giving it. Try it by all means. But set your expectations low. It’s better than the Grant Morrison one, but so’s mould on cheese.