American Gothic e19: Triangle

Imagine this in your womb…

There’s not much time left and with so few steps remaining, American Gothic comes up with the closest to a dud episode yet, primarily composed to two opposing but related strands, one of which not even having any kind of recognisable conclusion, even temporarily.

The episode title applies to both halves of the story, but in different ways, and both halves involve a triangle of two men and a woman, the shared point and fulcrum being Sheriff Lucas Buck.

On one side, the woman is Gail Emory. Gail’s quitting, puling out, leaving Trinity and taking Caleb with her. It’s been too much for her, she’s in over her head, she’s spitting defiance but she’s definitely surrendering and running away. Until the stomach cramps hit her, because she’s pregnant. With Lucas Buck’s child, another son.

Lucas is laying up insurance. Caleb’s his, but could go either way, but Luke Jr is his entirely, a little monster, pre-formed and grimacing and pointing to Gail on the ultrasound. She’s freaking out, she’s trying to abort via an overdose of vodka, she’s going to throw herself off the roof of a building, except that Caleb’s desperate pleas hold her back. She goes to church, and Merlyn appears to her, sympathising, but in the end offering no practical solution except hope and faith: look at Caleb.

And that’s all we get, a status quo of stored-up trouble, weighted in Sheriff Buck’s favour, a theme to be explored in, yes, you guessed it, season 2.

The other woman is Selena Combs, making Billy Peale the third apex. This is the more conventional triangle. Selena is slipping more and more out of Lucas’s grasp, and that’s not something he’s prepared to allow. Billy won’t play ball, under no circumstances. But his job in Trinity is done, there’s an epidemic in Uganda, and he wants Selena to come with him: Paris, Rome, Africa, where they need good teachers. But she stands him up at the airport.

Billy gets good and drunk but he comes back to her. She’s sliding towards him, they make love, but out of the blue, or rather the black, Selena’s hit with a raging fever that’s going to burn her out, kill her. Billy recognises magic, tries to beat Lucas into relinquishing his hold, but the Sheriff will only do it if Billy recognises his authority. Kiss my ring, says Buck, proffering a signet ring, though we all know that it’s asking for the good old osculam infamous, which Billy promptly and defiantly concretises with a retorted “Kiss my ass!”

The spell is lifted. Selena recovers. Billy thinks it’s love. Selena knows it is. And she knows who she really has to thank.

Neither half of the story is really satisfactory. A rare miss. And I have no great recollections of the following episode either, the last ‘lost’ episode. A week.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s