The penultimate episode of season 6 worked out in the end as not working for me. It was an A/B story episode, with the B story centred upon Quark, which was enough to mar any hope the episode had of impressing me. You’re all aware by now of my antipathy towards Ferenghi, but that twenty-one carat disaster of a story two episodes back has finished things: this was too soon and too Quark. I couldn’t care about it, I could barely keep my eyes on the screen when it was on.
Unfortunately, a lot of that seeped back into the A story, to the extent that I’m not sure how much of my ultimately cold response to it is the poisoning by the B story, and how much was down to that element’s failure in its own terms.
Half the station staff – Sisko, Worf, Bashir and O’Brien, plus Kasidy Yates – have completed a mission escort a freight convoy when the Defiant picks up a distress call from Captain Lisa Cusack, a Federation officer stranded on a hostile planet after a crash that destroyed her ship and all her crew. The Defiant sets off on a rescue mission that will take them six days to arrive. Unfortunately, Captain Cusack is on a planet with a high CO2 atmosphere and it will be touch and go whether they can arrive before she dies.
This late in the season, it seems an odd, irrelevant concept for an episode, but Captain Cusack turns out to be just a McGuffin. She’s a voice on a radio (guest star Debra Wilson was a voice actor and chosen on that basis), in need of someone to talk to whilst she waits. Sisko, Bashir and O’Brien take it in turns to engage her in conversation, which rapidly reveals that Captain Cusack is a device to get various cast members to talk about what’s bothering them, what effect the Dominion War is having on them.
It was all a bit too mechanical, too blatant for me to actually feel that much involvement in the cast’s issues, especially as most of them seemed to have been invented for the episode, without grounding over previous weeks that would make them look an organic development.
And ultimately the Defiant arrived in the nick of time only to find that Captain Cusack had been dead for three years and the radio conversations had been bouncing forward and backwards in time in a very convenient manner that sounded completely artificial and a cheap ending, even though the concept of conversations across time was the initial concept that grew into this script.
As for the B story, it starts when Quark realises that Odo can be distracted from his duties by his love for Kira so he edges the Constable towards an Anniversary date to celebrate their first month. This enables him to set up a profitable smuggling deal, free from interference. Jake Sisko breaks character to go along with observing every detail of the deal on condition he doesn’t tell anyone else anything. The scam is set to take place Saturday evening but Odo plans to celebrate Sunday evening instead. Odo despairs of yet another, this time ruinous failure and after all he did for Odo in finally pushing him into Kira’s arms. Odo overhears this and abruptly switches his date back to Saturday night. Quark celebrates beating Odo at last but Odo’s only done it because he did owe Quark one, but only one. There. I’m sure that to the right fan, that was delightful but I’ve had it way past here with Quark and that’s not going to change.
I’m afraid I found the finale a bit too mechanical as well. The Defiant crew hold an Irish Wake for Captain Cusack, speaking about how she has changed them. Jardzia Dax is present with Worf. O’Brien talks of staying close with friends “because someday we’re going to wake up and we’re going to find that someone is missing from this circle.” And the camera pans to Dax.
It’s not exactly subtle and it’s far from impressive. Had this episode been half a dozen weeks ago, that would have worked far better, as a reminder that this is a War and sometimes even important people get killed in wars, but it’s like putting up a neon sign here.
So, one that might have been much better, but in the end wasn’t. And, next week…