Where do I begin?
There is a direct conflict between the importance of the beginning and the importance of the end. The one was a flashback, an extended one at that, lasting almost 18 minutes, something The Bridge has never done before, the other was a cliffhanger of the kind that we would usually assume won’t prove fatal, simply cannot be taken lightly because, after this, there are only two episodes left. Two final, never coming back episodes.
The flashback, to four years earlier (placing it sometime around The Bridge 2?), was about Tommy. Who was Tommy? Well, for one thing, he was exactly who I thought he was: Nicole’s ex, Solveig’s son, Kevin’s Dad, except that Kevin is really Brian. He was also a member of William Ramberg’s gang, and a Police informant, getting information to enable the Police to bring William down. Only they failed him. Everybody let him down. Prosecutor Vibeke, who wouldn’t sanction the raid. Psychologist Neils Thormod, who wouldn’t diagnose him as mentally unstable. Journalist Richard Dahlqvist, who accidentally revealed Tommy’s identity as an informant. His mate Moyo, who didn’t turn up with the getaway truck, and whose beloved wife was found hanging (that’s five) just before the end.
Which leaves Tommy’s Police contact, Henrik Sabroe, and his superior, Lillian.
So Tommy’s story, a tragedy in a minor key, spiraling outwards from Vibeke, who evidently didn’t give humans enough of a damn, unlike her beloved horse, started to draw all the disparate little elements together, locking them into a recognisable pattern in preparation for the increasingly narrowing approach to the outcome.
Which left forty or so minutes for the episode, in painstaking and almost loving detail, to completely reverse the effect by tearing practically everything apart to create utter and hellish chaos for absolutely everyone involved.
Take Saga and Henrik. That’s gone, completely. Henrik is in a state of suppressed anger throughout, except for when he’s screwing the lovely Tanya, his pick-up from the Find Me scene where we found him at the start of The Bridge 3. He has to work with Saga but he’d rather never see her again in his life, and despite Lillian demanding the pair behave professionally, he can’t not let it show.
Poor Saga is hurt but enable to either show it or understand it. She wants Henrik not to be disappointed in her again, and believes she can get this by finding his daughters. She throws herself into the case and discovers that Anna Sabroe was seeing a Counsellor through work, who advises that she had met another man and was thinking of leaving Henrik. Herik doesn’t want to know unless Saga has absolute 100% certainty, backed up by proof (irrefutable evidence, eh? Very 100 Bullets).
Incidentally, Anna’s Counsellor? It’s Friendly Frank. Yes, him. Sofie’s helper. There’s a backstory out there in among the mists and icebergs and its shape may be visible. Cristoffer wants to go back to his old school so Sofie talks of going back to Malmo. Frank, just like last week, instantly and icily guilt trips her into staying, because she’s not being very grateful, after all he’s done for her, made himself an accessory to murder for her, etc., etc., etc.
And Frank’s got a daughter, Astrid. And Astrid had a younger sister, Anna, only she’s dead. Cristoffer finds her at night, speaking in Danish, at Anna’s gravestone. Astrid claims the Danish is only one of her roleplaying characters. Then Frank finds Cristoffer peering at the grave and absolutely smashes him one in the head.
Counselled Anna Sabroe. Has a daughter who looks nothing like him. Had another ‘daughter’ who’s now dead. Can you tell what it is, yet?
Both our detective heroes are causing chaos. There’s a disturbing scene where Henrik directs his anger at Kevin/Brian, who is now a suspect, even to the point of doubting he is disabled, dragging him out of his chair, making him stand, only for Kevin to collapse. And before that, Henrik just grabbed the handles of the wheelchair and pulled Kevin away from what he was doing, his job, without a word, without respect, which was an incredibly offensive thing to do.
Yet Kevin (as Henrik insists on calling him despite it only being a name Brian uses at Narcotics Anonymous, for anonymity) remains fixated on Henrik, as if he has transferred his addiction from the drug to his ‘friend’.
As for Saga, she is left holding the baby, literally, at Nicole and Tobias’s. She spots the brown eyes. She asks Tobias who the father is? Next thing, Tobias is round at Morgan’s busting him one in the mouth and telling Malene to ask her husband. He also shops Nicole to the Police over the key safe thing. Next time we see Malene, she’s telling Saga and Henrik that if they want Morgan, they have to speak to her Divorce lawyers.
By this time, they’re after a new character, Stephanie, Malene’s daughter, who it appears was seeing Tommy. Malene says her daughter’s in Colombia, but she’s been back in whichever of the two countries we happen to be in at the moment, not being Danish or Swedish I can never tell, and she’s not let on to Mummy. Despite all this, and as a pointed reverse to Henrik, Malene thanks Saga for bringing all this out into the open: she would rather now.
In it’s way, it’s a moment of private pain, and there are others in this episode. Henrik and Lillian are obviously among the remaining targets. Saga asks Lillian about her loved ones: she has none now (there is a short, but charming section in the flashback in which we see dear much-missed Hans). Saga tells her to go home and write out a list of everyone she’d miss if they were killed. We next see her at her table at home, with a bottle of wine and a pen in her hand: the paper is blank.
And when Saga and Henrik leave Malene’s, there is a silent shot of their walking to their two cars, parked one behind the other.
But thanks to Brian/Kevin, we have added mate Moyo to the scheme of things. Moyo, who works at Tobias’s garage, where Nicole got him a job. Who gets pulled in for questioning. Who talks about how good life is with Sandra, his missus, his sole alibi. Henrik goes to their house to talk to her. The door’s open. It’s silent and dark. She’s hanging from a doorframe. There’s someone else in the dark, a figure dressed in black, holding a gun. We cut outside, and hear a gunshot…
As I said above, it’s nothing we haven’t seen before. Henrik’s a principal, a hero, he’s bound to survive, you don’t kill off your stars in mid-series.
But this is the last season. We have a third detective working this case, even though he’s been kept to a minor role. For the plot’s sake, we have a ready-made back-up. And above all, this is The Bridge, which doesn’t piss around, like Follow the Money 2. So we don’t know. We can’t trust to amiable certainty. We have to wait until next Friday night. And ask ourselves, would they really? Really?
Yes, they bloody well would.