It’s finally become obvious to even me that I know nothing about Deep Space Nine. I have been out of step so many times, disliking, being bored by or simply not appreciating episodes that are held in high regard, and here I am again, only this time I’m appreciating, even enjoying an episode that nobody involved with making it felt was worth it, and which is regarded as the official weakest of season 7 (with all those effing Vic Fontaine episodes and another bloody Ferenghi story next week? I should coco).
Apparently, this was down to the many changes of plot, theme and even central character to arrive at the basic story, by which point the script had to be hammered out without any time for revision or reconsideration.
Personally, I found it interesting, and assumed it was an episode intended to illuminate Ezri Dax and her background, since it involved her going home to her family, and especially her overbearing mother, who runs a successful mining business to which she devotes all of her energy and focus. Ezri hasn’t been home in three years, nor spoken to her mother in six months.
The peg for this, the MacGuffin, was set up in the open, most of which I was unable to see thanks to the same scratch on the DVD that carried away the ending of last week’s episode. After a comic start about the different kinds of gagh, Bashir discloses that he’s worried about O’Brien, off-station ostensibly visiting his father but in reality checking up on Marika Bilby, the widow of Liam Bilby from ‘Honor Among Thieves’ in season 6. O’Brien is overdue. Given that he’s on the planet where the Tigan family is based, a furious Sisko orders Ezri to get her mother to use her connections to help.
Part of the reason I was able to take this episode so seriously was that I recognised it. Yanas Tigan, a bright, energetic and completely convincing guest appearance by Leigh Taylor-Young, was a mother who has stifled her children, directing their every course and still finding whatever they did to be inadequate. Boy, do I know how that feels! Whilst older brother Janel manages the mine, younger brother Norvo, the most clearly gifted, artistic, imaginative and creative of the three, has been broken by Yanas’ relentless criticism of everything, Ezri included.
O’Brien is quickly produced, having been saved by the New Sydney Police from an Orion Syndicate beating as he investigates Marika Bilby’s murder. The Police insist she wasn’t killed by the Syndicate as they notably take care of their widows etc. The Tigan company is being pressed by the Syndicate to do business with them and whilst Yanas is adamant that they never will, it turns out that Janel has already used them once, to save the company, in return for which he was ‘asked’ to carry an ’employee’ who would be paid for not working, obviously, Marika Bilby.
Yanas is horrified, the more so because she cannot see past Janel as the murderer. Norvo insists Janel is innocent, which gives Ezri the moment of unwanted insight that rounds things off: yes, it was not Janel but Norvo: Norvo, the ‘weak’ one, the ineffectual, the one who was never strong enough to take the tough decisions. Well, he’d made a tough decision now.
All that remained was the family fall-out. Norvo got thirty years. Ezri advised Janel to get out, go anywhere, do something different. Yanas confronted the possibility she may have been wrong, and asked Ezri if any of this was her fault? Ezri, who did not answer that question, nevertheless feels that what was happened was her fault, despite accepting O’Brien’s plain statement that Norvo got what was deserved, or better. But she knew Norvo when he was younger, saw his brilliance, his potential, before…
The writers and producers saw the episode as purposeless soap opera, cranked out to fill a slot because the slot had to be filled, and indeed apologised to Nicole de Boer afterwards. The fact that the story structure meant that nothing could be shown of O’Brien’s travails was also regarded as weak and robbing these of any meaning, which is true in its way, but beside the point on which this episode stood for me, which was Yanas. I’ve been there, and I know what it’s like, and it wasn’t weak to me.