We’re now into the back half of the last season and, knowing about the long end-game, I’m growing impatient of these last few, more-or-less self-contained episodes prior to the beginning of the end. Which is a shame because ‘Chimera’ turned out to be a very strong episode throughout, as well as being a fundamental set-up for one of the very few things I (unfortunately) know about the end. This is why I try to be spoiler-free.
The objective of this episode was to undermine Odo’s commitment to his existence as Odo, Constable of DS9, senior staff and lover of Colonel Kira Nerys. This is done by the simple ploy of introducing another unaligned Changeling, in the form of Laas (played by J.G. Hertzler under a variation of his full name, as Garman Hertzler).
Laas is one of the Hundred, like Odo sent into the Alpha Quadrant as an infant to live among humanoids (or monoforms, as he prefers to call them), to return to the Great Link bringing back information. Like Odo, he has grown up isolated, having met no other Changelings: Odo tells him for the first time about the Great Link, the Founders, the whole set-up. The pair Link.
But Laas has been conscious as a shapeshifter for about two hundred years to Odo’s thirty. His abilities and attitudes have evolved considerably further, and he sees Odo as going to follow the exact same path, and he tries to save the Constable the other one hundred and seventy years of it. For Laas has developed a powerful dislike of humanoids, whose limitation of only ever adopting one form has led them to hate metamorphs.
Laas is insulting to Odo’s friends, wants Odo to join him in searching for others of the Hundred, to create a new Link and live as Changelings are meant to live, expressing every facet of their abilities instead of the single form Odo wears.
The ‘problem’, if you like to call it that, is that every word of what Laas says is true and irrefutable. Even the directly insulting ones towards human beings, from an environmentalist stance, are practically impossible to argue with. From the Link, Laas identifies that Odo only stays because of Kira. The problem, on a personal level, is that Kira, knowing the pair have linked, identifies that herself.
So the episode sets itself up for a conclusion by having Laas shift into a low-lying fog on the Promenade, two Klingon hotheads attack aggressively and Laas kill one in self-defence. The Klingons, in the form of an off-screen Martok, who can’t come to the visiscreen just yet because he’s playing Laas, step madly out of character by demanding extradition and deploying legal technicalities (a shameful lapse in the plotting) but Laas is allowed to escape and follow his quest, not by Odo but by Kira.
It’s a demonstration of love, albeit one with a cliched aspect: the lover loves so much that she will enable the loved one to leave if what they leave for outweighs the importance of that love. Nana Visitor plays this all in the face, and very effectively too. And she’s rewarded in a lyrical ending as Odo balances within himself the conflicting desires to find his own and really be a Changeling, and his love for Kira, and comes to the unenforced decision that that is more important to him. And in order to come closer to the effect of the Link that she can never enter, turns himself into the Aurora Borealis and surrounds her, a moment of great beauty.
But on every objective level, what Laas has said breaks the bond between Odo and the Solids. Only an irrational decision, brought on by emotion, acts to restrain his following the inevitable, and what will be becomes the only possible outcome. Very powerful stuff indeed.
Two more thoughts: at the height of the extradition crisis, Quark, of all people, comes to Odo to give him a very effective speech defining the genetic predisposition of humanoid lifeforms to trust only that which is like them. It could read like a defence of racism, although it’s not presented as a justification but rather as an evolutionary given, as impossible to fight as is the Changeling nature to try all forms. It’s cold, its practical, and it gains from coming from Quark (little though I want to acknowledge that), both in the Ferenghi’s status as unsentimental, and in it being Odo’s longest-lasting enemy who attempts to let him down easy.
And there’s a whacking great plothole in the midst of things when Kira, gaving switched off the containment field to let Laas out of his holding cell, and given him specific instructions on how to get off-station without being detected, tells Sisko that he turned into some kind of plasma form that forced its way out, without so much as the slightest suggestion of her tongue being in her cheek, and Sisko doesn’t call up the surveillance tapes to prove her a liar, because there are none, in a cell block, and yeah, right, sure.
Just because an episode is a great success doesn’t mean we can shut our eyes to blatant plot-fudges like this.