A couple of weeks ago, I spoke of Treme coming into focus as it entered the back half of the season and yet, without meaning this in any disparaging way, it once again seems to be a thing of process, without any seeming signs of resolution to any of its issues.
On the other hand, there’s even more winding together of characters who, so far, have been grooving in their grooves more or less independently, and whose stories are starting to mingle.
The two major threads this week involved Janette DeSautel and LaDonna Batiste-William, even though this pairing never happened or came close to happening. Janette’s restaurant opened, despite all misgivings: the open suggested that they weren’t ready, especially not the waiters, but preview night and opening night both went down tremendously well, without the slightest hitch.
There wasn’t too much more to that side of things, though this strand was given a goodly share of the time, enough that you still feel something is going to go wrong and it’s all going to end badly.
That’s rather closer to the surface with LaDonna. The trial date for her assailant is nearing, and she’s starting to get harrassed, threatened into dropping the charges. Last week’s kid in the bar, who gave LaDonna the stare then lit a match was in court for the preliminary hearing, and now she’s getting phone calls at home, on their private number, and a closing shot of someone – we know who – outside the house. Lighting a match.
Let’s spin the wheel, count the connections. Albert’s dropped into LaDonna’s bar even though Indian practice season is over: there’s definitely a spark there. He’s started his chemo and it’s not going well, Delmond and his sister are having to cope with him. Delmond’s got the dissatisfied Antoine asking him questions about modern jazz, sitting in on a session. Delmond’s also meeting Nelson Hidalgo as part of the planning for the new National Jazz Centre, a Nelson back from Washington with new contacts, new info, and parlaying this to a seat at the table again.
Davis went to Janette’s preview night alone because Annie was working. She’s working a lot and he’s feeling neglected. He’s also being his usual immature, self-entitled self, enough so that Aunt Mimi gets seriously pissed off at him over the CD that isn’t to the great and glorious extent of his vision. Annie’s getting deeper into her career, and facing the moral barrier of whether or not to take the writer’s co-credit on Harley’s song that she supplied the original idea for, that he says she’s entitled to but she doesn’t feel right about.
Outside these loops, Toni and L.P. are working their ways towards their cases. L.P.’s getting fobbed off with tales of Glover being a bad guy, the death drug related not NOPD, Toni’s got the Police files and is thinking that Terry Colson is bent, in on the cover-up, when we know he’s working with the FBI and getting a lot of unfriendly looks in Homicide, especially when a case blows up in Court through no fault of his own. And Sofia’s pulled in for being at a teenage party where others are doing grass and drinking beer. She doesn’t violate her parole but Toni wants her to go to her Gran’s in Florida for a couple of months, cease being a lever to be used by the Police: Sofia hates it, and who can blame her?
All things in motion with no sign of a resting place, even with only two episodes left this season.
But one happy scene. Sonny’s pawned practically all of his music gear, packing away his dreams. His sponsor joshes about how he might as well marry Linh, he’s already whupped. But in a moment of great and simple delight, that’s exactly why he’s doing it. He’s bought her a ring. She’s happy. Now he just has to convince her father…