I so looked forward to Heroes in Crisis. It’s subject seemed to have infinite potential but, three issues in out of nine, it is already both a crashing bore and a disorganised mess. Whilst there’s still ample time for it to pull itself together, at the moment I can only foresee the immediate aftermath of reading no. 9 to be the offering of the complete set on eBay: get your preliminary bids in now.
The whole series bears the mark of editorial interference, stemming, I strongly suspect, from Dan DiDio. Originally, the story was to have run only seven issues but at a late stage, too late for this to predate completion of the first couple of issues, it was announced that two ‘fill-in’ issues – nos 3 and 8 – would be added. Then, after issue 2 had appeared, it was casually mentioned that these extra issues, not drawn by series artist Clay Mann, were tie-ins that had been decided to be added to the series itself.
This comes after three pages in issue 2 having been drawn by a different artist, to insert a scene about Wally West’s death that otherwise wouldn’t have been in the issue.
What I, and many others, am smelling here is an attempt by DiDio to claw back something of the atmosphere and approaches of the New 52, his baby, that was roundly rejected in 2016 by Geoff Johns and the whole DC Rebirth saga. Though it was initially a sales boost, very few people actually liked the New 52, with its ultra grimness and ultra grittiness, its emphasis upon death and destruction, its refusal to allow marriages (because that would mean characters being happy) and its general, overall shitness.
Rebirth was a cosmic breath of fresh air, as well as being Geoff Johns’ baby, and which character was the symbol of Rebirth? Wally West. But Johns is no longer Chief Creative Officer at DC, and DiDio has room to start resweing his serpent’s teeth, and the first sign of this is inserting Wally West’s death into Heroes in Crisis.
I’ve already said I can’t believe it, and even though issue 3 features the (apparent) murder, via Harley Quinn’s sledgehammer to the back of the skull, I’m still not buying it. I’m almost certain I’ve never seen a comic book death so utterly unconvincing, and I’m convinced that’s because it wasn’t part of King’s story and has had to be forced in at DiDio’s orders: it isn’t believable because the writer doesn’t believe in it.
I also find it significant that the forthcoming Batman/The Flash four-part crossover in which the DC Universe’s two leading detectives team up to investigate Wally’s murder is being wholly written by Josh Williamson (a tie-in to Tom King’s series in Tom King’s regular title that Tom king isn’t writing any part of? And is having to announce he’s still going to write 100 issues?)
Issue 3 is a flashback issue whose cover is completely misleading. Batnan and The Flash’s faces reflect in a blood-stained, gold face-mask that reminds me of the Psycho-Pirate, but neither they nor any investigation takes place within. Instead, we see Sanctuary in operation through three figures. Lagoon Boy, a minor, pre-Flashpoint Teen Titan, traumatized by the deaths of his team around him is trying to getover his fear by continually being shot by a laser, repeating his injury until the trauma disappears (he is disembowelled by a stick and dies laughing). Wally West sits in the Chamber, a Star Trek-like holosuite, rebuilding his life with Linda and his children around him whilst a somewhat patronising system asks why (bloody obvious, I would have thought, and given he’s a superhero who’s re-emerged out of a previous reality, not something impossible to resurrect). And Booster Gold, on his first day, conjures up a snarky Booster Gold to argue with him.
Then there’s an emergency, people die all over the place, Wally huddles over a dead Roy Harper as Harley Quinn sneaks up from behind, bang bang, Maxwell’s Silver Hammer comes down upon his head…
The truth is that in one-third of its length, Heroes in Crisis has travelled exactly six inches. It’s been distorted by a megalomaniac who’s trying to fight a battle with someone who’s only recently stopped having more influence over him, and who seems blind to the fact that his yar-boo-sucks, I’m killing Wally West, ner ner, ner ner, ner is not only pathetic and childish but fucking pointless because if someone wants to bring Wally back after DiDio’s gone they’ll do so and it won’t even be because they want to piss all over his chips. It’s like John bloody Byrne sprinting back to Marvel the moment Jim Shooter was fired so he could bomb Pittsburgh.
And I thought this was going to be better than Doomsday Clock.