I dunno, it’s just like the last one, a mixture of a down-to-earth criminal case and a horror-of-the-past supernatural backstory, with neither part fitting easily with the other. Just like last time, I’m already really only watching it for the attractive lead actress, whilst wanting something large and hairy, preferably with an axe, to drop out of a cupboard and chop Johan up into tiny little pieces.
He really is a prick, and he’s relentless about it to. I want my mobile and computer back, I want my mobile and computer back, I want my mobile and computer back, ad nauseam, and he’s constantly hunting for some dirty little edge that he thinks will get his own way. Minnie co-operates with him to some extent, but even she’s disgusted that he’s doing this for his computer, not because a woman went missing last year, presumed dead.
There’s a moment in episode 3 when Johan, and his got-you-this-time sneer, gets a public comeuppance from Uno. He can have his phone back on condition that he calls his father, tells him where he is and that he loves him. Uno even dials the number. Daddy answers peremptorily and Johan, in front of the rest of the course, can’t speak.
I’m almost sorry for him, but naturally he spends the rest of this week demonstrating exactly why he isn’t deserving of any kind of sympathy.
Last week’s key in the middle of nowhere is found by creepy Oscar. It’s the key to room 5, the room occupied by Josefine, the missing woman. Oscar searches the room, Johan searches the room, caretaker Gittan searches the room, Minnie searches the room, you’d think nobody has anything better to do. There’s a silver locket, unopenable, inscribed Maja. That’s Maja, not Josefine. Supernatural stuff involving bumps in the night (seriously) takes place around the lovely Minnie, who’s started shagging the robust Uno without removing a single item of clothing, except for the outdoor shower.
The thing is, last year, Josefina was also shagging Uno. Whose real name is Erik Larson, who’s ex-Foreign Legion and who was a murder suspect, all of which the monomaniacal Johan seizes on in his superior-but-stupid manner: of course he was a suspect, you self-centred moron, he ran the course.
(There’s a brief shot of flies gathering again that tells me there’s a body wedged somewhere between Minnie’s room 4 and the missing Josefine’s room 5, but I’m betting it’s Maja, and it’s something to do with the little girl in the prelude, that’s if that wasn’t the young Gittan).
Meanwhile, there are undercurrents spinning the story out so it doesn’t end too soon. Creepy Oscar’s hiding a gun. He’s here because of Josefine, that much is obvious. Isabella’s still cheerfully shagging Johan, who gets to clutch her tits a couple of times so we the audience don’t get to see them. Amina comes on to the Vincent, who has his wild streak, but Oscar spoils the deal for her, exposing her as not just back from last year but every year, fucking every man in sight because what she wants to do is fuck Uno and he isn’t interested.
Does this show really knowwhat it’s doing? No.
Having the scales ripped from her eyes in front of everybody kills it off for Amina. She runs away, packs hastily, tells the besimitten Vincent he means nothing to her, is about to take the motorboat and leave when, oh mother, she sees the body in the net, which we now presume is Josefine. Off she runs, in search of help. what she gets is a spade wellied to the back of the head. First one down. I’m going to go for two more next week, ok?