What else can I say? I find it difficult to believe this story is being written by the same Tom King who’s got me buying Batman comics for the first time since probably the landmark Steve Engelhart run pre-Crisis on Infinite Earths. The concept is fascinating, the execution abysmal, the pace non-existent and the psychological insight as deep as a street puddle.
There isn’t a plot to issue 5, which at least is the midpoint of the series. Essentially, Booster and Beetle waste time hanging out drinking Bud befor invading The Flash’s laboratory, because he’s a better detective than both of them puttogether, Batgirl and Harley Quinn team-up to torture the robot Skeets to get Booster’s whereabouts and Superman gives a Press Comnference at which he explains the purpose of Sanctuary and the downside of superheroing at a length that is simultaneously heartfelt and, after four issues of Show, completely redundant in Tell.
Add to this the usual four pages of Watchmen grid, showing various heroes explain what bugs them. Booster plays Out, Damned Spot with his perfectly clear visor, The Protector (is he seriously in DC continuity?) boasts about being pilled out of his bonce all through his Don’t Do It anti-drugs campaign, Commander Steel actually makes a real point about being brought back to life so many times that you can never believe be ing alive will stick, and Harley Quinn tells the same ‘Knock Knock’ joke my mate Ken told us all whilst out for dinner last night, before confessing that the Joker used to hit her.
One worthwhile page out of four, but all are totally static. Throw in a two-page spread (seriously) of Blue and Gold watching TV whilst having their beers on the couch and that’s nearly a third of the issue taken up with nothing whatsoever.
As I said, the concept of Sanctuary is fascinating but the execution is a bust. These confessional pages are detached from the ‘story’. They’re visually dull and deliberately so, the level of insight is minimal (or am I simply too old, too experienced in both life and comics to see these pages as merely sophomoric, whereas for contemporary audiences they are full of new ideas?), to the point where even a genuinely intriguing condition, like that of Commander Steel, fails to have the appropriate impact, because it is weighted down too heavily by the dross surrounding it?
This failure is made more obvious by the latest issue of The Terrifics, no 12, which I bought at the same time. Rex Mason is Rex again, not Metamorpho. He’s having difficulrty to adjusting, even though he’s got everything he ever wanted: he’s human again, he has his beloved Sapphire with him, free of Simon Stagg’s influence at last, and he can’t settle to it. Some is that he wants to work, not be kept, but he has no transferrable skills nor relevant qualifications after years of heroing, but the big problem is, as he admits to himself, that he can’t believe he’s truly escaped from being Metamorpho, and he cannot live his lifeas aanything but an interlude until it happens to him again.
It’s same same problem as Steel (can we drop this ‘Commander’ crap, please?), but this is led up to organically, its woven into the story, we see it for ourselves and Rex’s confession follows on our experience and leads into the great denouement where he betrayss Sapphire and himself and deliberatelly chooses to be Metamorpho again. All of which is a ton more effective, and affecting, that the antiseptic account by Steel that’s ninety percent an outline of his continuity.
Only one thing in issue 5 justifies its printing and that’s the one thing about the series that I could never get into. There’s been something unreal about the deaths we’ve seen of characters like Roy Harper, Poison Ivy and especially Wally West, and despite their unfunny footling about, Booster Gold and Blue Beetle discover something that has the potential to undermine that aspect: it appears that at his death, Wally West was five days older than he should be.
So, time travel, a wriggle out shows its head. Whether or not this sophisticated future people dater is taking into account the ten years Wally spent living in the Speed Force, and whether those years still exist, given what’s going on in the ever-increasingly-delayed Doomsday Clock, I would once have known, and once would have wanted to find out, but I couldn’t care. Once it’s done, Heroes in Crisis is going on eBay, and I will be dismissing it from continuity.