Heroes in Crisis 7


How much of this story has been a waste of space? How many of the pages of this issue are pointless, an abuse of the audience by getting them to read a lazy, needless fight between Harley Quinn and Booster Gold, observed in couch potato fashion by Batgirl and Blue Beetle, until the four decide to pool their approaches? How many pages are wasted by Batman and The Flash using very different approaches to locating Blue and Gold, The Flash dashing off for microsecond searches of areas of the world where they’re not to be found, and Batman sitting in his Batcave chair, watching his alarms, which are hidden in every safehouse either of the pair have ever had, knowing that sooner or later, being Beetle and Booster, one of them will do something stupid and trigger their alarm? How many pages are given over to the Watchmen grid of Wally West talking to Sanctuary, updating himself on the number of weeks he’s been there and his evidently false belief that he’s been improving?

The answers to these questions are 11, 3 and 4 respectively. That leaves 6 pages (including a double page spread) that might, we hope, actually advance the story, although not in any way that makes sense up to the end of issue 7. These involve Wally and Poison Ivy and a field of beautifully drawn and brilliantly coloured flowers that are a genuine aesthetic delight, and they seem to be leading towards the suggestion, which has been suspected by a lot of people for quite some time already, that the Sanctuary killer is Wally himself.

I really hope that this is still red-herringing.

Art this time around is split between three artists, twelve pages drawn by series artist Clay Mann, nine by Travis Moore and the remaining three by Jorge Fornes, whose more primitive style stands out like a sore thumb against the other two.

I mean, there’s not really that much else I can say about this issue. The main cover, an exasperated Superman shouting ‘Enough!’ and thrusting Booster and Harley out of the picture has nothing to do with this episode. The only thing I can applaud is that it’s coming out on time, and as Doomsday Clock 10 has now been pushed back into May, my prediction that I’d get to the end of Heroes in Crisis before DC’s premier fuck-up crossover is going to come true in spades.

Given that Tom King’s current arc in Batman, ‘Knightmares’, is as boring as fuck and seeming interminable, this is not a period in which I am favourably inclined towards him. I’d like that to improve.

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