This, as the Stone Roses once memorably put it, is the One. The Revelation. The scene in the Library without the Library and without the villain being amongst the listeners because, to reference Agatha Christie for a moment longer, this is the Roger Ackroyd moment. The narrator dunnit. And, as has been forecast with increasing confidence over the past few months, the Sanctuary Killer is Wally West.
I don’t like it. That has nothing to do with critical responses and everything to do with Wally being my Flash, the one I used to buy, month-in, month-out, during Mark Waid’s tenure, with and without Brian Augustyn. I can’t like Wally West as the madman killer, nor the cold, calculating plotter, nor the suicide he already is in a time paradox that undermines the credibility of the time paradox.
I’ve never liked Heroes in Crisis. To me, it hasn’t for one moment or one panel lived up to the potential I imagined for it when first I learned of the series. Wally’s soliloquy here, taking up the entire issue, explaining every twist and turn, detail and deliberation, also undermines the entire concept of Sanctuary in the first place. It failed on Wally, and by extension, when you remember all those hero’s concerns, expressed in dozens of Watchmen pages, it failed all of them. All we ever saw were deep-rooted traumas, traumas specific to the conditions of a superhero universe, but we never saw any cures. We saw problems but not solutions. These were problems that had no solutions, but we didn’t even see healings, neither permanent nor sticking plaster.
The story is that wally has been committed to Sanctuary because he’s failing to cope with the simultaneous issue of having lost the woman who meant everything to him and the children they had together, in short everything that made his life what he wanted it to be, and being seen as the symbol of Hope, since it was his re-emergence three years ago, in DC Universe Rebirth that kick-started DC’s current phase (the one that will never end because it will all be explained in Doomsday Clock and that will never finish).
Wally comes to the delusion that Sanctuary has been set up for him alone, that nobody else is undergoing pain equivalent to him but that they’re saying so to humour him. So if all the data is being destroyed by being broken down into billions of scattered bytes, the Fastest Man Alive can re-assemble them in seconds. And seeing everybody else’s traumas broke Wally mentally, set off alarms and caused him to lose control of the Speed Force momentarily, killing everyone at Sanctuary, except Booster Gold and Harley Quinn, because they were a bit slow coming outside (seriously?)
So far, so disappointing. A man suffering from PTSD goes crazy and becomes a mass-murderer? Lovely message, so positive and life-affirming, people suffering from any kind of mental health issue will empathise immediately. I know I do (no, I’m lying). But it’s the aftermath that drops a leaden weight onto the scales and sends the pan for Absolute Fucking Disaster crashing to the ground, because Wally West, the bright spark, the kid who did it all, the sidekick who grew up to become the man himself, who’s just caused deaths in a second of lost control… starts plotting a superspeed cover-up that puts the frame on two completely innocent people, not to mention re-programmes the entire place, re-sites ALL the bodies and creates all manner of clues, red herrings and mindfucks just to fool his CSI Uncle and The Batman. No. Not in a million years can this be accepted. Not just because it’s Wally West and I have a soft spot for him. Not just because there isn’t a hair of continuity between any version of Wally West that ever existed before and who the hell this person is, and not even because it’s a kick in the face for all the readers who bought into Wally’s return at the beginning of Rebirth. Because it’s bullshit. Because it’s crude. Because it’s lame.
And it falls apart. You see, Wally, this Wally who’s been relating this confession, has also gone into the future, by five days, and found his five days in the future self, all to buy himself the time to do something good to make up for this doing bad. Wally-Now catches up with Wally +5, in the company of some green-skinned woman I can’t recognise, and after Wally +5 gives him the last piece, the rose in the river, Wally-Now kills him, by strangling him. Kills himself. Suicide. So Wally’s now dead for real.
Or is he? I’ve already read one theory that everything, the whole story, is actually a fantastically sophisticated VR construct by Sanctuary, curing Wally. It’s elegant, I grant you, and there is still one issue to go, and go it shall, but from this point, any attempt to undercut this, to explain it away as a Hoax, a Dream or an Imaginary Story, will be twice as hollow as this episode.
But there were rumours in 2018, before Heroes in Crisis first appeared, that Brian Azzarello would be launching a new Suicide Squad series, with Wally West as a lead character, not that anything has been confirmed. Other rumours current at the same time have come to fruition, not that that proves anything.
It doesn’t really matter. To be honest, no matter how Emerald Twilight this gets, I have never been able to believe in the story, and once the final issue is out and I’ve said about that what demands to be said about it, not only will I be selling theseries on eBay, as I’ve threatened, but I will be deleting it from my personal version of DC Universe Continuity. Should Never Have Happened will become simply Never Happened, as far as I’m concerned.