The last two episodes of Those that Kill were the best, mainly because by this point there was very little time left for bullshit if we were to have an all-out tense ending. Not completely no time, unfortunately, the series choosing to end on a waffly note that either had no bearing on anything or else related to some plot detail I couldn’t remember because I couldn’t be sufficiently arsed.
And the play-out benefited from giving Signe Edholm Olsen full rein to play the out and out psycopath Stine always was, from the I-am-a-victim denials with which she met Jan’s interrogation through to the avenging fury out to visit betrayal back on her family.
It all came down to that rape by big brother Mikkel, that he lied about to his parents and to Stine’s face, even when he knew she knew the truth. Louise got onto it, and believed Stine, which was more than anyone else ever had. She’d been a troubled child, a troubled teenager. She used to make horrible accusations against anyone she was angry with, which did lead you to think her parents may not have been wholly unjustified in automatically taking Mikkel’s story over hers.
But she’d told the truth (and he’d been trying to catch her half-naked since she was twelve) and they’d betrayed her. They’d chosen him, and even after he’d ranted at her in front of them that she’d ‘been asking for it’ (they always say that, don’t they?) you could see that belief hadn’t shifted.
Louise thought that believing would get Stine to tell them where Emma Holst was. And she gave them what they wanted, but it was a lie. And she stole a policeman’s gun and a police car, and when she found Anders prepared to release Emma, she killed him and started turning Emma into her confidante: Stockholm Syndrome in Copenhagen.
Stine went after her parents. She shot big brother Mikkel in the stomach, and father Ole in the back. Mikkel didn’t make it and I couldn’t summon up much sympathy, but Ole did, and he deserved it no better. He had never had any doubts about Stine being black to the core, denied her a psychologist when it might have mattered but the truly unforgivable thing was that when Stine offered him the chance to get out, and leave his wife behind, he got up and started to shuffle out.
In the end, Jan saves the day: despite a bullet in the shoulder from Stine, he jumps her and belts her several times across the face until she’s unconscious.
So it was all over bar the fuzzy little bits at the end. Louise is half-expecting an invite to dinner from Jan but he doesn’t offer and she walks away without a backward glance, that cliche stuck firmly back in the drawer. The rescued Emma refuses to see her parents. It’s a hint at that aforementioned Stockholm Syndrome, but it’s a red herring: Emma was brought up religious and was a virgin, and she is ashamed of what’s been done to her. But Louise persuades her that they do not blame her, and their reunion is a brief moment of tear-jerking love.
But there’s that waffly bit. The last episode started with the sixteen year old Stine being dropped off at boarding school where she’s to room with the perky, peppy, bubbly, innocent and far too nice Maja. You fair dreads it on the spot. Was Maja in the story somewhere? The last scene is Stine in prison, visiting her psychologist, who naturally enough is Louise, there being only one criminal psychologist in the whole of Copenhagen. Stine is flat and dull. But as the scene goes to black, her voice takes on an added relish as she voice overs: “Maja had a big brother. Would you like me to talk about him?”
Anyone with a clue as to what that’s supposed to mean when it’s home with its pinny on, please leave a comment.
There’s no Skandi next week, so I can take a breather. Hoping for a good one, next time.