Once Upon a Time in Amber: Prince of Chaos


A word first about the title. Thus far, Zelazny has been using a (something) of (something) formula, four titles, eight different terms: Trumps, Blood, Prince, Knight, Doom, Amber, Chaos, Shadow. For the last book, we get a repeat of Chaos, coupled this time with Prince. It’s apt, for both Merlin and the final book, but the reuse of Chaos makes it automatically sound weak, as if Zelazny had run out of new ideas and could only revert to something already applied.
We pick up directly from the end of book 4, explaining that Coral is indeed Luke’s wife, by reason of an infant bethrothal years earlier, that the two are entirely amenable to an annulment, once the coronation is over, and then we hurry off to rush through said coronation and Merlin and Coral end up spending the night together, though Zelazny doesn’t mention whether they make love (which in most countries would be regarded as an act of High Treason, and probably not covered by diplomatic immunity) as well as talking and sleeping.
Then Merlin gets summoned to the Court of Chaos, and Coral gets dropped on the spot. Why is Merlin so urgently needed at home? Because he’s under Black Watch. Behind his back, people have been dropping like flies and now King Swayvill has finally died. Merlin is now third in line in the succession. He and the two ahead of him are being guarded.
Merlin doesn’t want to be anywhere in line for the throne of Chaos, or the throne of anything. Unlike his still-missing Dad – and Zelazny drops a substantial hint to the readers but not his narrator, as to where Corwin has been all this time – Merlin has no interest in ruling anything except himself. Unfortunately, his mother, Dara, and his elder step-brother Mandor have a different idea on that subject.
We’re here in the Courts properly for the first time, and credit Zelazny for the portrait he paints of how different the place is. Old friends, servants and serpents come out of the woodwork, pieces of Merlin’s childhood that he’s never talked about, and who arrive with relationships of a sort established that are not explained for us. And the Courts itself, with its non-Euclidean geometry, it’s concealed and twisted geography, is a place where homes and houses are known as Ways and hide behind plain sight.
As well as Mandor and Dara, Merlin’s main contact in the Courts is his Uncle Suhuy, Master of the Logrus. Suhuy at least is a neutral figure, with a regard for Merlin, who is not out to influence him, rather inform him. He provides a small spell to open Merlin’s mind to possibilities via a dream visit to the Corridor of Mirrors, which adds yet more layers of uncertainty, but who are we to object to this now, after four books of avoiding concrete answers?
Merlin objects to becoming King of Chaos, despite being told he is the choice of the Logrus, a thing that makes him only more determined to avoid the job. Indeed, later on Dara will effectively advise that Corwin was the choice of the Pattern as King of Amber, and that Merlin’s birth involved nothing of love or even desire, merely the selection of the appropriate genetic material to create the new King of Chaos.
Because what underlies the whole of the Merlin Cycle, and which is now extended retrospectively to underpin the Corwin Cycle is the struggle for balance between the two Powers, the Pattern and the Logrus, the Unicorn and the Serpent, Order and Chaos.
Without both, Shadow cannot exist. Both sides pay lip service to balance, both retaliate in turn to steps tilting the balance one way or another but both sides ultimately seek to establish an overwhelming dominance, rolling the other back indefinitely. They demand Merlin choose between them but that’s the one thing he refuses to do.

UK paperback

Right now, the Pattern has a distinct advantage: not only has the balance been tipped to it by Merlin repairing the First Broken Pattern, there is the matter of Corwin’s Pattern. Currently it’s remaining inactive, but not for much longer. It was drawn when the Pattern was being repaired, the only time this could possibly happen: in any other circumstances, the Pattern would have absorbed it and it’s tried to do so since but failed. Still, two Patterns, one Logrus, the maths are simple.
A pattern-ghost of Luke comes to Merlin in the Courts to deliver a message. Merlin sustains it with his blood. Corwin helps the pair escape the Courts, to ‘his’ Pattern, but this is another Pattern-Ghost, only produced by Corwin’s Pattern. As the only one ever to walk it, it is more durable as it has all his Pattern’s energy behind it. This is the Corwin who’s turned up here and there. The original is still missing.
All three walk the Pattern, en masse, which enables this one to sustain Luke. Luke-Ghost stays to guard it, Merlin trumps back to the Courts to meet Dara, but is diverted by another old playmate to discover a hidden shrine to Corwin. The meal with his mother does not go well. He probes her over what happened to Corwin but gets nowhere. He reveals that his father’s Pattern is becoming active, which disturbs her.
Returning to explore hidden parts of the Courts, Merlin is approached by Jurt, who he’s decided to kill on sight. But Jurt has undergone a total change of heart, apparently. The game is getting too big and too dangerous, he no longer wants the throne: not only does he think he wouldn’t be competent, but if he got there he’d only be a puppet of Dara and Mandor. As would Merlin be. So, reluctantly, they team up.
Jurt reveals that Dara plans to kidnap Coral, bring her to the Courts to become Merlin’s Queen, and bring the Jewel of Judgement, the Serpent’s Left Eye, the however many names you give it back to the Logrus. Merlin and Jurt decide to foil this, though their efforts are hampered by the need to attend Swayvill’s funeral, where they are to play prominent and visible roles.
During the funeral, the two candidates above Merlin in the succession both die. This places Merlin in pole position but gives him and Jurt the chance to sneak out to save Coral. They’re too late. A posse forms of this pair, Luke (who’s already fed up with being King) and the ty’iga possessed Nayda, who’s now gloriously happy since she’s shagging Luke, who she always fancied most. It also includes the mercenary Dalt.
For reasons left unexplained, Merlin wants the Luke-Ghost to do this, so he persuades Luke to swap places with the Ghost, who Merlin now renames Rinaldo for convenience, whilst Luke guards Corwin’s Pattern.
While they travel, Merlin reveals his spikard to Luke. The spikard is the ring of multiple magical powers and sources that Merlin’s been sporting since the last book, which caused him to tie faithful Frakir to a bedpost, never to be seen again. Luke, naturally, knows a bit more about spikards, that they are ancient and not to be trusted: he wonders if the spikard has been driving some of Merlin’s decisions since he donned it. Certainly, he feels weak and diminished without it on his finger, so it is, blatantly, something addictive, if not parasitical, or symbiotic if you want to be pleasant about it.
The pursuers catch the kidnappers at a tower being beseiged by two quartets of ghosts: four from Amber and the Pattern (including Eric and Caine), four from the Courts and the Logrus. The Amberites win. The pursuers surround a drugged Coral and defend her. The two Powers demand that she must go to one or other of them but Merlin is fighting to preserve Coral’s independence like his own. The pursuers are dragged to the Primal Pattern, where Luke negotiates their release by slashing his arm, cupping his blood in his hand and holding it over the Pattern.
Once back in Kashfa, Merlin goes off to sleep and have another of those dreams in which he’s addressed by various relatives. One of them is Delwin: you know, of Delwin and Sand, the mysterious Uncle and Aunt introduced into Corwin’s generation books ago for no apparent reason. Delwin’s here to tell Merlin that a spikard formerly belonging to Swayvill was introduced into Amber for him to find, bound with compulsion spells that would force him to claim Chaos’s throne and accept the orders off Mandor and Dara. Delwin bears a spikard of his own. He has the portentous line that they may never meet unless certain ancient powers are unleashed (a hint towards a putative Third Chronicles?), invites Merlin to touch his spikard to Delwin’s so they may meet but instead he’s blasted back to the Courts and another old playmate who delivers the other half of Delwin’s message, that the problem spikard left by Mandor was switched for the one Merlin bears, this by Bleys who makes a cameo to hand over the difficult spikard. Is Bleys a pattern-ghost? Was Delwin? God knows, this is getting so flimsy.

US Paperback

Anyway, the subtlety of the treacherous spikard turns out to be simple, crude chants of take the throne, listen to Mandor, do what Dara says and the like: easily resistible now.
Suddenly we’re rushing at the end. Merlin has finally woken up to where Corwin is. He and the Ghost invade the Courts. After the defeat by Amber, many prominent Chaosites started worshipping certain Amberites, setting up shrines to them: Mandor’s is of Fiona, someone else has Benedict, Dara has one of Corwin. Which is where Corwin is prisoner, in a locked cell in total darkness. Merlin releases him, his ghost replaces him. None of this is in the least characteristic of the Corwin of his Cycle but do we care by now? Corwin’s free.
And Merlin has one last task to do: he sets up a spot where he can work his spikard to the max, knowing it will attract Mandor and Dara. They challenge him, fight and lose. Merlin has Ghostwheel on his side. He faces down the Logrus. He will become King of Chaos but he will rule, not reign. He will be in charge. And nobody has any option but to accept it. Mandor and Dara don’t get the chance to ‘advise’ behind the scenes, unless Merlin proves to be crap at his new job and gets deposed.
So, offstage, Merlin tells Corwin his long story, to provide a final symmetry to events, and Corwin heads of back to Amber. End of story.
What do I say? What do I even begin to say? The Merlin Cycle is a mess, its infrequent good moments overwhelmed by its sheer incompetence? This is the point at which to begin an analysis, but to be honest it will have to be displaced to an unintended additional post. For that, you’ll have to wait another week.

Once Upon a Time in Amber: Knight of Shadows


At long last, something of an overall story is starting to form, though we still have a long and slow start to the penultimate volume before we begin to see anything of it.
We left Merlin, Mandor and Jasra in the ruins of the Keep of the Four Worlds, after the partially enhanced Jurt, and Mask the Sorceror, finally revealed to be Merlin’s ex-girlfriend Julia, have departed, the latter with Merlin’s dagger in her kidney. Jasra binds the Keep’s former master, Sharu Garrul to the Fount of Power as it’s Invisible Guardian, and leads everyone off to a place of rest where Mandor conjures up a culinary delight for the background to yet another of those frustrating question-for-question sessions where nobody discloses anything more than they have to.
We do learn that Julia became interested in magic when Merlin showed her various glimpses of power without ever trusting her enough to explain: Julia turned out to be a powerful natural sorceress and studied under Jasra whilst concealing her wider ambitions.
Jasra’s own power derives from the way of the Broken Pattern: up to nine such Patterns exist in Shadows close to Amber, in diminishing degrees of reliability. Becoming an initiate requires walking the interstices, not the Pattern, and Jasra led Julia through this, eventually enabling her to attack and overcome Jasra and seize the Keep.
Ultimately, the talk turns to Kashfa and Begma. Jasra knows the Prime Minister and his daughters, and also the rumours about Coral’s parentage, which Merlin confirms. The trio pool their concentration to contact Coral, in a very dark place, held by a massive concentration of power, which lashes back at them through Shadow. Ghostwheel disperses all three, removing Merlin to a very obscure place in Shadow, surrounded by wards.
First Dworkin, then Oberon, try to summon Merlin to a task involving Coral. Both are pattern-ghosts, unreal representations taken of the originals when walking the Pattern. Both are dissolved by the wards but the next to appear is Corwin, who is more real, passes the barriers and knocks Merlin out. He wakes in a black and white desert without sound, his Trumps useless. When he summons the sign of the Logrus, it knocks him out.
The Logrus summoning temporarily enables his strangling cord, Frakir, to talk, and give him directions as to where he must go. It leads him to a chapel in which he must firstly guard armour overnight, then don it to progress. Merlin must choose between Chaos and Amber. He refuses to do so, even in the face of the Serpent and the Unicorn, but a Chaos dagger is sneaked onto his person, deciding for him.
Merlin travels on, interminably (we will get to the objective, I promise, but this is ninety percent filler so far). En route he meets further Pattern-ghosts of Brand and of Deirdre. Brand explains that these can be stabilised by the Blood of Amber, but when Merlin cuts his wrist it bleeds fire and consumes Brand.
Next, he meets and races Jurt. For a time they team up, putting their differences aside. Merlin sustains Jurt’s ghost with blood. The next ghost is Caine, as an antagonist, then Duke Borel. At long long last Merlin is vouchsafed access to Random and Vialle’s bedroom in Amber and required to steal the Jewel of Judgement. Borel reappears, to attack him, and Benedict, to defend him. It is slowly becoming clear that this is some form of contest between the powers, the Pattern and the Logrus.

UK edition

Merlin and Jurt trek on still, until they find a door that gives them access to a Pattern. Merlin realises this is the first of the Broken Patterns. Coral is at its centre and to reach her, Merlin has to walk the Pattern, using the Jewel to reconstruct it as did Oberon with the Primal Pattern. His way is blocked by a Logrus-ghost of himself, but Jurt sacrifices himself to remove him.
Once at the centre of a repaired Pattern, he finds Coral sleeping. The Pattern will not send them away until they have sex. Despite being three-quarters asleep, Coral welcomes Merlin’s attentions, and then they can return to Amber. Merlin sends her to find her father and get him off that hook whilst he recovers from his exhaustion.
Before he can sleep he has to confront the voice of the Pattern, towards which he is disrespectful, then Dworkin – the real Dworkin, fully sane – comes looking for the Jewel. He warns Merlin that to remove the Jewel now will probably kill him.
So Merlin goes off for a long sleep in the blue crystal cave, where time flows far faster than Amber, before attuning himself to the Jewel.
Back in Amber, he tries to replace the Jewel without its absence having been noted. He also tries to contact Luke, but Luke is preoccupied. Then he is distracted by Coral, who wants to see her sister. Ghostwheel summons Mandor to lift his spell, but the moment Nayda sees the Jewel, which she terms the Left Eye of the Serpent, she grabs it and runs.
Merlin pursues. The ty’iga confirms it was sent to protect Merlin by his mother, Dara (that Merlin never even considered that possibility is evidence of the level of stupidity this Cycle operates upon) but it has a higher purpose if it gets the chance: to grab the Jewel and return it to the Logrus. Within Amber Castle, the two powers confront each other, hurling accusations about actions that have tipped the balance between them. Ghostwheel stands between them, refusing to pledge to either. The signs meet, causing a massive silent explosion that blows a hole across two floors of the wing. Mandor sustains a broken arm, Coral damage to her right eye. Merlin realises with disgust that the Powers have no concern for their servants, only their rivalry.
Everybody makes shift to sort things out. Dworkin operates on Coral. Random updates Merlin on the situation in Kashfa where his nominee was supposed to be crowned today. Unfortunately, a mercenary horde under Dalt has attacked, captured the Duke and installed a new King to be crowned: Rinaldo, aka Luke, exactly as he and Dalt had cooked up. Random wants Merlin to represent Amber at the new coronation.

US edition

After a symbolic dream-diversion in the Corridor of Mirrors that stalls things for the penultimate chapter, and a search of the semi-demolished quarters of Brand during which he finds Brand’s old sword and also a ring of potent powers that he keeps for himself, Merlin gets to Kashfa and contacts Luke secretly. Dworkin and Coral have disappeared, operation outcome unknown. There’s a suggestion Corwin’s been using his quarters in Amber secretly. Merlin meets Luke in a Chapel, hands over a coronation present of Brand’s blade. They are attacked by the powered-up Jurt. He steals the sword but is injured. He takes hostage a shrouded woman in the chapel, threatens her life. She is Coral, wearing an eyepatch. She is also Luke’s wife. She thrusts Jurt away from her, torments him before he trumps out. Behind the eyepatch is the red glow of the Eye of Chaos, the Left Eye of the Serpent, the Jewel of Judgement…
The bit about being Luke’s wife? Long story…
As you may have gathered, much of my response to the Second Chronicles is exasperation. We are now four books in, yet the amount of useful, purposeful story is not yet enough to fill one. Increasingly, the books are filled with scenes that strike me strongly as filler, such as the Corridor of Mirrors chapter that does nothing but bulk the book out to its required length. And to take three and a half books to introduce your point is, I would argue, amateurish writing. All we have had to date is puzzle after puzzle and a determined effort not to solve any of these, which is an acceptable technique for a first book, provided resolutions start to appear in the second. Instead, we had yet more puzzles and the equally infuriating profusion of people having answers that they refuse to disclose, for little better reason than cussedness and a schoolyard I-know-something-that-you-don’t.
I’d also adduce the business with the powerful ring, which we’ll later learn is called a spikard. For nearly four full books, Merlin’s most reliable self-defence weapon is Frakir the strangling cord. It even gets a voice in the first half of this volume. Yet the moment he finds the spikard, Merlin ties Frakir to a bedpost and leaves it, for good.
And the spikard is a concentrated cheat. Zelazny has tied up so much in this Cycle in Merlin being a sorceror and sorcery being a thing of study, preparation, time and strength. Then he gets tired of all that and throws in a Wham Bam Thank You Mam, instant Magic-on-a-stick device that can do anything on a second’s notice. That’s what I call cheap cheating.
One book to go. I wonder if my self of the mid-Nineties was as uninvested in finding out what and why as I currently feel.