Deep Space Nine: s07 e25/26 – What You Leave Behind


What you leave behind is loss

So. For the cast, the crew, the writers, the directors, the producers and the original audience, it took seven years to get here. For me, watching weekly, it took three and a little bit. And it all ended with a moment of personal poignance as the final shot was of a boy who became a man staring into space, having lost his father.

I’ve known from before I began watching Star Trek: Deep Space Nine that the series ended with Benjamin Sisko’s death, and that was how it was. I know that in reality he’s been translated into becoming one of the Prophets, that it is hinted that there is more for him to do and that, in the post-series novels Sisko does return, but Deep Space Nine always was the darkest, more realistic of the franchise, and to me Sisko is dead: he is gone beyond anywhere that his old friends, his comrades, his newly-pregnant wife or, most personally affecting for me, his son can ever see, hear, talk to or touch again. The end is finality.

And this is all about endings, endings and changes. The Dominion War ends, as it always must, in victory for the Alpha Quadrant. There’s the big attack, the great fleet, including the new Defiant, in which the military tide is turned when the Cardassian fleet rebels against the Dominion and switches sides in mid-battle. This comes about when Damar’s rebellion begins to become seriously disruptive: the Female Changeling demands reprisals against the whole population, which Weyoun 8 carries out, causing a great revulsion and reversion.

And Damar’s rebellion is nearly derailed when he, Kira and Garak are caught, and housekeeper Mila killed. They are to be summarily executed, but the Cardassians accompanying the Jem’Hadar soldiers revolt and kill the captors.

All is put into a raid on Dominion Headquarters. The compound is impenetrable, until a door is opened to eject and execute Legate Broca on the Female Changeling’s orders: this gives the raiders access, but for Damar the charge is fatal: in lead the raid to free his people, he becomes the first to be killed. Only three survivors reach the control room, Kira, Ekoor and Garak, who executes Weyoun with great relish: the last Weyoun, the second to be killed.

But though the War is won, it is not yet over. The Female Changeling is dying, and aware of the irony of dying as a solid, but she still fears a Federation invasion of the Gamma Quadrant and an attempt to wipe out her people, and so victory will be bought with such a cost of men and ships that the Alliance will not have the strength to fight again.

It is here that Odo intervenes. By linking with the Female Changeling, he is able to both pass on the cure to her, over Garak’s deep and wholly justified reservations, but also persuade her to share his trust of the Federation. Restored to health, she orders a stand down, signs the official surrender and submits herself to trial for war crimes.

It’s over.

And with the end of the War comes the changes that separate friends, allies and lovers. A phase is over, and with it the ties that bind are loosened and people once again discover that they have individual futures and not merely the collective one to which fate and destiny have bound them for so long.

Chief Miles O’Brien will no longer be dumped on as he has been so relentlessly. He and his family, a final appearance from Keiko, Molly and Kyrioshi, are to return to Earth, where he will become a Professor of Engineering at Starfleet Academy. It means the breaking of his great friendship with Doctor Julian Bashir, to the regret of both. But Julian and Lieutenant Ezri Dax have become lovers as well as being in love. Their’s is a future to be explored together: Julian will never return to the Alamo without Miles, but he has created a new, and identical scenario for he and Ezri at Thermopylae, as the beleagured Spartans.

Lieutenant Commander Worf also leaves Deep Space Nine, to become the Federation Ambassador to the Klingon Empire, under Chancellor Martok: a new age is dawning, an age that will see a restoration of honour.

Odo and Colonel Kira Nerys are to be separated, permanently. Though I never agreed with the making of this pair into lovers, though I never accepted how Kira forgave him his betrayal of Bajor, this too was full of emotion I couldn’t ignore. Odo must go to his people. He must bring them the cure, he must enter the Great Link, this time to stay, to convince the Founders that they have nothing to fear now from the solids. Kira will deliver him, and stay until the last moment, before returning alone, where she will become the new commander of Deep Space Nine.

Quark remains Quark. He’s the only one who understands Odo enough to intercept the Changeling’s attempt to depart without goodbyes, and is immensely satisfied when Odo walks off without conceding a goodbye. Things will not change all that much for the Ferenghi: Colonel Kira will remain his implacable opponent.

Which leaves the Sisko, the Emissary. As the Dominion War crashes to its conclusion, there is a second front, a secret front, taking slow steps to undo everything. Gul Dukat’s sight has been restored and he returns to the Kai’s palace. She has completed deciphering the Khosst Amojen (having exiled myself from Memory Alpha during The Final Chapter, to avoid spoilers, I’ve had to guess at spellings, incorrectly) and is now ready to release the Pah-Wraiths from the Fire-Caves. She needs his assistance.

What she needs Dukat for takes a long time to materialise, as the aspect of the story is dragged out until after the War has been won and well into the Peace. Dukat is the sacrifice, to honour the Pah-Wraiths, poisoned by wine and dying. But not for long.

On Deep Space Nine, Captain Benjamin Sisko heeds the call no-one else can hear, and leaves the party in Vic’s (as a finale to which, the abhorrent hologram lounge singer Vic Fontaine serenades a crew together for the last time with ‘The Way You Look Tonight’: it isn’t a patch on the Peter Skellern version but it’s heartfelt, and appropriate, and moving, and reconciles me to him). The Sisko knows what he must do, and he leaves his wife and unborn child to do it, not knowing the full extent of his destiny.

He arrives at the Fire-Caves seconds after the resurrection of Gul Dukat, restored to his Cardassian appearance. It is he, not Kai Winn Adami, who is to be the Pah-Wrauth’s Emissary, he who wields powers not granted to the Prophet’s Emissary, as it ever was: Evil vests power in its servants but Good’s servants triumph because of themselves.

Dukat glories in himself, in the destruction that is to follow, the burning of Bajor, of the Celestial Temple, of the entire Alpha Quadrant, but most of all he glories in his personal victory over Sisko, the private war they’ve conducted since the Emissary first arrived to take command of Dukat’s surrendered fiefdom, Terak Nor/Deep Space Nine. It is his weakness and his undoing. At the last, Winn redeems herself, screaming to Sisko that it is the book. She tries to hurl it into the flames, but Dukat draws it to him and burns Winn to death. In doing so, in relishing it so, he takes his attention from the helpless Sisko. Free to move, knowing that the book must burn, Sisko charges Dukat, hurling both of them, and the book, into the flames. Sisko locks a door to which there will never again be a key. The payment is his life.

And so it ended, with departures and sunderings. As well as those I’ve mentioned already, Garak goes home, his exile over, returning to Cardassia, although he has lost the Cardassia he longed to return to. His friendship with Bashir is over, despite the promises. Ensign Nog becomes Lieutenant Nog: like Kira, Bashir, Ezri and Quark, he remains, on course for the glorious Starfleet career he has grown into.

And Jake Sisko remains, looking into space where the Wormhole at last opens again. Looking where he believes that something exists that equates to his father. But not in my eyes. Sometimes, in war, people have to sacrifice. To know that, and to honour that, is not to forget the effect on those that love you, and have a long lifetime ahead without you. What you leave behind is loss.

And I leave behind Star Trek: Deep Space Nine. I shalln’t be returning.

Deep Space Nine: s07 e24 – The Dogs of War


Why couldn’t they have swapped costumes?

After the tight focus of last week, the penultimate episode of Deep Space Nine was instead a ragbag of set-up across multiple plot strands, involving practically every single recurring character you could name, but not Cirroc Lofton. Only Kai Wynn and Gul Dukat failed to show their faces.

This meant a strong Ferenghi presence, and I’m hoping that the substantial amount of time dedicated to wrapping up their story will mean only a token participation in the series finale, a week from now. It was down to the usual standards. Leeta and a barely clad dabo girl demand a reduction in how much of their tips they have to give to Quark, and he’s thinking abut it when Grand Negus Zek comes on the blower to announce, through appalling static, that he’s going to retire and is appointing Quark as his successor.

Immediately, Brunt turns up to fawn all over the new Negus, and to tell him of the massive changes Zek, under Ishka’s influence, has been pushing through to turn Ferenganar from the unrestricted pursuit of capitalism. Ferenganar’s been so humonised, Quark’s disgusted enough to turn down the post, except that he’s got it all wrong: Zek’s appointing Rom instead. Quark however intends to run his bar in the old fashion unrepentantly.

There, wasn’t that worthless watching? Except for what’s probably a final appearance from Chase Masterson.

What was nearly as awful was the clowning around between Julian Bashir and Ezri Dax, one minute solemnly assuring themselves that it’s better to retain their friendship than lose it over trying to pursue a silly romantic fantasy, the next snogging each other’s faces off in a turbolift. This strand kept Worf and O’Brien in it for a couple of cameos as a Greek Chorus, looking on.

Odo is fully recovered and Bashir drops a brick in telling him how Section 31 infected him. There is a piece of what I take to be foreshadowing, as Odo reacts in disgust to the Federation’s decision not to give the cure to the Dominion in the middle of all-out War against an enemy bent on ruthless conquest (sorry, Odo, you’re being bloody naive). Given that I was not able to escape learning in advance about Odo’s final part in this series, I take it that this is a major factor in his decision.

By far and away the most important strands related directly to the War. Demar’s rebellion is betrayed and destroyed, it’s only survivors being the Big Three of Demar, Kira and Garak. They go underground on Cardassia Prime, in a cellar, to avoid capture and execution whilst Weyoun announces Demar’s death. But the populace don’t believe it, and our trio play on this to turn Demar into Legend, to raise the people.

And a new, pliant Legate takes Service under the Dominion, for whom the Female Changeling is dictating retrenchment: fall back upon a shortened, stronger defensive line, based upon the Cardassian Empire, rebuild, emerge stronger.  The Federation, being naturally timid, will settle for containment.

But Sisko argues otherwise. He has a new Defiant class ship that he’s authorised to rename Defiant, and he foresees what the Dominion expect, and urges attack: break through the Dominion lines before they can settle. Cry Havoc! and let slip the Dogs of War.

Ad a final coda, in which a hostage to fortune, and to the Prophets’ warning: Kasidy Yates Sisko is pregnant. The Emissary is going to have a baby…

Deep Space Nine: s07 e22 – Tacking into the Wind


Not really, no

Until it’s end, I was all set too regard this episode as a continuation of last week’s, all middles and no progressions, and once more dissatisfying, but we’re so close to the end that the writers had to start producing a rabbit or two from the hat if the whole thing is going to work out.

So in two of the three strands that followed on from last week (there was nothing of Kai Wynn or the blinded Gul Dukat this time round) we were given turning points, serious turning points, resolving certain situations that threatened to derail the ongoing story: we moved decisively forward.

To take the one in-process strand first, this was Bashir and O’Brien’s personal quest to find a cure for Odo. Julian’s getting nowhere, and he’s getting snappy with it, sounding off at his best friend who’s trying to suggest getting to Section 31 through more orthodox channels. The Doctor rejects this, pointing out the cold logic of how Section 31 operates, that they would simply hit DS9 and destroy Julian’s work to date. Which leads the not-normally-this-devious Chief to suggest luring a Section 31-ite by a fake message that they have found a cure, and capturing him in order to get the info they want.

This one sounds a bit too simplistic so I’m looking forward to seeing how it plays out: given Section 31’s past appearances, there’s a massive risk of the outcome failing the credibility test.

Of the two other strands, the simpler of them related to Gowron’s aggressive and stupid strategies, wasting men and ships – the only ships that can withstand the Breen energy-draining weapon – in what Worf regards as a selfish plan to discredit General Martok and prevent him from becoming a rival for the position of Chancellor.

Worf’s counter to this is to persuade Martok to challenge Gowron for the Chancellorship, a thing the Good Soldier, loyal to the Empire, will not do, and especially not in the middle of War. With Martok cutting off even discussion of this, Worf discusses his frustration with Ezri, who’s surprised to learn that she is a member of the House of Martok. Ezri’s loath to express her opinion since it’s not exactly flattering, but when pressed, she tells Worf that the Klingon Empire is dying, clinging to centuries old notions of honour and duty yet tolerating a succession of leaders who are corrupt and unworthy.

It’s a crucial intervention. Gowron lays out another suicidal mission for Martok, who, despite arguing against it, obeys his Chancellor. But not Worf: he insults Gowron as petty and without honour. It is a Challenge, and a brief but intense duel with Bat’leths ends with Worf, thrown, disarmed and semi-stunned, about to be executed, but striking upwards with a shard to Bat’leth, with which he kills Gowron.

For a moment there, at Martok’s acclaim, Worf is Chancellor, but that giddy development is not to be. Worf rejects the honour, and instead places the robe around Martok’s shoulders. The Empire has a new Chancellor: well, well, well. Suddenly, things in one quarter change, and hope arises.

Elsewhere, Kira is whipping the Cardassian rebellion into an effective terrorist force, enough that it’s seriously pissing off the Female Changeling, who’s rattled enough she tells Weyoun9 to his face that if only the cloning facilities still existed, she’d have him killed and replaced by Weyoun10, which doesn’t got down well with the hyper-loyal Vorta – do I detect?…

But Kira’s still objectionable to the sight of Resad, whose distrust of her is insurmountable. He’s resistant to her instructions because they come from her, is convinced her primary intention is to just go around killing Cardassians and basically threatens to kill her. Garak warns Kira that Resad won’t wait until after the War, that she’ll have to kill him first.

In order to help the Federation develop a defence against the Breen weapon, Kira leads a raid to capture such a device. The team is unjustifiably top heavy, consisting of her, Garak, Odo, Resad and Demar: fail and the entire top echelon is wiped out. And Odo is becoming the weak link: too much shapeshifting has accelerated the spread of the morphogenetic disease. He’s keeping up appearances before Kira, who knows anyway and connives at the ‘deception’ because she knows how important his dignity is to the Changeling she loves.

The team infiltrates a Jem’Hadar ship having the Breen weapon installed by having Kira pose as their prisoner (with Odo as her handcuffs). Odo impersonates the Female Changeling to get hold of an upgraded plasma weapon that Garak uses to kill the bridge crew. Unfortunately, the installation isn’t complete. Resad wants to cut and run, but Kira demands patience and nerve. It’s tense as all get out, and ultimately Resad breaks. He has the plasma rifle on Kira, Garak a pistol on him and Demar a pistol on both. It’s a stand-off which turns on Demar, whose character arc has been a carefully plotted inversion of Dukat.

This is Gul Demar, who counts Resad as a friend, who gives him his support. This is Demat, whose wife and children have been found in hiding by the Dominion, and killed. This is Demar who fulminated against a regime that can kill innocent women and children, and who is reminded by Kira of the Cardassian Occupancy of Bajor…

And this is Demar who fires his pistol, and shoots down Resad. This close to the end there is no other course for the story to follow if we are to finish in only three more episodes, even if one is a double. But it is the reason that is significant. Demar executes Resad because he is too tied to the Cardassian Empire of the past, an Empire that cannot, and will not return. A turning point. Another rise towards hope.

But at what cost, as Odo begins to flake out far worse than anything we’ve seen from the Female Changeling. Is this all coming too late for him? For this, we need to wait until next week…

Deep Space Nine: s07 e21 – When It Rains…


Nope, still don’t like the hairdo

I don’t know about anyone else but I found this episode very disappointing, and slow.

It’s seemingly structured around the Cardassian Rebellion being led by Gul Demar, and its need for sound tactical advice in guerilla warfare if it is to have any impact. The in-house expert on  that is Colonel Kira, who has been really underused in this final series. Kira, naturally, doesn’t want to do it but accepts her duty, and adds Odo and Garak to her team, so, not really provocative on every level at all. As part of the amelioration of their hosts’ feelings, she gets into a Starfleet uniform and Odo changes his kit to how he used to look when DS9 was Terak Nor. Not that it makes much difference: Demar is pragmatic enough to accept aid from someone he no longer has the luxury of hating, though his best mate, Resad, is far less flexible (can you spell troublemaker?)

But though this was the seeming base for the episode, it was ultimately one of many strands, each of which were seen in development without any sense of progression. All questions and no answers, pieces being moved around the board with no sense of satisfaction. It struck me early on just how slow things were moving in just getting Kira’s team off the station, but this was to be the characteristic of the entire episode.

This broke down into four distinct strands, Kira’s Mob included. Odo leaves behind a blob of himself so that Dashir can study its morphogenetic matrix and try to adapt it to the growing of artificial organs etc., but instead the good Doctor discovers that Odo has the morphogenetic plague that’s affecting the Founders. With the encouragement of Chief O’Brien, he fights his way through bureaucracy to try to get a handle on finding a cure, only to discover that instead of Odo being infected when he linked with the Female Changeling a year ago, he was actually infected three years ago, during the Starfleet medical Julian was seeking, and which has been faked when he received it. The explanation is clear: Section 31. Odo has been infected to lead to genocide. So if Section 31 has the plague, it must also have the cure. Bashir and O’Brien dedicate themselves to secretly extracting it.

Meanwhile, on Bajor (this was very much of a meanwhile… episode), the villains fall out. Kai Wynn won’t let Dukat shag her any more now she knows he’s Dukat. It’s slow going with the evil book, the Costa Moja, and when Dukat decides to speed up the process by reading it himself, he’s Pah-Wraithed into blindness, giving Wynn the excuse she wants to rather smugly have him booted out onto the streets: a blind beggar should be able to earn enough for food. Maybe even shelter. When thieves fall out, honest men may prosper, as they say.

And meanwhile, on DS9, Chancellor Gowron arrives to bestow upon General Martok the highest Order the Klingon Empire can give, then deprive him of his command and take over personally. You don’t need a degree in reading body language to tell that Martok and Worf do not think this is A Very Good Thing, though the former accepts his diminishedrole ith proper honour andloyalty to the Empire, and indeed it doesn’t look that way. Gowron’s idea is not to act defensively, hold the border, maintain the line against an enemy who outnumbers you twenty to one, but rather to barrel in, all guns blazing, give the bastards a good kicking, and claim all the honour for the Klingons. Alone.

Throw in a microstrand where Julian asks Ezri why she’s been avoiding him lately, then cuts off her explanation because his genetically enhanced intelligence jumps to the wrong conclusion about her shagging Worf and that’s it.

And the problem is, it’s all middles. It’s all set-up. On one level you might call it sophisticated story-telling, mirroring the processes of real life, the flow and complexity of war, where not everything gets wrapped up in a neat little 45 minute bundle, but come on, this is Star Trek: Deep Space Nine, not something that had this approach built in from the start, and after 170 episodes, you can’t change horses in midstream like that, and you can’t do it effectively with writers who are trained to 45 minute solutions, not without the gears clunking.

It made the episode feel like a thirty mile stretch of a hundred mile journey. You’ve moved onwards, but you’ve got nowhere. I hope there’s more solid ground in the next one.

Deep Space Nine: s07 e20 – The Changing Face of Evil


The destruction…

In some ways, we’re still in the transitionary phase of the Endgame, process and progress but no conclusions. Ezri and Worf return to DS9 to hearty greetings from Doctor Bashir and the Chief, who otherwise spend most of the rest of the episode arguing over the Battle of the Alamo, for which Miles has built an impressive model, to scale. This gives Worf the building blocks for his campaign to keep Ezri from Julian.

Of course sh, having effectively deserted her post at the beginning of this sequence, is in for a bollocking from Sisko, which she clearly anticipates. This we don’t get to see, if it ever happened, because Sisko is more concerned for information, on the mysterious Breen, and upon why the hell Damar rescued the pair?

But we start learning that the Breen are certainly effective, militarily, as they attack Starfleet HQ on Earth, and start winning back the Kontaran system, the Federation’s only foothold in Dominion territory. Which leads to massive shock number 1.

Other things are going on. In a minor key, Sisko, very condescendingly, gets Kasidy taken off the active list for freight runs, just in case the Breen pop up out of nowhere. It’s all in a good cause but Kasidy resents the living hell out of it and quite rightly. Sisko is being very twenty-first century Republican about it, running the little lady’s life for her, bless her pretty little head. He does back down, but accompanies it with flowers and a necklace, no doubt found by rummaging in the Cliche Drawer.

In a major key, Kai Winn is nudged by Dukat towards consulting the forbidden book about the Pah-Wraiths, the Costa Mogen. Louise Fletcher shows the Kai’s fears as she’s gradually nudged further and further into blasphemy, withDukat behind her every step of the way, nudging and prodding.

The Kai’s servant, Sobor, is disapproving, though that only rankles the Kai into imperiousness, to the point where Sobor takes matters into his own hands. He denounces ‘Anjol’ the farmer as an imposter: the real Anjol died in a Labour Camp. Winn is shocked and horrified. Even more so when Sobor reveals that he has secured a DNA sample which has been tested.  Not only does it confirm that ‘Anjol’ is not Bajoran, rather Cardassian, but that he is actually Gul Dukat.

The Kai’s horror increases, fuelled by the fact that he has put his X into her Y. She revolts disgustedly, plans to burn the Costa Mogen, which is a book of blank pages, it’s words hidden by some key that’s yet to be unlocked. Winn has a knifethat she’s prepared to stick into Dukat, who’s gone for the approach that it doesn’t matter who he is or how much he’s lied and cheated, he’s doing it for the Pah-Wraiths, and for her power. Somehow or other, the knife the Kai’s grabbed for use on Dukat ends up in Sobor’s back: a Rubicon. And the blood dripping from the knife is the key to the Costa Mogen. The door to Power is open.

But I’ve created a dramatic pause of sufficient length and it’s time to go back to major shock number 1. The Defiant joins the fleet to retake the Kontaran system. It is hit by some energy-draining weapon, left powerless, and is battered. To my surprise, Sisko orders Abandon Ship. The Defiant is destroyed, a step I never expected, and one that, if I had thought they would do this, I would have assumed would be done in the finale, not so long before the end.

There was one other thread I haven’t mentioned, building up through the episode and culminating in not quite so major a shock number 2, reserved for the close. A Quadrant wide broadcast from Gul Demar, or rebellion against Cardassia’s Dominion overlords and an attack on their facilities. In particular, their cloning plant, which Weyoun9 (?) interprets as personal: he could be the last Weyoun…

So: the avalanche begins to move. enough pebbles have been displaced.  Something is coming down the mountain, and the Dominion is in its path. Five more episodes…

Deep Space Nine: s07 e19 – Strange Bedfellows


Oh yeuch

An apt title for this latest episode since there were a few pairings that could be described that way, ranging from the macro to the micro. ‘Strange Bedfellows’ was still a part of the long build-up, moving chess pieces around the board, setting forces in motion to play off later, so individually this could not be said to be an especially satisfying 45 minutes: this part of the long endgame is frustrating because I can’t just bingewatch the final run and see it all.

But let’s look at the copious number of pairings, shall we? The first such is the new Dominion/Breen Alliance. The Breen are coming aboard, subject to signing a treaty, the terms of which involve secret Cardassian concessions to the new allies, secret as in Gul Damar, over his considerable and entirely rational objections, is not to be told. And Weyoun 7 is being even more high-handed with Damar, treating him with open disdain, treating Cardassia as utterly worthless. It has no independence, it is of the Dominion, it belongs to the Founders. This is said in front of the Breen leader, who doesn’t seem to register that itrefers to his people as well.

No matter. Ezri and Worf are still prisoners, now on a Jem’Hadar ship heading to Cardassia. Though Worf is still as stiff-necked as only a Klingon can be, going on about his honour every three minutes and seventeen seconds, he and Ezri do manage to get their heads straight, about their unwise shag and, more importantly, the whole Dax thing. Ezri even confesses that she didn’t actually know about being in love with Julian (who, back at DS9, is himself beginning to realise he’s in love with Ezri: this really is very weak and artificial).

That settled, they prepare themselves to be executed, Damar having notified them in advance that they would be tried as war criminals, convicted and executed. But, in a not wholly unforeseeable development, Damar kills the Jem’Hadar guards, provides a spaceship full of security codes and tells the escaping pair that the Federation has a friend on Cardassia. Just goes to show, if you whip a dog long enough…

Weyoun certainly has, in the vulgar parlance, dropped a bollock on this. The lad is prone to do so, and there’s an amusingly brilliant demonstration of this when he taunts the prisoners in their cell over Ezri admitting under torture to loving Julian. Unfortunately, Weyoun is stood next to Worf when he says this, and the big Klingon grabs him by the head, twists it and breaks his neck. Weyoun 8 is, of course, just as big a dickhead.

Back on DS9, we have two more sets of bedfellows, both literal. On the one hand we have Mr and Mrs Captain Benjamin Sisko. In a development that I personally found not merely disappointing but offensive, we have Martok giving Klingon marital advice to the Emissary, about marriage being a long war, a fight over everything. That may be so in a warrior race like the Klingons. but to see Sisko immediately starting to plot to defeat Kasidy over her refusal to conduct a religious ritual she doesn’t believe in was deeply depressing, and not a little misogynist.

But the creepiest set of bedfellows this week were Gul Dukat and Kai Wynn, and I do mean bedfellows, a sight that was enough to turn your stomach. That the surgically altered Dukat was here to seduce the Kai from her loyalty to the Prophets, in favour of a quick conversion to the Pah-Wraiths should be paralleled by the physical side of things was no doubt artistically sound, but it was still queasy to see.

But to give the Kai credit, the moment she realised that it was the Pah-Wraiths sending her visions, she fought back instantly, telling Dukat to get thee behind me, pledging herself to the Prophets, seeking their guidance, resisting all the way. She even sought Kira’s counsel, genuinely humble and open. But all this repentance broke upon the rock of Kira’s advice that Wynn must abdicate the Kaiship.

And so the other big bad goes bad for good, telling Dukat that the Prophets she has worshipped and served all her life have never – never – spoken to her. So now she’s gone over to the other side, the last set of bedfellows, the Kai and the Pah-Wraiths.

To be continued.

Wynn’s defection was dramatically inevitable, the culmination of her path of arrogance and power, but given the strength of her initial rejection of the Pah-Wraiths, which is genuine and vehement, I surely can’t be alone in thinking that it would have made a much more fascinating story for her to have maintained that stance, and to have devoted her strengths to the fight against them and the Dominion? Or was that a pipe-dream? Yeah, a pipe-dream.

As an aside, I’ve written this blog on the third anniversary, give or take the odd day or two, of my first blog in this series. There are now only six episodes left.

Deep Space Nine: s07 e15 – Badda-Bing, Badda-Bang


Hubba Hubba

It’s something of an achievement, I suppose. It took seasons and years to make me loathe Quark to the point where I automatically shudder at the mere thought of an episode about him. Vic Fontaine didn’t even require a full season.

There’s only one more standalone after this, thankfully, and I could have done without this. It’s a stupid story, no matter how highly rated it is. A ‘jack-in-the-box’ provision in Vic’s program triggers the arrival of mobster Frankie Eyes to throw Vic out and turn his Lounge into a sleazy cabaret of long-legged dancers and long-legged waitresses serving up martinis: Vic’s out.

Naturally, O’Brien and Bashir won’t stand for this. They can’t reset the program without wiping out Vic’s memories of encounters to date, which is our MacGuffin for everyone (including Sisko but excluding our far too sensible Worf) to dress up 1962 Vegas style for an Ocean’s Eleven-style caper, in which the casino will be robbed, Frankie’s boss won’t get his cut and Frankie gets buried in the desert.

Sisko’s belated appearance in Vic’s world gets a controversial scene in which the Captain explains that he hates the thought of the ahistorical lie behind the program. Blacks in Vegas in 1962 were not welcomed as equals, very far from it, and Sisko resents a set-up that denies that reality by pretending everything was well. Kasidy Yates counters this by pointing out that they are equal now, completely so, and that Sisko’s historical perspective is a way of perpetuating those restrictions, in his head.

That this was raised at all was controversial, though in the context of the show it felt like an out-of-place attempt to staple some inconsistent seriousness onto a determinedly unserious premise, and I disagreed with Kasidy’s blythe and bland notion that the evils of the past should be plastered over with modern sensibilities. And the whole point of bringing it up is obliterated when Sisko promptly changes gear and joins the caper crew with great gusto.

I did get some amusement out of the way they firstly ran through the complex, clockwork plan until it worked perfectly, and then Dortmundered the whole thing when it was done for real. I refer of course to the much-missed Donald E Westlake’s ‘Dortmunder Gang’ series of crime fiction in which the titular John Dortmunder creates brilliant criminal plots of the kind that ruthlessly succeed in crime fiction, only to have then screw up over the simple fact of human beings acting like human beings.

That and the sight of Nicole de Boer in waitress outfit, fishnet tights up to her cute little bum, were my only sources of pleasure in an episode that could have been written to order to leave me cold. Badda-bing, badda-bang, badda-bugger off.

Deep Space Nine: s07 e14- Chimera


Love-making, Changeling style

We’re now into the back half of the last season and, knowing about the long end-game, I’m growing impatient of these last few, more-or-less self-contained episodes prior to the beginning of the end. Which is a shame because ‘Chimera’ turned out to be a very strong episode throughout, as well as being a fundamental set-up for one of the very few things I (unfortunately) know about the end. This is why I try to be spoiler-free.

The objective of this episode was to undermine Odo’s commitment to his existence as Odo, Constable of DS9, senior staff and lover of Colonel Kira Nerys. This is done by the simple ploy of introducing another unaligned Changeling, in the form of Laas (played by J.G. Hertzler under a variation of his full name, as Garman Hertzler).

Laas is one of the Hundred, like Odo sent into the Alpha Quadrant as an infant to live among humanoids (or monoforms, as he prefers to call them), to return to the Great Link bringing back information. Like Odo, he has grown up isolated, having met no other Changelings: Odo tells him for the first time about the Great Link, the Founders, the whole set-up. The pair Link.

But Laas has been conscious as a shapeshifter for about two hundred years to Odo’s thirty. His abilities and attitudes have evolved considerably further, and he sees Odo as going to follow the exact same path, and he tries to save the Constable the other one hundred and seventy years of it. For Laas has developed a powerful dislike of humanoids, whose limitation of only ever adopting one form has led them to hate metamorphs.

Laas is insulting to Odo’s friends, wants Odo to join him in searching for others of the Hundred, to create a new Link and live as Changelings are meant to live, expressing every facet of their abilities instead of the single form Odo wears.

The ‘problem’, if you like to call it that, is that every word of what Laas says is true and irrefutable. Even the directly insulting ones towards human beings, from an environmentalist stance, are practically impossible to argue with. From the Link, Laas identifies that Odo only stays because of Kira. The problem, on a personal level, is that Kira, knowing the pair have linked, identifies that herself.

So the episode sets itself up for a conclusion by having Laas shift into a low-lying fog on the Promenade, two Klingon hotheads attack aggressively and Laas kill one in self-defence. The Klingons, in the form of an off-screen Martok, who can’t come to the visiscreen just yet because he’s playing Laas, step madly out of character by demanding extradition and deploying legal technicalities (a shameful lapse in the plotting) but Laas is allowed to escape and follow his quest, not by Odo but by Kira.

It’s a demonstration of love, albeit one with a cliched aspect: the lover loves so much that she will enable the loved one to leave if what they leave for outweighs the importance of that love. Nana Visitor plays this all in the face, and very effectively too. And she’s rewarded in a lyrical ending as Odo balances within himself the conflicting desires to find his own and really be a Changeling, and his love for Kira, and comes to the unenforced decision that that is more important to him. And in order to come closer to the effect of the Link that she can never enter, turns himself into the Aurora Borealis and surrounds her, a moment of great beauty.

But on every objective level, what Laas has said breaks the bond between Odo and the Solids. Only an irrational decision, brought on by emotion, acts to restrain his following the inevitable, and what will be becomes the only possible outcome. Very powerful stuff indeed.

Two more thoughts: at the height of the extradition crisis, Quark, of all people, comes to Odo to give him a very effective speech defining the genetic predisposition of humanoid lifeforms to trust only that which is like them. It could read like a defence of racism, although it’s not presented as a justification but rather as an evolutionary given, as impossible to fight as is the Changeling nature to try all forms. It’s cold, its practical, and it gains from coming from Quark (little though I want to acknowledge that), both in the Ferenghi’s status as unsentimental, and in it being Odo’s longest-lasting enemy who attempts to let him down easy.

And there’s a whacking great plothole in the midst of things when Kira, gaving switched off the containment field to let Laas out of his holding cell, and given him specific instructions on how to get off-station without being detected, tells Sisko that he turned into some kind of plasma form that forced its way out, without so much as the slightest suggestion of her tongue being in her cheek, and Sisko doesn’t call up the surveillance tapes to prove her a liar, because there are none, in a cell block, and yeah, right, sure.

Just because an episode is a great success doesn’t mean we can shut our eyes to blatant plot-fudges like this.

Deep Space Nine: s07 e09 – Covenant


Does he look any more mad to you?

I usually like Kira-centric episodes, in large part for the entirely shallow reason that I like looking at Nana Visitor. Unfortunately, the unfortunate hair-style she has adopted for the Seventh Season has changed Ms Vistor’s appearance rather more than the traditionally Runyonesque somewhat, and it’s not so much fun.

Neither was this episode, much of the point of which went over my somewhat unfocussed head. After an intense sermon about forgiving one’s enemies, delivered by her old and much-respected teacher, Vedek Fala, Kira is then kidnapped by Fala and beamed to Empok Nor, to be delivered into the hands of the one unforgivable enemy, Gul Dukat.

But Dukat is a changed Cardassian (or is he?) Touched by the hand of the Pah-Wraith that occupied him in the last episode of season 6, Fukat has gotten that old-time religion. He believes that the Pah-Wraiths are the true Gods of Bajor, not the Prophets, and has assembled around himself a cult of fifty Bajorans, which includes Fala, and who belieeeeeeeve.

Unfortunately, they also believe in Dukat, and when Kira gets a gun and the drop on the Big Bad, they positively queue up to shield him with their own bodies.

Which is doubly unfortunate because, even though Dukat has genuinely become a believer, he’s still Dukat. Benyan and Mika are about to have the cult’s first baby, Dukat having kindly agreed to permit them to set aside the Vow of Abstinence, for reasons that become obvious when the baby proves to be half-Cardassian. It’s a Miracle! shouts the hastily inspired Gul, a sign from the Pah-Wraiths.

Then he tries too drop Mika out of an airlock before she tells anyone else (she escapes explosive decompression and the instant expulsion of all the air by clinging on to the carpet – not one of DS9‘s most sparkling plot points – and despite several minutes of oxygen depravation, will make a complete recovery. Well, ain’t that just soooo Pollyanna?)

Dukat’s next bright idea is for the entire cult to go meet the Pah-Wraiths by slopping down Obsidian Order suicide pills. He’s meant to be part of this pact, which had me recalling the Reverend Jim Jones and the Jamestown Massacre but which was actually inspired by the considerably more contemporary 1997 heaven’s Gate cult mass-suicide. But Dukat, however much he is a believer, is still Dukat, and his pill’s a Parma Violet or something equally innocuous. Kira jumps on him from a balcony, upsets the pill-cart and throws Dukat into a rage as his cultists transform from worshipful and adoring mugs to a howling mob in an instant, demonstrating yet again that the key characteristic of a fanatic is fanaticism and that the actual ‘belief’ is irrelevant.

The whole episode was built around restoring Dukat to his role as Deep Space Nine Big Bad Number One. Repainting him as a true believer is supposed to make him even more dangerous, and it’s apparently foregrounding for the ten episode concluding arc, coming up on this blog in less than two months now. Myself, I was not convinced, by the episode in general, and especially not by Kira’s closing statement that Dukat was now more dangerous. When these things have to be spelled out to the audience in such a paint-by-numbers fashion, it’s a sign that the writers haven’t got their point over half well enough.

As for Colonel Kira and Nana Visitor, and leaving aside shallow concerns, it was not a good episode for either. I’m afraid Dukat brings out the worst in Kira, worst for the audience that is. She goes all one-note, shrill and almost hysterical, losing the point in the determined, monomaniacal insistence on painting Dukat far blacker than the Rolling Stones could ever have imagined, and the fact of it being true has nothing to do with how tedious it quickly becomes.

The fact that we have, now, seven episodes ahead that, by definition, have nothing to do with the endgame sequence, doesn’t thrill me. Rightly or wrongly, it gives the impression that these are unimportant, that they’re just filler until we get to the real story, the grand finale, the completion of the seven-year design. A drag, just waiting for the real stuff. I’m almost tempted to skip them…

But, of course, I won’t. This time next week for the next episode, ok?

 

Deep Space Nine: s07 e04 – Take Me Out to the Holosuite


Who da man?

After the heavily intense episodes of the past few weeks, it was obvious that we’d get a lightweight story for a change of pace. There’s usually one quite early in every season of DS9. And ‘Take me out to the Holosuite’, which was all about having a game of baseball, was as lightweight as they come, despite the attempt to back it up with a psychological angle. In fact, it was so lightweight, you practically had to tie an iron onto it to keep it from floating away. I was prepared to be rather bored, but in fact I thoroughly enjoyed it.

The set-up is that the Vulcan-manned Federation ship T’Kundra has docked at DS9 for two weeks of overhaul and upgrade. It’s commanded by Captain Solok who is a hate figure for Benjamin Sisko, and indeed he’s a right snotty superior pain-in-the-arse from the get-go, niggling all the time about not so much Vulcaan superiority as human inadequacy.

Solok’s done this since the pair were cadets and a drunk Sisko challenged him to a wrestling match and got whupped. For a supposedly emotionless Vulcan, Solok is a seriously vindictive shit, endlessly rubbing it in on Sisko, and now he’s brought a baseball holosuite game to challenge the Captain at his own personal sport. Sisko immediately orders the senior staff – which now appears to include Nog (?!) – to form a team and win.

That’s basically it, really. The team is swelled out by Rom, Leeta, Quark and Kasidy Yates. Rom is completely inept, which is a laugh because Max Grodenchik was a semi-professional baseball player and had to play left-handed to look authentically crap. Sisko throws him off the team, which causes the others to threaten a strike unless he’s reinstated. But there’s one of those little scenes that remind us, fourteen carat klutz that he may be, Rom is a truly good bloke: he only wants to be in the team on merit and he recognises he clearly hasn’t got any, so he won’t accept a false position.

Now, you’re all expecting that, on the day, the ‘Niners’ will pull off a victory all the more stunning for being so completely unexpected, and so did I. But this episode is more subtle than that. Basically, the DS9 team get thoroughly and deservedly whupped, 10-1, and Sisko gets thrown out for touching the umpire (Odo). But the episode shapes itself around that one, consolation run, which comes about through Sisko chucking Rom in as a pinch-hitter, his accidentally ‘hitting’ the perfect bunt and Nog stealing home, producing an ecstatic response from his team that carries over into Quark’s.

Solok doesn’t get it. He blames human emotionality (Ezri pipes up with ‘Did I forget to wear my spots today? He doesn’t even know what humans look like!’), suspects an artificial attempt to turn abject defeat into moral victory, but has to exit as everyone taunts him over his emotional investment in getting one over Sisko, but really they’re just celebrating having had fun, lots of fun, and that’s what makes this episode delightful, the copious amount of fun everyone’s clearly and genuinely having.

It still doesn’t turn me into a baseball enthusiast, cricket will always be a far more subtle, complex and involving game for me (and you couldn’t fake that onscreen as easily as DS9 does), but this was fun with its boots off, and I loved it.