Once Upon a Time in Amber: Sign of Chaos


Still more of the same only different, but it would be fair to agree that, very slowly, the overall story is starting to gather something of a shape to it.
Thus far, it’s been an accumulation of mysteries, plates that are set up to spin and then left running whilst Zelazny rushes around new scenes, setting more plates into motion. Merlin is constantly failing to make much sense of what is going on, constantly having thoughts he doesn’t explain, constantly getting nowhere, leaving any overall story to turn and turn in a widening gyre.
There’s not much sign of this changing at first in Sign of Chaos. Merlin and Luke are hanging out at the bar with all the Lewis Carroll characters, including a Bandersnatch, a Jabberwocky and, rather more immediate to Roger Zelazny, a Fire Angel, a very destructive Chaos creature.
What they are on, jointly, is a bad trip. Luke’s attacked the Keep of the Four Worlds, been beaten and captured and subdued by having some LSD dropped on him. The Bar is his trip but it’s powerful enough to drag Merlin in with it. Using the Logrus against the Bandersnatch clears enough of his head to start escaping. He kills the Fire Angel with the Vorpal Sword, has to abandon Luke until his acid wears off, and Trumps out, not to Amber but to Chaos: his elder ‘brother’ Mandor (son of Dara’s husband by an earlier marriage).
Mandor is an intelligent, highly-composed Machiavellian figure with a soft spot for Merlin. He’s prepared to spirit his ‘brother’ off to a secret place to chill out for a couple of years until this all blows out, ‘this’ being a sudden bout of succession fever, with Swayvill, King of Chaos, looking finally likely to die and all manner of poisonings etc going on as everyone shifts for position.
And as Prince Sawall has formally adopted Merlin, whilst he’s been gone, Merlin is in the line now, another reason for Jurt to hate him, because he becomes higher in the succession.
Their conversation is interrupted by a Trump call for Merlin from Fiona, calling Merlin to Corwin’s Pattern. She includes Mandor in the invitation: the pair intrigue one another. Merlin admits to lying about being unable to walk this Pattern and still refuses to, arguing with Fiona over her anxiety that it is responsible for increasing the number and nature of Shadow stoms. Merlin’s case is favoured when Mandor eliminates one persistent storm, which is under external control, by amplifying it with ultimate Chaos via the Logrus.
They go off to investigate further. Merlin trumps back to Amber to catch up on sleep. He learns how to release Jasra from her spell before seeking food, in company with Queen Vialle, Cousin Martin (now a punk rocker of stereotypical appearance, ten years late) and Aunt Llewella. Random has departed for Kashfa, Jasra and Luke’s home, following the death of its ruler and Random succeeding in getting his candidate accepted. A trade treaty, bringing Kashfa into the Golden Circle of trade with Amber, is to be completed, all of which will head off Jasra’s return.
The meal is interrupted by the premature arrival of the Prime Minister of Begma, Kashfa’s local rival and an existing Golden Circle country, arriving with two daughters, Nayda and Coral, plus staff. Merlin, though no diplomat, is roped in to greet them and fend off importunate questions. Nayda resembles her father but Coral looks completely different. She attracts Merlin, and the attraction appears to be mutual.
Ahead of the State Banquet, Merlin shows Coral around Amber, taking her down to the beach along the stairway on Kolvir that Corwin and Bleys scaled in Nine Princes. Coral is intelligent, pleasant company, so much so that Merlin assumes she is the latest manifestation of the spirit, whatever it is, that possesses people and follows him. In this, he’s wrong, though his spell to drive out possessions comes in handy in foiling another attempt by Jurt to ambush him. Jurt is allied to Mask, current holder of the Keep of the Four Worlds.

The UK edition

Merlin has already told Coral that he knows what she is, leading her to assume he means her real secret. What that is only comes out when she gets him to take her to see the Pattern and she sets foot on it: Coral is a daughter of Oberon, via an affair he had with her mother. She walks the pattern, commands it to send her wherever she ought to go and vanishes with no means of communication other than Merlin’s Trump. Her disappearance is likely to cause a diplomatic incident.
Before that, Luke contacts Merlin to offer a deal. He has ended his vendetta after Caine and wants to settle with Amber to get Jasra freed. He proposes a deal whereby Mask and Jurt are cleared out of the Keep and Jasra retakes it. Some urgency is required, since the Keep contains the Fount of Power, a super-energising, dehumanising source that was responsible for Brand’s unusual powers: keeping Jurt from bathing in it is very important.
Merlin thinks this over throughout the Banquet, at which he is subjected to the earnest attentions of Nayda, offering him her personal contacts to set up a free and guaranteed assassination of anyone bothering him. Like her sister, but less appealing, she also seems eager to get something going between them, and not just because marriages into the Amber Royal Family can advantage small countries.
Vialle interrupts the Banquet, summoning Merlin to a Counsel of War. Dalt is present, threatening attack on Amber but willing to withdraw if Luke and Jasra are handed over to him as prisoners. Julian and Benedict are ready in force to wipe him out but Vialle wishes to avoid death for anyone. Merlin summons Luke by Trump to consult with Vialle, who places him under her personal protection.
Luke offers to parley with Dalt to secure agreement. Merlin goes with him to ensure that Julian doesn’t act on his own vendetta. Luke and Dalt agree on a fistfight, the loser to be taken as prisoner. Dalt knocks him out and withdraws: Merlin realises it has all been a complex set-up by Luke.
As agreed, Merlin visits Nayda’s quarters after the meal. After some preliminary kissing, he gets down to brass tacks with her. She is the possessing entity. He draws a Trump for Coral, contacts her in total darkness, but loses the connection quickly. It and Luke are blocked thereafter. Merlin is contacted by Mandor and brings him into Amber. Mandor recognises the creature possessing Nayda as a ty’iga. It is charged with protecting Merlin but can’t say by who in front of him, only to Mandor alone, and he won’t tell.
(Given that the book makes much of being a multitude of interlocking puzzles in which nobody’s motives have been established, even when their identities have been, this question is just one of many but it’s such a damned obvious solution that it’s disappointing that Merlin can’t even come up with one guess.)

The US edition

There’s another complication: the ty’iga took possession of Nayda at the end of a serious illness, so serious that Nayda had just died. It can’t be forced from the woman’s body right now: Merlin is already on the hook for one daughter’s disappearance…
Mandor agrees to aid Merlin. They awaken Jasra, negotiate her assistance in attacking the Keep, which she only agrees to after she gets to hear Nayda’s story.
Leaving Nayda behind, under a paralysing spell, the trio attack the Keep. Jurt appears to have at least partially bathed in the Fount of Power. Merlin gets close enough to Mask to drive a dagger into ‘his’ kidney, but Jurt Trumps both away to safety. Before he does, Mask’s mask comes off. Merlin recognises him. Mask is his supposedly dead ex-girlfriend, Julia…
Once again, it’s a cliffhanger ending, but this time of a different order, a revelation of information essential to the overall story, such the endings to Sign of the Unicorn and The Hand of Oberon in the Corwin Cycle. For the first time, we can perhaps begin to see the outline of an overarching story, into which the multiple elements we’ve bounced around might combine organically.
What are the main elements of the story so far? Someone is trying to kill Merlin; originally it was his cousin Rinaldo, who prefers Luke, then his mother, Jasra, and now it appears to be his half-brother Jurt – who hates him for no better reason than that he’s half-Amber – working in collusion with Merlin’s former girlfriend who he confused by taking her on a shadowwalk without explaining.
Someone has sent a Chaos entity that can transfer from body to body to protect Merlin: from Chaos, protection imperative, can’t guess who it might be.
Amber may face attack from differing forces, led by some combination of Luke, Jasra and/or Dalt.
Four more children of Oberon have been brought into the picture, two male, two female, two newcomers, two pre-existing but not previously mentioned.
Corwin hasn’t been seen since the end of his Cycle and Merlin has invented a sentient Shadow computer he calls Ghostwheel.
It’s not much to show for three books. But it’s only to be expected in that Corwin was a directed character, with a purpose: to take Amber’s throne at first, then to save it from a clear, present and equal danger. Merlin is completely undirected. He is passive, with no goal in sight, and is bounced continually from pillar to post by the actions of multiple others, with individual aims he still can hardly begin to work out.
The Merlin Cycle is a very flat cycle, spinning in place and progressing only laterally. With two more books to go, can it be redeemed?

Once upon a Time in Amber: Trumps of Doom


To the best of my knowledge, there is no-one who has compared the Second Chronicles of Amber to the First and said it stands up just as well. I certainly never did, not even when I was collecting the individual volumes in a rather neat set of themed covers in the British paperbacks. Coming to the first of these again, after a gap of maybe three decades, I’m not yet seeing anything to update that opinion.
The Second Chronicles is the Merlin Cycle, told in similar fashion by Corwin’s son, Merlin, the once and former intended King of Amber. Merlin introduces himself under the name of Merle Corey, which he’s been using for the last eight years or so on his father’s Shadow Earth: Merle is just finishing up a job as a Computer Designer.
Soon he’ll be off to do something else, that we are not immediately made privy to, but before that Merle has one outstanding task to complete. For the last seven years, some unknown individual that he’s tagged as S has been trying to kill him on April 30. Merlin desires to know who and why, though the latter is of only minor importance, especially beside the part about S not being in a position to try again next year.
It’s the same basic set-up as the Corwyn Cycle, except that there Zelazny made a deliberate thing of Corwyn’s amnesia, giving the story a direct and immediate point as well as an accelerable linear path. Merlin knows who he is, and returning readers know very well what to expect, but anybody not familiar with the First Chronicles is on a hiding to nothing trying to work out what’s going on, and not in a good way.
And Trumps of Doom doesn’t develop in any kind of progressive way, but rather just has Merlin bouncing from set-up to set-up, pursuing something not clearly defined, without ever getting to anything recognisable as a goal.
So Merlin goes charging around, alternately in pursuit and being pursued, accumulating scenes and people. These include his workmate, salesman and (we later learn) fellow Olympic candidate Luke Rinehart, his ex-girlfriend Julia, recently dumped but now found dead with half her face eaten off by non-Earth creatures, painter, mystic and weirdo Victor Melman.
Merlin faces a sorceress named Jasra, who bites him with a poison tooth. He escapes with the aid of a small number of new Trump cards showing unknown locations. These are the Trumps of Doom of the title, though only one is used, taking Merlin to the location of a sphinx who plans to riddle him and eat him. Merlin talks his way out on the basis of the Sphinx appearing to be stupid.
During his absence, at a faster time differential, Melman’s place has burned down. Merlin flies to Santa Fe in response to a message from Luke, eager to speak to him. Whilst he is awaiting Luke’s return, he is approached by a man asking questions about Luke that Merlin is cagey about answering. The man catches him offguard, leaving on asking if Merlin has ever heard Luke mention either Amber or the Courts of Chaos.

The UK edition

The stranger claims to be a potential investor checking out Luke, who denies all knowledge of him. Yes, he’s looking to work with Merle on a project called Ghostwheel, a bizarre computer system designed to work in unusual, non-earthly environments, but Merlin disclaims Ghostwheel as purely a theoretical exercise. Their conversation is interrupted by the stranger shooting at one or other of them, only to be killed by Luke. Luke forces Merlin to flee on threat of death, naming him with his true name, then disappearing with the body.
Now, you and I who have read the First Chronicles have already figured Luke for someone connected with Amber, and it’s not spoiling any dramatic tension to confirm that we’re correct. The new reader has only the aforesaid mentions of Amber and Chaos to go on, and has no idea yet of Merlin’s status, though they will be aware that there is a mystery about Merlin’s father, who is missing.
Merlin’s next move is to visit Corwin’s old friend and now attorney to Amber, Bill Roth. It’s meant to be a chill-out but one of the neighbourhood youths is acting weird (as if he’s on serious drugs), and not sounding like his real self. The next day, out walking with Bill, Merlin is summoned by Trump to return to Amber by King Random. With the boy running towards them, trying to stop him, he takes Bill with him for his first visit to Amber. (This is the self-identified ‘minor character who gets shuffled off without ever really finding out what’s going on’).
Merlin has been summoned back for a funeral. All the family are required to be present. Caine has been assassinated, and Bleys attacked, wounded but surviving. A mysterious stranger attempts to drop a bomb into the royal party at the funeral but is spotted too early by Merlin, causing the bomb to explode too high in the air. But he has succeeded in bringing working explosives into Amber. And when tested, Corwin’s Avalon-powered bullets, and a couple of rounds Merlin has retrieved from Luke, fire in Amber.

The US edition

With the assistance of his Aunt Fiona, Merlin returns to Earth to keep a mysterious rendezvous at Corwin’s old country club. Nobody arrives, but he picks up an attractive woman and goes back with her. After, they are disturbed by her husband’s unexpected appearance. When he contacts her later, she sounds completely different and doesn’t know him. Mysterious. Fiona recognises something in Luke’s photo but refuses to share her knowledge: she and Bleys disappear overnight.
Random’s main fear is of a recurrence of plotting amongst his siblings but he gets another headache when Merlin explains about Ghostwheel. This is a kind of computer-Trump, embodying the principles of the Pattern and its Chaos-equivalent, the Logrus, both of which Merlin bears within him. It can identify and locate objects in Shadow and open windows through the same. Since those widows could be used to transport the full force of, e.g., a Shadow Storm, Random orders Ghostwheel shut down.
Reluctantly, Merlin sets off to Ghostwheel’s location. This requires a very long hellride or rather hellrun as Merlin is running the way rather than getting on a horse. He keeps being faced with obstacles and orders to Go Back, but not until he is joined by Luke, who identifies the voice as Merlin’s, does he realise it is Ghostwheel, thinking for itself.
Ultimately, both are blasted away. Merlin wakes to find himself taken into a blue-crystal cave, where Luke shows him ample supplies before exiting via the roof, which he then blacks off. Before doing so, he explains that the blue crystal is completely impervious to Trump communication etc. He wants Merlin where he can find him, whilst he gets on with the business of destroying Amber’s royal family. Luke is S. He is also Rinaldo, son of Brand.
The book ends with Merlin having been a frustrated prisoner for a month.
I’m not going to go further than that for this entry. Trumps of Doom is but a template for the Second Chronicles and there will be ample time to comment on this approach when we get to later books in the series. For now, just contrast this synopsis with those for the Corwin Cycle, and meditate upon one already obvious difference between father and son: Corwin is telling an active story and Merlin a reactive one. How big a difference does that already make?