Once Upon a Time in Amber: Prince of Chaos


A word first about the title. Thus far, Zelazny has been using a (something) of (something) formula, four titles, eight different terms: Trumps, Blood, Prince, Knight, Doom, Amber, Chaos, Shadow. For the last book, we get a repeat of Chaos, coupled this time with Prince. It’s apt, for both Merlin and the final book, but the reuse of Chaos makes it automatically sound weak, as if Zelazny had run out of new ideas and could only revert to something already applied.
We pick up directly from the end of book 4, explaining that Coral is indeed Luke’s wife, by reason of an infant bethrothal years earlier, that the two are entirely amenable to an annulment, once the coronation is over, and then we hurry off to rush through said coronation and Merlin and Coral end up spending the night together, though Zelazny doesn’t mention whether they make love (which in most countries would be regarded as an act of High Treason, and probably not covered by diplomatic immunity) as well as talking and sleeping.
Then Merlin gets summoned to the Court of Chaos, and Coral gets dropped on the spot. Why is Merlin so urgently needed at home? Because he’s under Black Watch. Behind his back, people have been dropping like flies and now King Swayvill has finally died. Merlin is now third in line in the succession. He and the two ahead of him are being guarded.
Merlin doesn’t want to be anywhere in line for the throne of Chaos, or the throne of anything. Unlike his still-missing Dad – and Zelazny drops a substantial hint to the readers but not his narrator, as to where Corwin has been all this time – Merlin has no interest in ruling anything except himself. Unfortunately, his mother, Dara, and his elder step-brother Mandor have a different idea on that subject.
We’re here in the Courts properly for the first time, and credit Zelazny for the portrait he paints of how different the place is. Old friends, servants and serpents come out of the woodwork, pieces of Merlin’s childhood that he’s never talked about, and who arrive with relationships of a sort established that are not explained for us. And the Courts itself, with its non-Euclidean geometry, it’s concealed and twisted geography, is a place where homes and houses are known as Ways and hide behind plain sight.
As well as Mandor and Dara, Merlin’s main contact in the Courts is his Uncle Suhuy, Master of the Logrus. Suhuy at least is a neutral figure, with a regard for Merlin, who is not out to influence him, rather inform him. He provides a small spell to open Merlin’s mind to possibilities via a dream visit to the Corridor of Mirrors, which adds yet more layers of uncertainty, but who are we to object to this now, after four books of avoiding concrete answers?
Merlin objects to becoming King of Chaos, despite being told he is the choice of the Logrus, a thing that makes him only more determined to avoid the job. Indeed, later on Dara will effectively advise that Corwin was the choice of the Pattern as King of Amber, and that Merlin’s birth involved nothing of love or even desire, merely the selection of the appropriate genetic material to create the new King of Chaos.
Because what underlies the whole of the Merlin Cycle, and which is now extended retrospectively to underpin the Corwin Cycle is the struggle for balance between the two Powers, the Pattern and the Logrus, the Unicorn and the Serpent, Order and Chaos.
Without both, Shadow cannot exist. Both sides pay lip service to balance, both retaliate in turn to steps tilting the balance one way or another but both sides ultimately seek to establish an overwhelming dominance, rolling the other back indefinitely. They demand Merlin choose between them but that’s the one thing he refuses to do.

UK paperback

Right now, the Pattern has a distinct advantage: not only has the balance been tipped to it by Merlin repairing the First Broken Pattern, there is the matter of Corwin’s Pattern. Currently it’s remaining inactive, but not for much longer. It was drawn when the Pattern was being repaired, the only time this could possibly happen: in any other circumstances, the Pattern would have absorbed it and it’s tried to do so since but failed. Still, two Patterns, one Logrus, the maths are simple.
A pattern-ghost of Luke comes to Merlin in the Courts to deliver a message. Merlin sustains it with his blood. Corwin helps the pair escape the Courts, to ‘his’ Pattern, but this is another Pattern-Ghost, only produced by Corwin’s Pattern. As the only one ever to walk it, it is more durable as it has all his Pattern’s energy behind it. This is the Corwin who’s turned up here and there. The original is still missing.
All three walk the Pattern, en masse, which enables this one to sustain Luke. Luke-Ghost stays to guard it, Merlin trumps back to the Courts to meet Dara, but is diverted by another old playmate to discover a hidden shrine to Corwin. The meal with his mother does not go well. He probes her over what happened to Corwin but gets nowhere. He reveals that his father’s Pattern is becoming active, which disturbs her.
Returning to explore hidden parts of the Courts, Merlin is approached by Jurt, who he’s decided to kill on sight. But Jurt has undergone a total change of heart, apparently. The game is getting too big and too dangerous, he no longer wants the throne: not only does he think he wouldn’t be competent, but if he got there he’d only be a puppet of Dara and Mandor. As would Merlin be. So, reluctantly, they team up.
Jurt reveals that Dara plans to kidnap Coral, bring her to the Courts to become Merlin’s Queen, and bring the Jewel of Judgement, the Serpent’s Left Eye, the however many names you give it back to the Logrus. Merlin and Jurt decide to foil this, though their efforts are hampered by the need to attend Swayvill’s funeral, where they are to play prominent and visible roles.
During the funeral, the two candidates above Merlin in the succession both die. This places Merlin in pole position but gives him and Jurt the chance to sneak out to save Coral. They’re too late. A posse forms of this pair, Luke (who’s already fed up with being King) and the ty’iga possessed Nayda, who’s now gloriously happy since she’s shagging Luke, who she always fancied most. It also includes the mercenary Dalt.
For reasons left unexplained, Merlin wants the Luke-Ghost to do this, so he persuades Luke to swap places with the Ghost, who Merlin now renames Rinaldo for convenience, whilst Luke guards Corwin’s Pattern.
While they travel, Merlin reveals his spikard to Luke. The spikard is the ring of multiple magical powers and sources that Merlin’s been sporting since the last book, which caused him to tie faithful Frakir to a bedpost, never to be seen again. Luke, naturally, knows a bit more about spikards, that they are ancient and not to be trusted: he wonders if the spikard has been driving some of Merlin’s decisions since he donned it. Certainly, he feels weak and diminished without it on his finger, so it is, blatantly, something addictive, if not parasitical, or symbiotic if you want to be pleasant about it.
The pursuers catch the kidnappers at a tower being beseiged by two quartets of ghosts: four from Amber and the Pattern (including Eric and Caine), four from the Courts and the Logrus. The Amberites win. The pursuers surround a drugged Coral and defend her. The two Powers demand that she must go to one or other of them but Merlin is fighting to preserve Coral’s independence like his own. The pursuers are dragged to the Primal Pattern, where Luke negotiates their release by slashing his arm, cupping his blood in his hand and holding it over the Pattern.
Once back in Kashfa, Merlin goes off to sleep and have another of those dreams in which he’s addressed by various relatives. One of them is Delwin: you know, of Delwin and Sand, the mysterious Uncle and Aunt introduced into Corwin’s generation books ago for no apparent reason. Delwin’s here to tell Merlin that a spikard formerly belonging to Swayvill was introduced into Amber for him to find, bound with compulsion spells that would force him to claim Chaos’s throne and accept the orders off Mandor and Dara. Delwin bears a spikard of his own. He has the portentous line that they may never meet unless certain ancient powers are unleashed (a hint towards a putative Third Chronicles?), invites Merlin to touch his spikard to Delwin’s so they may meet but instead he’s blasted back to the Courts and another old playmate who delivers the other half of Delwin’s message, that the problem spikard left by Mandor was switched for the one Merlin bears, this by Bleys who makes a cameo to hand over the difficult spikard. Is Bleys a pattern-ghost? Was Delwin? God knows, this is getting so flimsy.

US Paperback

Anyway, the subtlety of the treacherous spikard turns out to be simple, crude chants of take the throne, listen to Mandor, do what Dara says and the like: easily resistible now.
Suddenly we’re rushing at the end. Merlin has finally woken up to where Corwin is. He and the Ghost invade the Courts. After the defeat by Amber, many prominent Chaosites started worshipping certain Amberites, setting up shrines to them: Mandor’s is of Fiona, someone else has Benedict, Dara has one of Corwin. Which is where Corwin is prisoner, in a locked cell in total darkness. Merlin releases him, his ghost replaces him. None of this is in the least characteristic of the Corwin of his Cycle but do we care by now? Corwin’s free.
And Merlin has one last task to do: he sets up a spot where he can work his spikard to the max, knowing it will attract Mandor and Dara. They challenge him, fight and lose. Merlin has Ghostwheel on his side. He faces down the Logrus. He will become King of Chaos but he will rule, not reign. He will be in charge. And nobody has any option but to accept it. Mandor and Dara don’t get the chance to ‘advise’ behind the scenes, unless Merlin proves to be crap at his new job and gets deposed.
So, offstage, Merlin tells Corwin his long story, to provide a final symmetry to events, and Corwin heads of back to Amber. End of story.
What do I say? What do I even begin to say? The Merlin Cycle is a mess, its infrequent good moments overwhelmed by its sheer incompetence? This is the point at which to begin an analysis, but to be honest it will have to be displaced to an unintended additional post. For that, you’ll have to wait another week.

Once Upon a Time in Amber: Sign of Chaos


Still more of the same only different, but it would be fair to agree that, very slowly, the overall story is starting to gather something of a shape to it.
Thus far, it’s been an accumulation of mysteries, plates that are set up to spin and then left running whilst Zelazny rushes around new scenes, setting more plates into motion. Merlin is constantly failing to make much sense of what is going on, constantly having thoughts he doesn’t explain, constantly getting nowhere, leaving any overall story to turn and turn in a widening gyre.
There’s not much sign of this changing at first in Sign of Chaos. Merlin and Luke are hanging out at the bar with all the Lewis Carroll characters, including a Bandersnatch, a Jabberwocky and, rather more immediate to Roger Zelazny, a Fire Angel, a very destructive Chaos creature.
What they are on, jointly, is a bad trip. Luke’s attacked the Keep of the Four Worlds, been beaten and captured and subdued by having some LSD dropped on him. The Bar is his trip but it’s powerful enough to drag Merlin in with it. Using the Logrus against the Bandersnatch clears enough of his head to start escaping. He kills the Fire Angel with the Vorpal Sword, has to abandon Luke until his acid wears off, and Trumps out, not to Amber but to Chaos: his elder ‘brother’ Mandor (son of Dara’s husband by an earlier marriage).
Mandor is an intelligent, highly-composed Machiavellian figure with a soft spot for Merlin. He’s prepared to spirit his ‘brother’ off to a secret place to chill out for a couple of years until this all blows out, ‘this’ being a sudden bout of succession fever, with Swayvill, King of Chaos, looking finally likely to die and all manner of poisonings etc going on as everyone shifts for position.
And as Prince Sawall has formally adopted Merlin, whilst he’s been gone, Merlin is in the line now, another reason for Jurt to hate him, because he becomes higher in the succession.
Their conversation is interrupted by a Trump call for Merlin from Fiona, calling Merlin to Corwin’s Pattern. She includes Mandor in the invitation: the pair intrigue one another. Merlin admits to lying about being unable to walk this Pattern and still refuses to, arguing with Fiona over her anxiety that it is responsible for increasing the number and nature of Shadow stoms. Merlin’s case is favoured when Mandor eliminates one persistent storm, which is under external control, by amplifying it with ultimate Chaos via the Logrus.
They go off to investigate further. Merlin trumps back to Amber to catch up on sleep. He learns how to release Jasra from her spell before seeking food, in company with Queen Vialle, Cousin Martin (now a punk rocker of stereotypical appearance, ten years late) and Aunt Llewella. Random has departed for Kashfa, Jasra and Luke’s home, following the death of its ruler and Random succeeding in getting his candidate accepted. A trade treaty, bringing Kashfa into the Golden Circle of trade with Amber, is to be completed, all of which will head off Jasra’s return.
The meal is interrupted by the premature arrival of the Prime Minister of Begma, Kashfa’s local rival and an existing Golden Circle country, arriving with two daughters, Nayda and Coral, plus staff. Merlin, though no diplomat, is roped in to greet them and fend off importunate questions. Nayda resembles her father but Coral looks completely different. She attracts Merlin, and the attraction appears to be mutual.
Ahead of the State Banquet, Merlin shows Coral around Amber, taking her down to the beach along the stairway on Kolvir that Corwin and Bleys scaled in Nine Princes. Coral is intelligent, pleasant company, so much so that Merlin assumes she is the latest manifestation of the spirit, whatever it is, that possesses people and follows him. In this, he’s wrong, though his spell to drive out possessions comes in handy in foiling another attempt by Jurt to ambush him. Jurt is allied to Mask, current holder of the Keep of the Four Worlds.

The UK edition

Merlin has already told Coral that he knows what she is, leading her to assume he means her real secret. What that is only comes out when she gets him to take her to see the Pattern and she sets foot on it: Coral is a daughter of Oberon, via an affair he had with her mother. She walks the pattern, commands it to send her wherever she ought to go and vanishes with no means of communication other than Merlin’s Trump. Her disappearance is likely to cause a diplomatic incident.
Before that, Luke contacts Merlin to offer a deal. He has ended his vendetta after Caine and wants to settle with Amber to get Jasra freed. He proposes a deal whereby Mask and Jurt are cleared out of the Keep and Jasra retakes it. Some urgency is required, since the Keep contains the Fount of Power, a super-energising, dehumanising source that was responsible for Brand’s unusual powers: keeping Jurt from bathing in it is very important.
Merlin thinks this over throughout the Banquet, at which he is subjected to the earnest attentions of Nayda, offering him her personal contacts to set up a free and guaranteed assassination of anyone bothering him. Like her sister, but less appealing, she also seems eager to get something going between them, and not just because marriages into the Amber Royal Family can advantage small countries.
Vialle interrupts the Banquet, summoning Merlin to a Counsel of War. Dalt is present, threatening attack on Amber but willing to withdraw if Luke and Jasra are handed over to him as prisoners. Julian and Benedict are ready in force to wipe him out but Vialle wishes to avoid death for anyone. Merlin summons Luke by Trump to consult with Vialle, who places him under her personal protection.
Luke offers to parley with Dalt to secure agreement. Merlin goes with him to ensure that Julian doesn’t act on his own vendetta. Luke and Dalt agree on a fistfight, the loser to be taken as prisoner. Dalt knocks him out and withdraws: Merlin realises it has all been a complex set-up by Luke.
As agreed, Merlin visits Nayda’s quarters after the meal. After some preliminary kissing, he gets down to brass tacks with her. She is the possessing entity. He draws a Trump for Coral, contacts her in total darkness, but loses the connection quickly. It and Luke are blocked thereafter. Merlin is contacted by Mandor and brings him into Amber. Mandor recognises the creature possessing Nayda as a ty’iga. It is charged with protecting Merlin but can’t say by who in front of him, only to Mandor alone, and he won’t tell.
(Given that the book makes much of being a multitude of interlocking puzzles in which nobody’s motives have been established, even when their identities have been, this question is just one of many but it’s such a damned obvious solution that it’s disappointing that Merlin can’t even come up with one guess.)

The US edition

There’s another complication: the ty’iga took possession of Nayda at the end of a serious illness, so serious that Nayda had just died. It can’t be forced from the woman’s body right now: Merlin is already on the hook for one daughter’s disappearance…
Mandor agrees to aid Merlin. They awaken Jasra, negotiate her assistance in attacking the Keep, which she only agrees to after she gets to hear Nayda’s story.
Leaving Nayda behind, under a paralysing spell, the trio attack the Keep. Jurt appears to have at least partially bathed in the Fount of Power. Merlin gets close enough to Mask to drive a dagger into ‘his’ kidney, but Jurt Trumps both away to safety. Before he does, Mask’s mask comes off. Merlin recognises him. Mask is his supposedly dead ex-girlfriend, Julia…
Once again, it’s a cliffhanger ending, but this time of a different order, a revelation of information essential to the overall story, such the endings to Sign of the Unicorn and The Hand of Oberon in the Corwin Cycle. For the first time, we can perhaps begin to see the outline of an overarching story, into which the multiple elements we’ve bounced around might combine organically.
What are the main elements of the story so far? Someone is trying to kill Merlin; originally it was his cousin Rinaldo, who prefers Luke, then his mother, Jasra, and now it appears to be his half-brother Jurt – who hates him for no better reason than that he’s half-Amber – working in collusion with Merlin’s former girlfriend who he confused by taking her on a shadowwalk without explaining.
Someone has sent a Chaos entity that can transfer from body to body to protect Merlin: from Chaos, protection imperative, can’t guess who it might be.
Amber may face attack from differing forces, led by some combination of Luke, Jasra and/or Dalt.
Four more children of Oberon have been brought into the picture, two male, two female, two newcomers, two pre-existing but not previously mentioned.
Corwin hasn’t been seen since the end of his Cycle and Merlin has invented a sentient Shadow computer he calls Ghostwheel.
It’s not much to show for three books. But it’s only to be expected in that Corwin was a directed character, with a purpose: to take Amber’s throne at first, then to save it from a clear, present and equal danger. Merlin is completely undirected. He is passive, with no goal in sight, and is bounced continually from pillar to post by the actions of multiple others, with individual aims he still can hardly begin to work out.
The Merlin Cycle is a very flat cycle, spinning in place and progressing only laterally. With two more books to go, can it be redeemed?

Once Upon a Time in Amber: Blood of Amber


It would be fair to summarise Blood of Amber as ‘more-of-the-same-only-different’. It’s a series of incidents with minimal advancement on the major plot purposes, which to this point amount to who is trying to kill Merlin every April 30, and just what the heck is going on anyway. This instalment looks likely to be mostly synopsis again.
Zelazny left Merlin in a blue crystal cave, the properties of which block any extra-natural communication or transportation, and the immovable boulder over the hole in the roof preventing any physical egress.
What ingenious method of escape would Merlin devise to get himself out of this trap and this stasis? I don’t want to sound too critical too quickly, but I was genuinely disappointed to find that what Merlin did was to wait for someone to come and get him and set up an ambush. It’s definitely below the standards of Corwin’s Cycle, when you could always rely on a mad hunchback magician walking through the wall.
The troops trying to retrieve him are brought by Jasra, Luke’s mother, not Luke. Merlin disposes of them ungently and catches Jasra by the neck with his pet strangling cord, Frakir, but before he can get any answers out of her, Luke Trumps in and Merlin has to escape via the first available relative, which is Flora. Who knows and hates Jasra over past ‘romantic’ clashes in Jasra’s homeland of Kashfa and is well up on the region’s political history.
Merlin tries to contact both his brief inamorata and George, the kid from Bill Roth’s area, but finds that both of them have experienced temporary bouts of amnesia and Meg in particular really doesn’t want Merlin calling round again. Still at Flora’s, he receives a mysterious Trump contact from an unknown, very cagey person, who will apparently be an enemy: it ends with him being flooded with flowers.
Flora drives him to the home of his late girlfriend, Julia, where Merlin detects a magical gateway. This takes him to a position overlooking the Keep of the Four Worlds, a source of magical power from its position astride the corners of, you guessed it, Four Worlds. The Keep is under attack from mercenaries. Merlin learns something of the Keep from a dirty, smelly deserter-hermit called Dave. (Dave? Dave? I ask you, Dave.)
Merlin learns that the Keep once belonged to a wizard named Shara Garrul, who was defeated by Jasra, turned to wood and kept as a coat-rack. He also learns that Jasra is Luke’s mother. That the current attackers are led by a six foot six inches tall mercenary called Dalt who hates Amber worse than Jasra.
Parting from Dave, gratefully, Merlin attracts the attention of the sorceror now in charge of the Keep, a figure wearing a cobalt mask like a hockey goalies’, who sets out to destroy Merlin with a shadowstorm. Merlin escapes by Trumping to Random, followed by another delivery of flowers.
After updating Random, who recognises Dalt as the son of a former enemy of Amber, Deela the Desicatrix, who ought to be dead given that he was last seen being run through by Benedict, Merlin sleeps off his shadow ‘jetlag’, awakening in the dark, eager for food.
In pursuit of fresh fish, he follows a recommendation to Bloody Bill’s, in the less salubrious part of the Harbour. He gets a friendly warning from ‘Old John’, an agent of first Oberon then Random, who is clearly intended to be Timothy Truman’s Grimjack. Despite his precautions, he’s attacked in the street but saved by men working for Vinta Bayle, Caine’s last mistress and daughter of Amber’s premier vintner.
She offers him sanctuary at the Bayle family estate, far to the north, which they reach by sailing through the night. Merlin dreams of a duel in the Courts of Chaos with his younger half-brother, Jurt, who hates him as a spawn of Amber, and which ends, despite all Merlin’s attempts not to hurt Dara’s youngest son, with Jurt losing an ear.

UK paperback

Merlin finds himself puzzled by Vinta’s attitude to him. Her eagerness to help is explicable in the context of wanting revenge for Caine, but she claims her concern is to protect him. They trade information piece by piece, much of which Vinta should not have. Merlin learns that the blue crystal can be made into stones, various of which he has collected, and used to track someone through Shadow, without Trumps. Shortly after calling the game off, Merlin receives a transmission from Ghostwheel, wanting to know if he should trust Luke: Merlin doesn’t know if his No gets through.
Merlin agrees to stay another day. Vinta is starting to get more overtly friendly to him. Later, he is interrupted by an urgent Trump Call for aid from Luke, badly wounded after Dalt has unexpectedly turned on him. Merlin tends his wounds and keeps him safe, from Vinta as well. He also takes Luke’s Trumps, which include faces he doesn’t recognise. One is Dalt. Two others are Delwin and Sand.
This pair are hitherto unknown children of Oberon, by a potentially bigamous marriage in a Shadow where time flowed quickly, placing them between Gerard and Random in the succession. But after their mother’s death, they withdrew from Amber, wanting nothing to do with the place, and still don’t. Why are they introduced? No reason pertaining to the story is given in this book. Later, whilst Luke sleeps, Merlin contacts Dalt, who wants to finish the job he started on Rinaldo. Merlin has to summon Chaos’s Logrus to sever the connection, which wakes Luke. Luke wants Merlin’s help to rescue Jasra from the Keep of the Four Worlds, in return for which he will disclose a piece of information vital to Amber’s security.
It also attracts Vinta, who reveals herself to not be Vinta but rather someone possessing her, someone who was Meg, George, Luke’s old girlfriend Gail and a certain Lady in a Lake. But she will not disclose who she really is.
By rights, Merlin should turn Luke in to Random but he allows him to remain free, having his own plan. This involves moving Luke to the blue crystal cave, though without the boulder over the entrance. He rides back to Amber overland, but en route is approached by a mysterious figure declaring itself to be his enemy.
There is a very annoying turn here. This declaration is the last line of Chapter 8. Zelazny spends the whole of Chapter 9 on various flashbacks on the theme of power; brought by Fiona to Corwin’s Pattern and pretending not to be able to walk it, hunting with Jurt, being attacked again and this time Jurt loses an eye, debating civilisation with Luke, Julia and Gail, avoiding the first April 30 attack, and being taken by Suhuy, Master of the Logrus to see ultimate Chaos. Then, after a complete chapter of irrelevant distraction, not letting us have a single clue as to who this enemy might be, said enemy is fought off with incredible ease and no clues as to who he/she might be, except that it appears to be a wolf. Where do shape-shifters come from?

US paperback

Merlin builds up an array of spells to further his plan, which is to walk the Pattern, transport himself to the Keep of the Four Worlds, retrieve Jasra (who is also doing coat rack duty by now) and bring her back without Luke being involved. Despite opposition from Mask, he succeeds. He is then abruptly summoned by a drugged-out Luke, via an irresistable Trump contact, to a crazy Alice-in-Wonderland bar where he is trapped. Luke’s vital information? Dalt is a son of Oberon, by rape of Deela the Desicatrix.
Once again we are subjected to a last moment cliffhanger, this one even more abrupt and out of left field. How much further forward are we to reaching the Cycle’s ultimate goal? Not a bit. How nearer are we to discovering what is the Cycle’s ultimate goal? Even less. Maybe in the next book.

Once upon a Time in Amber: Trumps of Doom


To the best of my knowledge, there is no-one who has compared the Second Chronicles of Amber to the First and said it stands up just as well. I certainly never did, not even when I was collecting the individual volumes in a rather neat set of themed covers in the British paperbacks. Coming to the first of these again, after a gap of maybe three decades, I’m not yet seeing anything to update that opinion.
The Second Chronicles is the Merlin Cycle, told in similar fashion by Corwin’s son, Merlin, the once and former intended King of Amber. Merlin introduces himself under the name of Merle Corey, which he’s been using for the last eight years or so on his father’s Shadow Earth: Merle is just finishing up a job as a Computer Designer.
Soon he’ll be off to do something else, that we are not immediately made privy to, but before that Merle has one outstanding task to complete. For the last seven years, some unknown individual that he’s tagged as S has been trying to kill him on April 30. Merlin desires to know who and why, though the latter is of only minor importance, especially beside the part about S not being in a position to try again next year.
It’s the same basic set-up as the Corwyn Cycle, except that there Zelazny made a deliberate thing of Corwyn’s amnesia, giving the story a direct and immediate point as well as an accelerable linear path. Merlin knows who he is, and returning readers know very well what to expect, but anybody not familiar with the First Chronicles is on a hiding to nothing trying to work out what’s going on, and not in a good way.
And Trumps of Doom doesn’t develop in any kind of progressive way, but rather just has Merlin bouncing from set-up to set-up, pursuing something not clearly defined, without ever getting to anything recognisable as a goal.
So Merlin goes charging around, alternately in pursuit and being pursued, accumulating scenes and people. These include his workmate, salesman and (we later learn) fellow Olympic candidate Luke Rinehart, his ex-girlfriend Julia, recently dumped but now found dead with half her face eaten off by non-Earth creatures, painter, mystic and weirdo Victor Melman.
Merlin faces a sorceress named Jasra, who bites him with a poison tooth. He escapes with the aid of a small number of new Trump cards showing unknown locations. These are the Trumps of Doom of the title, though only one is used, taking Merlin to the location of a sphinx who plans to riddle him and eat him. Merlin talks his way out on the basis of the Sphinx appearing to be stupid.
During his absence, at a faster time differential, Melman’s place has burned down. Merlin flies to Santa Fe in response to a message from Luke, eager to speak to him. Whilst he is awaiting Luke’s return, he is approached by a man asking questions about Luke that Merlin is cagey about answering. The man catches him offguard, leaving on asking if Merlin has ever heard Luke mention either Amber or the Courts of Chaos.

The UK edition

The stranger claims to be a potential investor checking out Luke, who denies all knowledge of him. Yes, he’s looking to work with Merle on a project called Ghostwheel, a bizarre computer system designed to work in unusual, non-earthly environments, but Merlin disclaims Ghostwheel as purely a theoretical exercise. Their conversation is interrupted by the stranger shooting at one or other of them, only to be killed by Luke. Luke forces Merlin to flee on threat of death, naming him with his true name, then disappearing with the body.
Now, you and I who have read the First Chronicles have already figured Luke for someone connected with Amber, and it’s not spoiling any dramatic tension to confirm that we’re correct. The new reader has only the aforesaid mentions of Amber and Chaos to go on, and has no idea yet of Merlin’s status, though they will be aware that there is a mystery about Merlin’s father, who is missing.
Merlin’s next move is to visit Corwin’s old friend and now attorney to Amber, Bill Roth. It’s meant to be a chill-out but one of the neighbourhood youths is acting weird (as if he’s on serious drugs), and not sounding like his real self. The next day, out walking with Bill, Merlin is summoned by Trump to return to Amber by King Random. With the boy running towards them, trying to stop him, he takes Bill with him for his first visit to Amber. (This is the self-identified ‘minor character who gets shuffled off without ever really finding out what’s going on’).
Merlin has been summoned back for a funeral. All the family are required to be present. Caine has been assassinated, and Bleys attacked, wounded but surviving. A mysterious stranger attempts to drop a bomb into the royal party at the funeral but is spotted too early by Merlin, causing the bomb to explode too high in the air. But he has succeeded in bringing working explosives into Amber. And when tested, Corwin’s Avalon-powered bullets, and a couple of rounds Merlin has retrieved from Luke, fire in Amber.

The US edition

With the assistance of his Aunt Fiona, Merlin returns to Earth to keep a mysterious rendezvous at Corwin’s old country club. Nobody arrives, but he picks up an attractive woman and goes back with her. After, they are disturbed by her husband’s unexpected appearance. When he contacts her later, she sounds completely different and doesn’t know him. Mysterious. Fiona recognises something in Luke’s photo but refuses to share her knowledge: she and Bleys disappear overnight.
Random’s main fear is of a recurrence of plotting amongst his siblings but he gets another headache when Merlin explains about Ghostwheel. This is a kind of computer-Trump, embodying the principles of the Pattern and its Chaos-equivalent, the Logrus, both of which Merlin bears within him. It can identify and locate objects in Shadow and open windows through the same. Since those widows could be used to transport the full force of, e.g., a Shadow Storm, Random orders Ghostwheel shut down.
Reluctantly, Merlin sets off to Ghostwheel’s location. This requires a very long hellride or rather hellrun as Merlin is running the way rather than getting on a horse. He keeps being faced with obstacles and orders to Go Back, but not until he is joined by Luke, who identifies the voice as Merlin’s, does he realise it is Ghostwheel, thinking for itself.
Ultimately, both are blasted away. Merlin wakes to find himself taken into a blue-crystal cave, where Luke shows him ample supplies before exiting via the roof, which he then blacks off. Before doing so, he explains that the blue crystal is completely impervious to Trump communication etc. He wants Merlin where he can find him, whilst he gets on with the business of destroying Amber’s royal family. Luke is S. He is also Rinaldo, son of Brand.
The book ends with Merlin having been a frustrated prisoner for a month.
I’m not going to go further than that for this entry. Trumps of Doom is but a template for the Second Chronicles and there will be ample time to comment on this approach when we get to later books in the series. For now, just contrast this synopsis with those for the Corwin Cycle, and meditate upon one already obvious difference between father and son: Corwin is telling an active story and Merlin a reactive one. How big a difference does that already make?