Deep Space Nine: s07 e24 – The Dogs of War


Why couldn’t they have swapped costumes?

After the tight focus of last week, the penultimate episode of Deep Space Nine was instead a ragbag of set-up across multiple plot strands, involving practically every single recurring character you could name, but not Cirroc Lofton. Only Kai Wynn and Gul Dukat failed to show their faces.

This meant a strong Ferenghi presence, and I’m hoping that the substantial amount of time dedicated to wrapping up their story will mean only a token participation in the series finale, a week from now. It was down to the usual standards. Leeta and a barely clad dabo girl demand a reduction in how much of their tips they have to give to Quark, and he’s thinking abut it when Grand Negus Zek comes on the blower to announce, through appalling static, that he’s going to retire and is appointing Quark as his successor.

Immediately, Brunt turns up to fawn all over the new Negus, and to tell him of the massive changes Zek, under Ishka’s influence, has been pushing through to turn Ferenganar from the unrestricted pursuit of capitalism. Ferenganar’s been so humonised, Quark’s disgusted enough to turn down the post, except that he’s got it all wrong: Zek’s appointing Rom instead. Quark however intends to run his bar in the old fashion unrepentantly.

There, wasn’t that worthless watching? Except for what’s probably a final appearance from Chase Masterson.

What was nearly as awful was the clowning around between Julian Bashir and Ezri Dax, one minute solemnly assuring themselves that it’s better to retain their friendship than lose it over trying to pursue a silly romantic fantasy, the next snogging each other’s faces off in a turbolift. This strand kept Worf and O’Brien in it for a couple of cameos as a Greek Chorus, looking on.

Odo is fully recovered and Bashir drops a brick in telling him how Section 31 infected him. There is a piece of what I take to be foreshadowing, as Odo reacts in disgust to the Federation’s decision not to give the cure to the Dominion in the middle of all-out War against an enemy bent on ruthless conquest (sorry, Odo, you’re being bloody naive). Given that I was not able to escape learning in advance about Odo’s final part in this series, I take it that this is a major factor in his decision.

By far and away the most important strands related directly to the War. Demar’s rebellion is betrayed and destroyed, it’s only survivors being the Big Three of Demar, Kira and Garak. They go underground on Cardassia Prime, in a cellar, to avoid capture and execution whilst Weyoun announces Demar’s death. But the populace don’t believe it, and our trio play on this to turn Demar into Legend, to raise the people.

And a new, pliant Legate takes Service under the Dominion, for whom the Female Changeling is dictating retrenchment: fall back upon a shortened, stronger defensive line, based upon the Cardassian Empire, rebuild, emerge stronger.  The Federation, being naturally timid, will settle for containment.

But Sisko argues otherwise. He has a new Defiant class ship that he’s authorised to rename Defiant, and he foresees what the Dominion expect, and urges attack: break through the Dominion lines before they can settle. Cry Havoc! and let slip the Dogs of War.

Ad a final coda, in which a hostage to fortune, and to the Prophets’ warning: Kasidy Yates Sisko is pregnant. The Emissary is going to have a baby…

Deep Space Nine: s07 e12 – The Emperor’s New Cloak


Ezri Tigan. more! more!

Even though my initial reaction to this episode was the usual, “not another bloody Ferengi episode”, I decided I’d try to be as objective (read: fair) as possible about it. Then it turned out to be another Mirror universe story which was one too many trips to the well for me on top: the Mirror Universe is a neat idea but when it’s only being exploited to allow the actors to play against character and for no deeper reason, it’s a shallow concept.

Throw in my new bete noire, Vic Fontaine (albeit for one brief scene and in which he gets killed, not that that lifted my spirits too much), and the recipe was for a wasted forty-five minutes, the only benefit of which being that, with the end sequence getting ever nearer, this would have to be the last of them, yay!

But I’m going to be as fair as I can be, as there were a couple of things of interest to keep me going.

By now, the only cast/recurring characters left who haven’t been through the looking glass are new girl Ezri, and Brunt, FCA. Both were a simple opposite, Ezri a leather clad, spike-haired mercenary (rrrrrrrr!!!) and Brunt a genial nice guy. Brunt got killed off but Ezri bestrode the episode in a manner that had my shallow side gladly singing. Nicole deBoer apparently had a whale of a time and wanted to play this Ezri every week.

On the other hand, my usual appreciation of Nana Visitor in her shiny skintight costume as Intendant Kira was lacking, I think because I was enjoying Ezri so much. Or perhaps that was another case of too many trips to the same well. With one notable exception, when Intendant Kira kissed Ezri Tigan, there was nothing new to bring to the party, and the Intendent felt almost like a parody of herself.

The heavily implied lesbian subtext between this pair (reinforced in the close by a brief appearance from Chase Masterson, cleavage well to the for, spiriting Ezri off into half the audience’s fantasies) was a surprise, but immediately felt completely natural for the Intendent. Nana Visitor didn’t agree and disliked the idea.

The MacGuffin was Grand Negus Zek, seeking to open up new financial frontiers for the Ferengi and being held hostage by Regent Worf in return for a cloaking device, to be stolen by Quark and Rom. This was duly delivered but Rom, whilst installing it in the Regent’s ship, sabotages the whole kit’n’kaboodle so that as soon as it’s used it drains all power from the ship, forcing the Regent to surrender to the Rebels under Smiley O’Brien, implying a tying off of that story.

One quickly irritating aspect of the episode was Rom’s constant attempts to work out some kind of logic and rules behind the Alternate Universe being Alternate. That was apparently intentional, a sort of half-nod, half-raspberry to the fans who wanted the Mirror Universe to make Science Fictional sense as opposed to the big joke it was only ever meant to be.

But it was over and done. No more trips to either of those wells, even if the Intendent was allowed to get away to camp another day. I guess no-one had the heart to shoot her down.

Depending on whether the end sequence has nine or ten episodes (I have seen both quoted), that means there can only be four or five left that tell individual stories unrelated to the all-out Dominion War. I’m expecting at least one more Vic Fontaine because I’m ultimately a pessimist, but at least there’s no more Quark-centrics. I have outlasted them. Thank Heaven for small mercies.

Deep Space Nine: s07 e04 – Take Me Out to the Holosuite


Who da man?

After the heavily intense episodes of the past few weeks, it was obvious that we’d get a lightweight story for a change of pace. There’s usually one quite early in every season of DS9. And ‘Take me out to the Holosuite’, which was all about having a game of baseball, was as lightweight as they come, despite the attempt to back it up with a psychological angle. In fact, it was so lightweight, you practically had to tie an iron onto it to keep it from floating away. I was prepared to be rather bored, but in fact I thoroughly enjoyed it.

The set-up is that the Vulcan-manned Federation ship T’Kundra has docked at DS9 for two weeks of overhaul and upgrade. It’s commanded by Captain Solok who is a hate figure for Benjamin Sisko, and indeed he’s a right snotty superior pain-in-the-arse from the get-go, niggling all the time about not so much Vulcaan superiority as human inadequacy.

Solok’s done this since the pair were cadets and a drunk Sisko challenged him to a wrestling match and got whupped. For a supposedly emotionless Vulcan, Solok is a seriously vindictive shit, endlessly rubbing it in on Sisko, and now he’s brought a baseball holosuite game to challenge the Captain at his own personal sport. Sisko immediately orders the senior staff – which now appears to include Nog (?!) – to form a team and win.

That’s basically it, really. The team is swelled out by Rom, Leeta, Quark and Kasidy Yates. Rom is completely inept, which is a laugh because Max Grodenchik was a semi-professional baseball player and had to play left-handed to look authentically crap. Sisko throws him off the team, which causes the others to threaten a strike unless he’s reinstated. But there’s one of those little scenes that remind us, fourteen carat klutz that he may be, Rom is a truly good bloke: he only wants to be in the team on merit and he recognises he clearly hasn’t got any, so he won’t accept a false position.

Now, you’re all expecting that, on the day, the ‘Niners’ will pull off a victory all the more stunning for being so completely unexpected, and so did I. But this episode is more subtle than that. Basically, the DS9 team get thoroughly and deservedly whupped, 10-1, and Sisko gets thrown out for touching the umpire (Odo). But the episode shapes itself around that one, consolation run, which comes about through Sisko chucking Rom in as a pinch-hitter, his accidentally ‘hitting’ the perfect bunt and Nog stealing home, producing an ecstatic response from his team that carries over into Quark’s.

Solok doesn’t get it. He blames human emotionality (Ezri pipes up with ‘Did I forget to wear my spots today? He doesn’t even know what humans look like!’), suspects an artificial attempt to turn abject defeat into moral victory, but has to exit as everyone taunts him over his emotional investment in getting one over Sisko, but really they’re just celebrating having had fun, lots of fun, and that’s what makes this episode delightful, the copious amount of fun everyone’s clearly and genuinely having.

It still doesn’t turn me into a baseball enthusiast, cricket will always be a far more subtle, complex and involving game for me (and you couldn’t fake that onscreen as easily as DS9 does), but this was fun with its boots off, and I loved it.

Deep Space Nine: s06 e23 – Profit and Lace


This was a Ferengi story, and you know how I feel about Ferengi stories. In this one, Grand Negus Zek and Ishka, aka Moogie, turn up at DS9 because Zek has been deposed for pushing to allow Ferengi females to wear clothes and make profit. The new, Acting Grand Negus, to be confirmed in three days time, is Brunt. Zek plans to fight back. This involves producing Ishka to a leading and influential FCA member to show that letting females become human beings will be profitable. Unfortunately, Quark causes Ishka to have a heart attack, so another financially brilliant female has to be found at short notice. Since there isn’t one available, Quark undergoes a sex-change operation and drags up.

If you thought this was bad up to that point, and it was, from that moment on it was a hideous embarrassment, offensive and cliched at every point, all the way into the ridiculous close. From abut halfway through, I just wanted to switch this episode off and not have to see the rest of it. I wish I had. The absolute nadir. Everyone involved in it should have been put against a wall and shot.

Deep Space Nine: s06 e10 – The Magnificent Ferengi


The man’s a star

Lads, it’s Quark.

Only it’s not just Quark, it’s Rom and Nog, and Moogie, and ex-Liquidator Brunt, and two semi-new ones in Leck and Gaila, with one previous appearance behind them each. In short, it’s Ferengi after Ferengi after Ferengi, as far as the eye can see, and you know what that means to me. I do try to approach each new episode with an open mind, but this one has been shut so long, the hinges have rusted in place.

Basically, the Dominion capture Moogie and Grand Nagus Zek wants Quark to get her back. It was going to be Zek himself but Wallace Shawn wasn’t available. In compensation for that, we do have Iggy Pop playing the part of the Vorta Yelgrun, and stealing the show with his crooked grin and the unavoidable aura of dementia underlining the character’s physical stillness. He was brilliant, the test of it was crap.

It’s difficult to watch a ‘comedy’ episode when you don’t find the characters funny at all. Basically, Quark assembles a team of Ferengi to rescue Moogie. They’re useless at the rough stuff, so instead Quark negotiates a prisoner-trade for the Vorta Keevan (see s06 e02), to take place on Empok Nor, the lop-sided DS9 look-alike station (the name of which is curiously never mentioned in the episode).

They do a deal over the handover, which is jeopardised when Rom accidentally reveals that Quark is cheating everybody else, claiming Zek’s reward to be twenty bars of latinum when it’s really fifty. In the resulting uproar, Gaila tries to shoot Quark but kills Keevan. However, Nog manages to Frankenstein him long enough for the trade to take place, the two Jem’Hadar guards to be killed and Yelgrun taken prisoner.

And for Quark and Rom to feel good about themselves, since it is now obligatory for any episode in which Quark appears in any degree of substance for him to behave in a more un-Ferengi-like manner, to show he has depths. I won’t comment further.

No, sorry to anyone who loved this, or loves Quark, for me it was just a waste of bloody time, amplified by such things as padding out the exposition by having Quark and Rom crawling along ducts, or engaging in endless running down corridors on Empok Nor, presumably to keep the episode from running short. This was the worst episode since the last Quark-centric one and it’ll be the worst episode until the next Quark-centric one, and can I go now, please?

Deep Space Nine: s06 e05/6 – Favors the Bold/Sacrifice of Angels


Battle

So the six-part (seven, if you count the final episode of season 5) Dominion War arc concluded with a two-parter of its own, and with the expected victory for the Federation in the re-taking of Deep Space Nine. This was originally intended to take a single episode, but the sheer profusion of events requiring to be covered forced its expansion, and the sheer volume of guest stars to accommodate.

Both parts were excellent, but I’m not sure if the first part, ‘Favors the Bold’, wasn’t the better of the two. Though the double-episode structure meant that it was all build-up and no resolution, after the relatively innocuous open (the Defiant acting as a decoy to attract Jem’Hadar ships to be destroyed by it and the Rotaran), the episode started on the edge, and remained on the edge throughout.

The Federation are losing the War, and morale is falling at the constantly defensive stance. The Federation needs to go on the attack and Sisko has drawn up a plan: the retaking of DS9, and regaining control of the Wormhole.

Meanwhile, on DS9, Rom is still in the cells. He’s been declared a terrorist against the Dominion and there is only one sentence: execution. Kira can’t get Weyoun to change his mind, Ziya can’t get her father, Gul Dukat, to change his mind either. Leeta and Quark are trying to encourage Rom: Quark promises he will get him out, and that’s before Leeta agrees to run the dabo wheel for two years for free.

But Rom is adamant that he is unimportant. He should not be rescued. The anti-graviton beam must be sabotaged before it can neutralise the minefield on the Wormhole. Billions of lives depend on the War. Quark must take over from him. Though Quark refuses, it’s only because he’s afraid. He’s not being Quark, not being Ferengi, he’s taking everything seriously and it’s strange but I like him better here than I ever have before.

Meanwhile, Odo has been closeted with the Female Changeling for three days, not that he’s been aware of time. They’ve been communing, both via the Great Link – which is slowly beginning to addict Odo – and the way solids do (wipes mind of image thus produced). In every way except actively, he’s gone over to the other side. Kira can’t even get in to see him.

Next, Demar, still knocking back the booze like it’s going out of fashion, lets on to Quark that the mines will be swept within the week, Quark gets this out to Sisko via Morn, and the Federation attack has to go ahead without delay: without half the planned fleets, and without the Klingons. Oh, and with Ensign Nog, who gets a promotion from Cadet!

I hadn’t immediately realised this was going to be a two-parter, though as we got into the last five minutes or so, this became obvious. The Fleet is on its way. Sisko’s back in the Captain’s chair on the Defiant. O’Brien and Bashir are trading lines from The Charge of the Light Brigade, much to Nog’s consternation, and the Dominion fleet comes up ahead: 1254 ships, outnumbering the Federation more than two to one. Let battle commence.

The title of the second episode filled me with foreboding from the outset, a foreboding that was realised, though strictly speaking it related to a different kind of sacrifice.

With the Fleet now engaged in battle, the Cardassian/Dominion War counsel, Dukat, Demar, Weyoun and the Female Changeling, takes the entirely sensible decision to arrest the Resistance: Kira, Jake and Leeta are hauled in for questioning, but once Dukat has achieved the victory he’s so delightedly anticipating, everyone’s going to be for the chop.

Sisko’s battle plan is to concentrate fire on the Cardassian ships, hoping to provoke them into the kid of direct response that will break the formation, leaving a hole the Defiant et al can punch through. Dukat recognises this and orders the necessary ships to break, intending to create a trap: Bashir recognises the tactic. But it’s all they’ve got, they’ve got to go for it.

With the aid of a timely arrival of a Klingon fleet under Martok and Worf, the Defiant breaks through, alone, and barrels towards DS9. But the time until when the mines will be eradicated is getting tight. Quark and Zyal break the Resistance out of the cells. Odo puts the agonising appeal of the Link aside to ensure Kira is not killed. She and Rom feverishly work at dsabling the station’s weapons array and succeed. There’s only a second in it. But it’s not the cliche second that saves the day. It’s a second late. The mines are cleared, a Dominion fleet of 2800 ships starts through the Wormhole and Sisko, knowing it’s suicide for everyone but having no other alternatives, takes the Defiant into the Wormhole to face them. Alone.

And here is the ending that, for many people, was a letdown, and in a way it was, because all deus ex machina endings are, by definition, a cheat upon drama, but this ending was integral to the entire Deep Space Nine arc. Because Sisko is the Emissary. And the Emissary was taken to the place of the Prophets, against his will, and there told that he is not allowed to die, not allowed to end the game. He rants and raves, demands to be returned, challenges the Prophets that, if they are Gods, they owe a duty to their children. We’re a long way from the Emissary’s complete scepticism and discomfort at his role.

And the Prophets return him, and they use their powers to sweep away, without trace, the entire Dominion Fleet. Deus ex machina, and with real deus’s who exist within the overarching storyline. You can see why people thought it weak, thought it a cheat. Is it a cheat to build just the very thing into your five-years-long-so-far story? I don’t have an answer to that. But I didn’t feel cheated on an emotional level.

But there will be a price for intervention. Sisko, who has declared his intention of building a home on Bajor, will not know peace. And before then, there will be another sacrifice.

When the Defiant emerges from the Wormhole alone there is a general consternation on DS9 and an immediate decision to head for the lifeboats, Female Changelings first. Dukat can’t believe it. They’d won. They’d won. How could this have happened?

It’s everybody out, but Dukat won’t leave without Ziyal. He’s already half-crazed, which is worsened when she refuses to leave with him. Here is her home. she is not a true Cardassian. Though she loved him, she has acted against him, freeing Kira and the rest. And Demar, who has heard all this, draws his gun and cuts her down. Dukat goes over the edge.

So Sisko and co return to DS9, to a hero’s welcome. Everyone’s there to meet them, except Kira, who’s in the infirmary with Ziya. When he hears this, Garak heads straight there. Kira informs him that Ziya loved him. Garak’s response is deeply sad: he says that he knew, but he could never understand why. Now, he never will.

Dukat is still in DS9, collapsed into madness. He is sobbing his forgiveness of Ziya, of others. He returns Sisko’s baseball, tells him he forgives him too. It is a sober moment in the middle of victory.

To be honest, I am already wondering about what happens next. I know the subject of the next episode, but it is what the series does from episode eight onwards that concerns me. The Dominion have not been defeated. They have not given up their war or their plan. The Wormhole is still there: are the Prophets going to wipe out every Dominion ship that tries to go through it?

I really hope we don’t go back to the kind of individual stories that have dominated earlier series. Things have changed irreversibly and that would be a total letdown.

However, it’s a case of waiting for future episodes to come round on schedule. I will wait and see.

Deep Space Nine: s06 e04 – Behind the Lines


Traitor

Whether it be me or Deep Space Nine, things were back on track this week, and I personally felt this to be the best episode so far of season 6.

As has bee the pattern thus far, it’s divided between the war and the station, but for a change of pace, it was the latter that formed the A story, and quite rightly so. The nature of the B story changed substantially in the writing, with several deep and complex ideas being rejected because they would have made this strand too complex to exist as the B story.

Whilst I agree with this approach, it did have the unfortunate effect of neutering that side of the episode, pushing the actual story so far out of sight, literally, as to be unimportant.

Basically, Admiral Ross orders Sisko and the Defiant on a mission to destroy a well-protected Sensor array that’s plotting the movement of all Federation ships and handing the Dominion a massive technological advantage. Then Ross promotes Sisko to become his Adjutant, putting direct command of the mission and the ship in the hands of Dax. The mission is a spectacular success, entirely offscreen: what we see is Sisko’s concerns at his crew going into danger without him.

I’m informed that Dax’s success in command is going to lead to changes in her character, but Sisko’s elevation to a position of increased authority and responsibility, and his introduction to that aspect of command that involves sending men to war whilst you remain in a position of physical safety is going to be a hard one to row back upon when the War is over: especially in so increasingly military an organisation as Starfleet.

But let’s pass on that. It’s not intended to go too deep, though it might have made a strong episode in itself if the show had been willing to go deeper into the Dominion War than they’re doing. Of far greater importance is the A story, showing the Resistance in action on DS9/Terak Nor.

I’ve got to be honest and say that this story was introduced with some astonishingly clunky writing in the open. Kira and Rom have stolen and strategically passed on Dumar’s ‘iPad’ containing his secret plan to poison the last ration of ketracel White and kill the Jem’Hadar, if the blockade of the Wormholeisn’t relieved before supplies run out. The Jem’Hadar don’t like it. A bar brawl breaks out in Quark’s, with much damage to property and person, and glee for Kira and Rom. The odea’s good, but what kills it is that we see all the action from a silent distance with Kira talking us through everything, as a virtual voiceover. It’s horribly amateurish, it’s wooden, it’s an unattractive Tell imposed on a reduced to insignificant Show.

All the more creditable that the strand should go on to develop so strong a story. The plan was very effective in the eyes of Kira, Rom and Jake, who form three-quarters of the now-established Resistance Committee, but not Odo, the fourth. Odo thought it a bad idea, for disrupting the order on the station, and had walked out without staying to learn that Kira had persuaded everyone otherwise. It makes things uncomfortable for the pair – and Odo remains passionately in love with Kira – with the Major not questioning Odo’s loyalty but coming very close to where she will start to be concerned.

This theme unfortunately gets developed much more after the arrival on the station of the Female Changeling to see Odo. She’s been trapped in the Alpha Quadrant and desires the company of a fellow shapeshifter, or so she says. She persuades Odo into entering the Link with her.

This terrifies Kira as much as it angers her. She extracts a promise from Odo not to Link again until after the war is over. He is a crucial part of the Resistance and discipline is necessary, discipline and a subsuming of personal interest to the primary task.

Dumar, Dukat’s number two, is on the lookout for favour. He’s promoted to Gul, he’s come up with a plan to clear the mines off, he’s drinking way too much at Quark’s. This latter leads him to spill the beans to Quark, who’s beginning to realise that there are more things to life that mere profits and he’d really rather like to have the Federation back, please. So Quark passes this on to the Resistance, om works out how it can be done and how that can be protected, a plan is devised whereby Odo will disable security at a specified time to enable Rom’s act of sabotage…

And Odo, desperate for more understanding of himself and the Changelings, goes into Link with the Female at exactly the wrong moment. The sabotage fails, Rom is arrested, the War is now almost certainly lost. Kira loses her rag with Odo, but the horrifying thing is that Odo hasn’t merely been derelict in his duty, he has become completely indifferent. Only the Link matters. Not even Kira.

It’s a chilling development. Odo has defected. There’s no other way of describing it. He’s done the unforgivable. It’s going to be one hell of a journey back to the side of the goodies, and in the eyes of at least one member of the audience, it’s a case of You Can’t Get There From Here.

Deep Space Nine: s05 e26 – Call to Arms


Don’t make yourself too comfortable…

This is the point that’s taken me over two years to reach, the outermost point of those evenings twenty years ago, of sprawling in front of the BBC2 showings of Star Trek: Deep Space Nine. The end of season 5, the start of the Dominion War. By the time DS9 came back, I had a house full of people, and coming in, throwing off my jacket and tie and sprawling on the couch was no longer an viable option.

I started watching DS9 from the beginning to fill in the beginning and end of a middle that, falsely, I remembered as stretching maybe as much as three seasons. When I finally caught up with my recollections, it turned out to be not even one full season. But the end of season 5 concludes that phase of the rewatch. Ahead of me lies terra incognita, just as much as if things had never gone the way they did and I had remained free to watch TV whenever I felt like it.

‘Call to Arms’ might have begun with the comic note of Rom and Leeta trying to agree a wedding dress for a ceremony in which, under Ferengi culture, she should have been naked (insert your own shallow comment here), but swiftly modulated to the tension that underlies the approach of war. The Dominion are bringing in warfleets every week, via the Wormhole, en route to Cardassia, regular as clockwork. Sisko has to take a decision: do nothing, and allow an irresistible fleet to be assembled, capable of ultimate victory when it chooses to act, or halt the incoming reinforcements, and preciptate war now.

The only choice, if victory is to be possible, is the latter: Sisko orders  the entrance to the Wormhole to be mined.

Weyoun appears, to protest, to suggest a deal by which the mines are removed and the Dominion limits itself to civilian ships, medical and economic assistance for the poor, stricken Cardassian Empire. Sisko will consult the Federation, which isn’t sending its own reinforcements, for reasons we won’t learn until the end (a Federation/Klingon attack that destroys the Dominion shipyards in Cardassian territory). No-one believes anything for a moment.

War is coming. Everyone’s preparing for it. Keiko O’Brien and the children have been evacuated back to Earth, Jake Sisko won’t go because a reporter’s duty is to be where the action is. The Romulan Empire has signed a non-aggression pact with the Dominion, Sisko advises Bajor to do the same, over Major Kira’s protests: five years ago, he was assigned to DS9 to protect Bajor after it gained its independence and that duty still remains, so he will use his position as Emissary to take them out of the firing line.

All Bajorans evacuate. Rom and Leeta get Sisko to marry them, before she is ordered to go: Rom has a duty to stay as a Starfleet member, and a duty to protect his brother, who seems for once to appreciate this. Gul Dukat’s half-Bajoran daughter, Tora Ziyal parts reluctantly from Garak. Quark starts smuggling in yamok sauce. Odo and Kira are still acting awkwardly around each other until Odo officially tells her that he’s locking away his feelings for the duration (some of these scenes are more effective emotionally than others: you can actually hear the writing staff’s cheers of relief underlying this one).

Seeding the wormhole with self-replicating mines (Rom’s suggestion) takes time, and the Defiant   will be a sitting duck until it has finished. And it is not finished when the War steps across the line between coming and arriving. A Dominion/Cardassian fleet under Gul Dukat comes to attack DS9. General Martok’s Klingon Warbird protects the Defiant. The station defends itself steadfastly, destroying 50 ships. But once the seeding is done, it is time to take the inevitable decision. Deep Space Nine is lost: the Federation will evacuate.

Not permanently. Sisko, his staff and Garak depart to join a major fleet approaching DS9. McArthur-like, he promises he will return. Quark’s bar stays open. Rom rejoins him as Assistant Manager and (self-proclaimed?) Federation spy. Jake remains as a journalist, trusting in his ‘status’ as the emissary’s son to protect him.

Major Kira, Odo and Quark officially greet Dukat’s return to Terak Nor. The Major has already initiated a Sisko-developed programme that thoroughly wipes the control room computers of any ability to function.

But although it’s not the final shot, that being the cliched one of Sisko looking defiant, the episode and the series ends with a very effective moment. Gul Dukat commandeers the station commander’s office: his again, after five long years of waiting for revenge. It has been stripped of everything, but one item, Sisko’s baseball. Dukat recognises it as a message. Sisko is coming back.

We move onwards, I move onwards towards the only real step into the future since I began this series back in October 2015. Everything until now has been backing and filling, getting up to speed with the background to that brief period of which I was already aware. Forward I go.

Next week being Christmas week, I haven’t decided yet whether or not to take a week’s break. It is a perfect point to do so, but on the other hand, habit is habit. If you don’t get a DS9 post off me next Tuesday, that’ll be why, and we’ll pick things up again in the New Year.

Deep Space Nine: s05 e20: Ferengi Love Songs


Oh boy, another Quark-episode. That’s two in three weeks. My cup runneth over.

This is going to be short because I plain did not enjoy this week’s episode, in which even the B story – once again a momentary sideshow – was a Ferengi story, about Rom and Leeta. I cannot summon the remotest interest in Quark, the Ferengi way of life, nor the fact that Deep Space Nine‘s most uncomic relief is gradually being softened by being given elements of a conscience.

To summarise: the bar is shut down because of an infestation of voles. Quark is depressed, even more so after Rom and Leeta announce that they’re going to get married. Rom suggests he go visit their mother. When he does, Quark discovers Moogie is having an affair with Grand Negus Zek, which has to be kept secret. However, it’s known to Quark’s old enemy, Brunt, FCA, who bribes him to poison the relationship in exchange for getting back his Business Licence. Quark does so, though why anyone believes him is always a mystery because he’s the most unconvincing liar of all time, since Shimerman puts him into a most artificial and blatant change of voice and demeanour. Sigh.

So Moogie is heartbroken but Quark’s restored. Zek summons him to become his First Clerk, whereupon Quark immediately learns that the Grand Negus’s memory is going (had Altzheimers been named in 1996?). Between them the economy drops 199 points in a day, which was all part of Brunt’s plan: he wants Zek ousted as Grand Negus and to take over himself. Quark, having developed something of a conscience through too much exposure to Hu-mons, helps Zek fight everyone off (totally offscreen and thus totally a cop-out) before revealing that all his helpful suggestions came from Moogie. She’s reinstated, Brunt threatens that he’ll watch Quark, that story’s over after what felt like several hours.

Rom and Leeta? The wedding’s off after Rom, disturbed by gossip about him not being a traditional Ferengi male, tries to get Leeta to sign awaiver of all claims on his profits and she refuses. The two are miserable until Rom gives all his profits away to charity, whereupon they snog on the promenade and I would be envious of Max Grodenchik if he weren’t wearing so much Ferengi make-up that he probably couldn’t feel a thing.

Next week’s episode will be considerably better and more entertaining. By definition.

Deep Space Nine: s05 e16: Dr Bashir, I Presume


Happy Families

When the opening shot of an episode features Chase Masterson’s cleavage framed exactly in the centre of the screen, it immediately gives the episode an uplift. Of course, being in the first part of the open, it also isn’t going to be the A-story. What it is is an amusing, occasionally embarrassing tale of the Love That Dare Not Speak It’s Name, only it’s got nothing to do with Homosexuality in Nineteenth Century London and everything to do with Rom being so bleeding afraid to tell Leeta he loves her, even in the face of her… heartfelt desire for him to do so, that he’s prepared to let her leave DS9 forever rather than risk his fate to a mere 99.9% probability that she’s interested in him. I knew exactly how he felt.

But that was a B story, amusing as it was and pleasing as it always is to see Ms Masterson showing off her… talents (actually, to be serious, she does bring a genuine sweetness and a perfectly judged strand of self-mockery to a role that is practically the definition of one-note and which, in the hands of a less talented performer, could be an utter disaster), and it struck the improbable note of a happy conclusion as Rom finally finds his voice at the last second, though speaking as the unprepossessing dumb-cluck, I can’t quite get over the notion of someone who looks like her falling from someone who looks like me… sorry, him: somebody’s been at the Magic Wish-Fulfillment Juice with a vengeance.

But, as the story title indicates, that’s not the A-story. Nor, originally, was the A-story seen as anything better than a B-story, itself a comic episode. Special Guest Robert Picardo, already firmly fixed in Star Trek lore as the Hologram Doctor in Voyager, turns up in the person of his human avatar, Engineer Dr Lewis Zimmerman. The Emergency Medical Hologram programme which he’s invented is being upgraded to a Long-term Medical Hologram, and our Julian has been chosen as its template.

As a B-story, it would have been the comedic underbelly to a meatier A-story. The producers weren’t interested in the original A-story, but loved the B-story. It wouldn’t go down as a comedic episode so something more dramatic had to be brought in. In retrospect, the fact that Bashir’s background had never previously been featured, and that a host of small asides down the years fell into place as if there had all along been some secret in his past facilitated quite an explosive revelation.

Quite simply, Dr Julian Bashir is the product of childhood genetic enhancement which, in the Star Trek universe, is illegal. If discovered, he will be cashiered from Starfleet and his medical licence withdrawn. Everything he is, does and has accomplished, everything he could do, will be destroyed.

That it may now be exposed is due to the fact that Zimmerman, whilst he’s not trying to get into Leet’a Bajoran knickers, has to build a comprehensive psychological profile of the good Doctor for the LMH, which means interviewing everyone who does or ever has known him. Which includes his parents, who still call him by his birth-name, Jules.

Now, it’s believable that Bashir has been avoiding his parents out of shame over his blowhard father, Richard (played by Brian George, nowadays better known as Raj Koothrapalli’s father on The Big Bang Theory). But the shame goes deeper than that: Jules was, it appears, backwards, as it would once have been called, both physically and mentally, it would appear. So his father took him off-planet to be operated on, creating the brilliant and talented Julian we have always known.

Now that it’s likely to come out – originally the story would have confined the secret to Bashir and O’Brien, secured by a double-blackmail over secrets Zimmerman wanted kept, but Alexander Siddig insisted on things being brought out into the open and thestory is better for it – the secret comes out when the Bashir’s promise complete secrecy, except that it’s to the LMH Julian. And suddenly, the bitterness pours out.

It’s a deep, corrosive bitterness that seems to be couched in shame of his parents, but it goes much too far for that. Alexander Siddig, who only found out about his character’s secret the day before filming started, is on brilliant form. Bashir is angry, angry about everything, seeing the changes wrought on him by a loser father anxious to make some kind of mark on the world, as arising from Richard’s shame at having a son who appeared to be a failure like him. His change of name to Julian was to divorce his past from his present.

But he’s too handy with words like freak, and unnatural for that to come solely from outside. Siddig shows us that Julian is ashamed of himself, of his difference from others, that he has inflated the deliberate creation of his abilities into a full-scale separation from humanity.

He’s too consumed by his own self-hatred to see anything in what his father has done but hatred of the little boy nature produced. Inevitably, given the nature of Deep Space Nine, this mental state is cured by two things: a simple declaration from his mother, as to the fear they felt, the despair at being responsible for what Jules was born as, and that what was done was simply out of love, for their son, and his father sacrificing himself to two years imprisonment as the quid pro quo for Julian’s career, licence and commission being saved.

Siddig was right: it would have been impossible to play Bashir as a man containing a secret whose revelation would have such drastic effects in a weekly series that would basically ignore this development from week to week. So a string story came together basically by accident and its own internal logic impressing itself by fits and starts. Art is crazily wonderful, sometimes.

Incidentally, until we get to the end of the last episode of the season, this set-up is the last memory I have of DS9 in the Nineties. So it’s back to almost-fresh programming for the next nine weeks.