The plot attempts to be complex but is actually very simple.Fed-up of a two-hour freeway drive to work each day, Charlie Hume moves himself and his wife Marion into an apartment in town that’s 15 minutes away by bus and rents his house out to a ‘Mr and Mrs Thatcher’. The Thatchers make extensive changes, have visitors all of the time and generally act suspiciously.
Instead of being crooks, they turn out to be Law Enforcement. Charlie’s house has been fitted out with elaborate, concealed but comprehensive surveillance and is being used to offer bribes to City Councillors and Zoning Commissioners to vote a certain way over prestigious undeveloped land.
There’s a degree of confusion over the truth of this, necessary only to extending the story to last 46 minutes and doing little to puzzle the audience over what to actually believe (or, in at least one case, interest the audience enough to care all that much), but ‘Thatcher’ is not ‘Thatcher’, nor is he ‘Dylan’, as he claims to be when he shows the upset Charlie and Lou what they’ve done to keep Charlie from voiding the Lease, he’s actually Collins of the State’s Attorney-general’s Office, not LAPD as he let them assume.
Lou Grant being Lou Grant, it had to have it’s liberal viewpoint, here represented by Rossi, angry over the whole concept of Police entrapment. It’s a valid point: on the one hand, Law enforcement believes these people are dirty and willing to go on the take, and are setting out to get hard evidence of that, on the other these people have only committed bribes because Law enforcement has offered them the money. Would the crime exist if the ‘Police’ hadn’t sought it out?
You’re not going to get answers here, and it’s infuriating to have a question like that, which is a serious issue in a modern society, being raised in such a wishy-washy fashion, with one simplistic argument on each side and withdrawing with a determination to to reach a conclusion.
The show does try to hint at where its instincts lie but in an oblique manner that doesn’t begin to work. at the top of the episode, Rossi is sent out to Hollywood Boulevard after a sighting of a missing woman. Trying to get information, he speaks to a long-legged, blonde-haired, short-dressed woman who’s actually an undercover Policewoman. So he’s sensitive to the appearance of malfeasance that might not actually be malfeasance, but rather be unfortunate circummstances.
Which is then echoed, ineffectually, at the bottom of the episode when Rossi interviews the soon-to-be-indicted Councilman Garvey, who presents his intended defence as his having heard of corruption and been conducting his own investigation, taking the money to help iidentify who is behind this. It’s ineffectual because we see Rossi fall into the sting innocently, but Garvey only comes up with this excuse after he’s denied things utterly, and John Considine plays him as shifty.
Speaking of actors, Thatcher was played by Larry Linville. I very rarely recognise guest stars’ in the credits but Larry Linville played Major Frank Burns in the early series of M*A*S*H*, so it was nice to see him again.
So, no, not for me this time. And I think it was the episode that’s at fault, not the blogger.