Normally, I split last week blogs into two parts but after episode 9 I couldn’t think of enough things to say to warrant it. The trouble is, I’m in pretty much the same boat after episode 10.
The problem was that two names became pretty important in the funneling of efforts towards the end. One was Jonas Ravnberg, Line’s murder victim from episode 6, who who turned out to have a red Saab that may have been checked out in connection with the abduction of Cecilia, she of the case where there was the evidence tampering that has seen Wisting cut loose on suspension. The connection was not seen before because Ravnberg’s name was misspelled in the Cecilia case (I’m not even sure I’ve spelt it right here).
It took me a long time to work out what significance Ravnberg had to the story so far. The other name was Daniel Flom, a photographer who seemed to be involved somewhere in the Cecilia case (was he Cecilia’s ex-boyfriend or something like that?) Anyway, he came on the scene because the fit hot 16 year old blonde Linnea (who we discovered to be alive and imprisoned in a near-replica of Sisse’s basement in the recent Darkness: Those Who Kill: is there no originality, even among serial killers?) turned out to have had saucy pictures taken to further a would-be skin-showing modelling career, and he was the photographer.
But I couldn’t really place either in the drama so I was lost a bit through episode 9 and, to be honest, not really caring. Anyway, Wisting went too far in trying to solve the case himself. Having finally persauaded Line to team up with him, they discovered that Ravnberg’s friend, the one who took his dog in, was wearing an axe in his back but that the Police were far keener on arresting Wisting for Obstruction of Justice.
Things got better in part 10. Haglund’s lawyer got Wisting out on bail. Ravnburg’s old girlfriend, Marelen Torunn, came up with a parcel, addressed to Wisting, containing an old video tape showing the genuinely disturbing sight of a clearly petrified Cecilia, blood-smeared and in a tight-fitting dress, nervously dancing for whoever was taking the film. And Marebel provided an address.
Meanwhile, young Benjamin was following Daniel Flom, with Hammer and one of the other members of Wisting’s team, whose name I never got over five weeks, in hot pursuit. Converging pursuers, but not so. They were the red herring: Flom had retreated somewhere isolated to hang himself, but Benjamin saved his life. There was a moment that rose above the general fare as Flom admitted that, yes, he had a thing for scantily clad sixteen year old blondes, but that he only took photos. he had sublimated his kink into photographs, but he never touched them.
Wisting and Line are on their way to the right place, though somehow the pathetic Frank, plus rifle, had gotten there before them, not that there seemed to be an explanation why. More time was given to Line’s renewed relationship with Tommy, the man who ‘ruined her life’, being caught with her with speed and cocaine, and crashing Line out of Police College. Except that they were her drugs and he took the blame and he ruined his life for her sake. If the whole Tommy thing had been of any significance instead of just passing interest, this would have mattered. As it was, Wooden Wisting didn’t react to this revelation at all.
So the Wistings and Frank found poor Linnea, alive, and poor Frank cracked, putting down his rifle where any self-respecting serial killer arriving whilst all the rescuers are bunched in the dungeon could just pick it up. Frank lost it, thought the girl was Ellen, his niece, whose name was scratched into the wall above the one we saw Linnea scratch earlier. Frank thought he’d saved her, and Frank died in that blissful moment, shot with his own rifle by the true killer, the one it had been all along, the supposedly innocent man, Vidor Haglund, the only one left it could plausibly be.
Wisting brought him in, beaten, bloody and soaked. His innocence was proved and he was reinstated. But just who had tampered with the evidence? Someone entered his cottage, looking for the tell-tale evidence against her. Her, it was a her, the arm, the leather glove, a dead giveaway. and by then there was only one plausible culprit, Chief of Police Anne Vetti. Who fixed the evidence to get the killer, and to boost the Police’s morale over the case, for exactly the reasons everyone was convinced Wisting did it. And was stupid enough to admit it without once suspecting Wisting was taping her. Silly woman: if he was expecting you to show up and steal the evidence, why on earth would you not expect him to have a mobile phone taping the conversation from behind the curtain?
Next week, it’s a new series of Inspector Montalbano, which I believe to be very good but which, like Spiral and for the same reasons, I’ve never watched because I didn’t get in at the beginning. So, a few weeks off for me. Wisting was distinctly average, unlike Iceland’s contribution to the Saturday night Scandies. I’d watch another series if they make one, and there are plenty of other books to adapt, even two at a time, but the truth is it’s not good enough to be good and not bad enough to be fun snarking.